Epic Land is a celebration in pictures and words of the arresting beauty of the landscapes of Namibia and of the centrality of land in the culture, history, politics and daily lives of its people. The book seeks to uncover the rare essence that marks the landscape of Namibia apart from all others.

Few countries in the world are richer than Namibia in its canvas of natural beauty. The landscape is one of rich and often harsh contrast with many changing moods. A journey through its landscape is infinitely rewarding. Within this book this progression is depicted. The dramatic scenery of remote deserts, mountains, mystical trees and stormy shores are the equal of any.

Through her captivating photographs and absorbing text, Amy Schoeman shares with the reader the strange beauties of her life’s passion. The superb photographs capture the life of the desert, its forms and colours, and the moods of its ever-changing landscapes.

The safari design aesthetic has yoked hi-tech, high-end architecture with traditional low-tech African craft and fused them in a new genre of highly original, courageous and soulful – even sexy – architecture and interiors. This is design that, while rooted in Africa, possesses an international appeal that is beginning to influence aesthetic ideas the world over.

Safari Style Africa showcases a selection of lodges where these elements of design dialogue beautifully with the environment.

Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

"Around South Africa in Eighteen Days" documents the author's journey to the country s most scenic and photogenic areas.

The book is divided into eighteen sections, each one representing a day in a different area. The beautiful photographs and witty captions make for pleasant reading and for contemplating your own trip to far-flung regions.

The book may also inspire readers to move away from their coffee tables and couches and make the eighteen-day trip themselves, as it gives practical advice on the route and the photographic equipment that is needed to make this journey a successful photographic expedition

Daar is al soveel oor Jan Smuts geskryf. Smuts is in baie opsigte steeds ’n raaisel, veral wat sy komplekse persoonlikheid betref.

Hierdie chronologiese rangskikking van foto’s uit sy lewe bied ‘n beeld van hom as mens, staatsman, bevelvoerder en politikus.

Dis ’n visuele reis deur die lewe van een van ons grootste staatsmanne.

It has been said that the best-known South Africans outside South Africa is Nelson Mandela and Jan Smuts. Smuts is regarded as the most prominent Afrikaner ever and one of the most influential world leaders of his time. So much and so many books have been written about him, but because of his complex personality, some aspects of his life remains a mystery.

In this photobook his life is captured chronologically in photographs, some never published before. Foreword by Fransjohan Pretorius and background information by Richard Steyn.

Renowned South African photographer Ranjith Kally captured iconic scenes throughout his career, such as his portrait Umkumbane, which has come to symbolise the shimmering jazz age of African townships in the 1950s.

When Miriam Makeba returned to Maseru, Lesotho, for a concert for black South Africans at the height of apartheid, Ranjith, too ventured to Lesotho and returned home with a remarkable image of an exiled singer poised between joy and heartbreak. And in a series of unflinching portraits, he documented with probity the horror of the forced removals in Natal.

As one of our country’s most prolific photojournalists, Ranjith’s pictures provide us with a glimpse into the tensions of the past and the events that shaped our future.

‘An important piece of fashion history.’ – Vogue

Intimate and elegant photographs taken just before Kate Moss’s rise to fame, in a stylish new edition

This gorgeously produced book features intimate portraits of a young and undiscovered Kate Moss, taken in the early 1990s by her then-boyfriend, Italian photographer Mario Sorrenti. Seen by Calvin Klein, the photographs gave life to the famous Obsession campaign, which launched Moss to international superstardom.

Sumptuously reproduced in tritone, Kate is a stunning photographic portfolio of one of contemporary culture’s most iconic figures. It includes an introductory essay by Sorrenti, which puts the work in its uniquely personal context. This book, which celebrates the dawn of two legendary careers, and the start of the highly influential aesthetic of 1990s fashion photography, is a must-have for Kate Moss’s fans, for fashion devotees, and for lovers of traditional portraiture and fashion photography.

Charles III: The Making of a King celebrates the new King in the year of his coronation. The beautiful gift book includes a timeline of key events from Charles' life, and explores the future of the monarchy through photographs and paintings of the wider royal family, including Diana, Princess of Wales, Camilla, Queen Consort, William and Catherine, Prince and Princess of Wales, Harry and Meghan, Duke and Duchess of Sussex, and Prince George of Wales. Presenting family photographs alongside important formal portraits, this book features works by key artists who have depicted the King from 1948 to the present day, such as Nadav Kander, Cecil Beaton, Marcus Adams, Lisa Sheridan, Lord Snowdon, Joan Williams, Patrick Lichfield, Norman Parkinson, Bern Schwartz, Carole Cutner, Bryan Organ, Terence Donovan, Nicola Philipps and Mario Testino.

An instant Number One New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out on an ambitious project: to single-handedly create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in his attempt to capture ordinary New Yorkers in the most extraordinary of moments. The result of these efforts was "Humans of New York," a vibrant blog in which he featured his photos alongside quotes and anecdotes.

The blog has steadily grown, now boasting nearly a million devoted followers. Humans of New York is the book inspired by the blog. With four hundred colour photos, including exclusive portraits and all-new stories, and a distinctive vellum jacket, Humans of New York is a stunning collection of images that will appeal not just to those who have been drawn in by the outsized personalities of New York, but to anyone interested in the breathtaking scope of humanity it displays.

Heartfelt and moving, Humans of New York is a celebration of individuality and a tribute to the spirit of a city.

Africa State of Mind gathers together the work of an emergent generation of photographers from across Africa, including both the Maghreb and sub-Saharan Africa. It is both a summation of new photographic practice from the last decade and an exploration of how contemporary photographers from the continent are exploring ideas of 'Africanness' to reveal Africa to be a psychological space as much as a physical territory - a state of mind as much as a geographical place. Dispensing with the western colonial view of Africa in purely geographic or topographic terms, Ekow Eshun presents Africa State of Mind in four thematic parts: Hybrid Cities; Inner Landscapes; Zones of Freedom; and Myth and Memory. Each theme, introduced by a text by Eshun, presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities and multitudinous conurbations of the continent, turning the legacy of the continent's history into the source of resonant new myths and dreamscapes and exploring questions of gender, sexuality and identity. Each of the photographers seeks to capture the experience of what it means, and how it feels, to live in Africa today.

Lions are the stuff of legends. Revered and feared in equal measure, both majestic and terrifying, they once reigned supreme over an extensive domain. But this once-dominant beast’s original range has contracted by some 85%, and the world population is thought to have dropped to just over 20,000 individuals. The IUCN Red Data List now classifies lions as Vulnerable, and the West African subpopulation as Critically Endangered.

Not only are lion numbers crashing, but the remaining populations cling to their existence on ever smaller, more fragmented pockets of land. Feared and despised by farmers trying to eke out a living on marginal land, lions are increasingly being exterminated or repurposed for commercial gain. Trophy hunters pay extortionate sums to bag specimens in their prime, and lion bones are being sold for the roaring Eastern trade in ‘tiger wine’.

This landmark book aims to halt the downward spiral. It takes you on a journey across the continent and into the lives of rangers, scientists and communities, and the majestic creatures they work to conserve. Along with the bad news about today’s lions, it offers a message of hope, showing how innovative conservationists are rethinking our approach to human-lion coexistence.

This book, with its searing, inspiring images and vivid accounts from the experts and foot-soldiers of conservation, brings the plight of lions to the attention of the world and is an urgent plea for the actions that need to be taken before it’s too late.

London a Pictorial Journey is a new collection of 500 stunning, full colour photographs of London by world-renowned travel photographer, Steve Vidler, previous creator of many popular titles, including Portrait of London. As you turn the pages, follow Steve Vidler on a pictorial journey from Greenwich in the East through the heart of London to Windsor in the West. This beautifully presented hardback book offers a visual journey that captures the essence of the capital city.

Rihanna invites you into her world with this stunning visual autobiography.

From her Barbados childhood to her worldwide tours, from iconic fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Many of these images have never before been published.

This large-format book is 504 pages with 1,050 color images on 3 paper stocks and 7 single- and double-page gatefolds, 9 bound-in booklets, 1 tip-in sheet, and a double-sided, removable poster.

The relationship between the practice of dance and the technologies of representation have excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.