Popular television programmes highlight the satisfaction that can be gained from investigating the history of houses, and there is always plenty of interest in the subject, with archives becoming ever more accessible with access to the internet. As the subject covers a broad field, the authors have set out to include advice on those aspects that usually apply to a project and others that will be of particular use for beginners. The reader is guided through every stage of research, from the first exploration of the archives to the completion of the task. Suggestions are also included on how to present the findings - a house history makes a very attractive gift. The authors describe how to deduce the age of a property (it is very seldom directly recorded when a house was built) and characteristics of research on particular types of property - such as cottages, manor houses, inns, mills, former church properties, and farms - are discussed. In one example, research demonstrated that a farm was likely to have been a Domesday manor - a fascinating discovery achieved using records accessible to any beginner.

In Living on the Edge, the author goes in search of the most amazing and seemingly unfeasible buildings which are situated at the edge of deep chasms and on steep cliffs. These houses are the work of architects who approach complexity and difficult conditions with imagination and a talent for thinking outside of the box. This book shows how, with the help of innovative techniques, fear of heights-inducing homes have been built at the most challenging locations all over the world. Living on the Edge is a book for architecture lovers without fear of heights!

Crime and the fear of crime are issues high in public concern and on political agendas in most developed countries. This book takes these issues and relates them to the contribution that urban planners and participative planning processes can make in response to these problems. Its focus is thus on the extent to which crime opportunities can be prevented or reduced through the design, planning and management of the built environment. The perspective of the book is transatlantic and comparative, not only because ideas and inspiration in this and many other fields increasingly move between countries but also because there is a great deal of relevant theoretical material and practice in both the USA and the UK which has not previously been pulled together in this systemic manner.

This book directly addresses the major planning debate of our time - the delivery and quality of new housing development. As pressure for new housing development in England increases, a widespread desire to improve the design of the resulting residential environments becomes evermore apparent with increasing condemnation of the standard products of the volume housebuilders.
In recent years central government has come to accept the need to deliver higher quality living environments, and the important role of the planning system in helping to raise design standards. Housing Design Quality focuses on this role and in particular on how the various policy instruments available to public authorities can be used in a positive manner to deliver higher quality residential developments.


eBook available with sample pages: 0203186060

260 beautiful color photographs capture the beauty and charm of historic and recently designed boathouses at private residences, rowing clubs, preparatory schools, and colleges. Together they provide an historical appreciation and architectural inspiration of this classic building form.In the United States, boathouses belonged with straw hats, parasols, and lovely picnic lunches as part of the Gilded Age, when some people had the wherewithal to build housing for their boats and time to enjoy the rivers and lakes. Many of the boathouses shown are unique, using local resources and materials in their construction. For vacationers in rural New England or upstate New York, boathouses were a part of their summer vacation. Today, many old ones are disappearing through weather, neglect, fire, and vandalism. However, increasingly, schools are building and restoring boathouses on their campuses. Jeff Peterson, a rower and an award-winning architect, wrote the foreword. His Cambridge, Massachusetts, firm has designed boathouses and rowing tanks from Florida to Washington state, and in several foreign countries.

Notable writers-including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow-celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past What can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past. Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home-from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London. With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home. Featuring Alexandra Harris on moving house Susan Walker on Morocco's ancient Roman House of Venus Hermione Lee on biographical quests for writers' houses Margaret MacMillan on her mother's Toronto house a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"-the house in which Louisa May Alcott wrote and set her novel Little Women Felicity James on William and Dorothy Wordsworth's Dove Cottage Robert Douglas-Fairhurst at home with Tennyson David Cannadine on Winston Churchill's dream house, Chartwell Jenny Uglow on Edward Lear at San Remo's Villa Emily Lucy Walker on Benjamin Britten at Aldeburgh, England Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City Rebecca Bullard on Samuel Johnson's houses a poem by Simon Armitage, "The Manor" Daisy Hay at home with the Disraelis Laura Marcus on H. G. Wells at Uppark Alexander Masters on the fear of houses Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life a poem by Bernard O'Donoghue, "Safe Houses" Roy Foster on W. B. Yeats and Thoor Ballylee Sandra Mayer on W. H. Auden's Austrian home Gillian Darley on John Soane and the autobiography of houses Julian Barnes on Jean Sibelius and Ainola

Leicestershire and Rutland, occupying the area between the Great North Road and Watling Street have seen the movement of armies from Roman times to the Civil War, with the decisive battles of Bosworth and Naseby fought within or close to their borders. The Victorian era saw the development of both the regular and volunteer forces that would later fight in two world wars, while the development of military flight in both defensive and offensive roles was a twentieth-century theme. Leicestershire and Rutland witnessed defence against the Zeppelins in the First World War; jet engines and US airborne forces in the Second World War; and elements of Britain's nuclear deterrent during the Cold War. The eavesdroppers of the 'Y' Service at Beaumanor Hall provided much of the raw material for Bletchley Park's code-breakers during the Second World War. Evidence of this military activity is visible in the landscape: castles of earthwork, stone or brick; barracks and volunteer drill halls; airfields, missile sites and munitions factories; pillboxes, observer corps posts and bunkers. This book places sites into their social, political, historical and military contexts, as well as figures such as William the Conqueror, Richard III, and Oliver Cromwell.

325 beautiful color photos celebrate the dignity of living in small houses. Read the history of small homes, scrutinize why small homes are popular, and identify the people attracted to small living spaces. Explore the concept of dual-use space, as well as flexible and built-in furnishings. Chapters are devoted to the living room, dining room, kitchen, bedroom, and bathroom. Furniture, appliances, outdoor furnishings, sliding doors, and tiny buildings in kits are among the products explored here. A carefully constructed directory lists resources. Packed with useful design ideas and creative products that coax the most from small living environments, this book is a must for all who seek practical ideas.

Castles and colonists is the first book to examine life in the leading province of Elizabeth I's nascent empire. Klinglehofer shows how an Ireland of colonising English farmers and displaced Irish 'savages' are ruled by an imported Protestant elite from their fortified manors and medieval castles. Richly illustrated, it displays how a generation of English 'adventurers' including such influential intellectual and political figures as Spenser and Ralegh, tried to create a new kind of England, one that gave full opportunity to their Renaissance tastes and ambitions. Based on decades of research, Castles and colonisers details how archaelogy had revealed the traces of a short-lived, but significant culture which has been, until now, eclipsed in ideological conflicts between Tudor queens, Hapsburg hegemony and native Irish traditions, -- .

This previously unpublished work is essential reading for anyone who has followed Marco Frascari's scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one's own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.

Lavishly illustrated account of forty magnificent country houses, destroyed in the last century. The Lost Country Houses of Suffolk, well-researched and written and copiously illustrated, will help the reader to imagine the county's landscape refurnished with the many elegant mansions which are now sadly lost. JOHN BLATCHLY During the twentieth century some forty of Suffolk's finest country houses vanished forever, a few by fire, but more frequently through demolition, either because uneconomic to run, or through the deterioration oftheir fabric. This book relates their tragic stories, with lavish use of engravings, images and pictures to bring to life what has now gone forever. It offers an account of each house [its history, its family, its architect], with a description of the buildings, and particular information on how it came to be destroyed. The houses are put into their wider context by an introductory section, covering the economic and social circumstances which caused difficulties for the owners of country houses at the time, and comparing the loss in Suffolk with losses in England as a whole. Houses covered: Acton Place, Assington Hall, Barking Hall, Barton Hall, Boulge Hall, Bramford Hall, Branches Park, Bredfield House, Brome Hall, Campsea Ashe High House, Carlton Hall, Cavenham Hall, Chediston Hall, Downham Hall, Drinkstone Park, Easton Park, Edwardstone Hall, Flixton Hall, Fornham Hall, Hardwick House, HenhamHall, Hobland Hall, Holton Hall, Hunston Hall, Livermere Hall, The Manor House Mildenhall, Moulton Paddocks, Oakley Park, Ousden Hall, The Red House Ipswich, Redgrave Hall, Rendlesham Hall, Rougham Hall, Rushbrooke Hall, Stoke Park, Sudbourne Hall, Tendring Hall, Thorington Hall, Thornham Hall, Ufford Place.

Providing access to over 6,500 house designs published between 1850 and 1915, this work is indexed by architects' or designers' names as well as by the geographic location of each house when given in the periodical. It also includes a geographic index of architects, an annotated bibliography of the periodicals indexed, and an illustrated section with samples of the designs included in the index.

Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the special nature of an art museum, a national museum, or a science museum, but "house museum" nearly always requires clarification. In the United States the term is almost synonymous with historic preservation; in the United Kingdom, it is simply unfamiliar, the very idea being conflated with stately homes and the National Trust. By analyzing the motivation of the founders, and subsequent keepers, of house museums, Linda Young identifies a typology that casts light on what house museums were intended to represent and their significance (or lack thereof) today. This book examines: * heroes' houses: once inhabited by great persons (e.g., Shakespeare's birthplace, Washington's Mount Vernon); * artwork houses: national identity as specially visible in house design, style, and technique (e.g., Frank Lloyd Wright houses, Modernist houses); * collectors' houses: a microcosm of collecting in situ domesticu, subsequently presented to the nation as the exemplars of taste (e.g., Sir John Soane's Museum, Isabella Stewart Gardner Museum); * English country houses: the palaces of the aristocracy, maintained thanks to primogeniture but threatened with redundancy and rescued as museums to be touted as the peak of English national culture; English country houses: the palaces of the aristocracy, maintained for centuries thanks to primogeniture but threatened by redundancy and strangely rescued as museums, now touted as the peak of English national culture; * Everyman/woman's social history houses: the modern, demotic response to elite houses, presented as social history but tinged with generic ancestor veneration (e.g., tenement house museums in Glasgow and New York).

The Urban Towers Handbook
Eric Firley and Julie Gimbal with Philippe Honnorat

For well over a century, the modern skyscraper has provided an ingenious solution to high-density living and working - accommodating the greatest number of people in a building with a minimal footprint. In the contemporary context of drastic urban growth, its role can only gain in importance. The question is how to avoid past mistakes and how to conceive the tower as a positive component of an existing or newly created urban fabric. In a thoroughly analytical and comparative way "The Urban Towers Handbook" provides answers to these questions and serves as a reference book and design tool for architects, planners and developers alike. Its comprehensive graphic documentation includes not only aerials and to-scale plans and sections, but also purpose-made photography, drawings and diagrams.

The core of the book is made up of over fifty case studies which have been classified according to three major typological groups and their respective sub-groups: solitaires, clusters and vertical cities. Twenty-one of these examples feature detailed documentation, including classics such as the Rockefeller Center in Manhattan and Torre Velasca in Milan, as well as contemporary milestones such as Roppongi Hills in Tokyo and the making of Sheikh Zayed Road in Dubai. Among others, several districts in Hong Kong, Shanghai and Sao Paulo have been analysed as existing examples of vertical cities. The case studies section of the book is consolidated by a second section that outlines high-rise regulations in seven cities around the world, and highlights how planning authorities use tall buildings for the realisation of their urban goals and visions. The third and final section of the book addresses the uneasy relationship between high-rise structures and sustainability, placing the emphasis on the urban implications.

Over the course of the long 18th century, many of England’s grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities. Increasingly accessible to tourists, and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. Touring and Publicizing England's Country Houses in the Long Eighteenth Century examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists’ diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century, and an extraordinary and controversial influence in British culture today, country-house tourism is a topic of rich debate for students, scholars and patrons of the heritage sector.

Medieval castles were not just showcases for the royal and powerful, they were also the centerpieces of many people's daily lives. A travel guide as well as a historical text, this volume looks at castles not just as ruined buildings, but as part of the cultural and scenic landscape. The 88 photographs illustrate the different architectural concepts and castle features discussed in the text. The book includes glossaries of terminology, an appendix listing all the castles mentioned and their locations, notes, bibliography and index.

Housing the Future - Alternative Approaches for Tomorrow offers three perspectives on the problems of housing today with an eye on tomorrow. It brings together world-leading practising architects with academics from seven countries and teams of international students. World leaders in the field of residential design such as UN Habitat Award winner Avi Friedman present built projects whose design criteria and aims they lay out in text. Academics from the UK, the USA, Spain, Germany and elsewhere follow these project descriptions with extended essays from a more theoretical perspective but remain focused on the realities of practice. Finally, ideas on current housing problems from the next generation of designers are brought together in student projects from Europe and North America. With an introduction by Dr Graham Cairns, this book highlights the practice of residential design internationally at a time when affordable housing provision is seen as a critical issue by designers, planners and policy makers alike.

Originally published in 1995, this book unravels the history of the 'temporary bungalow' and shows that perhaps it was more a question of providing a new peace-time product for factories than a means of providing accommodation for the homeless. Built in a period of housing history which remains fascinating for architects and planners and admired by some of their first occupants but berated by others, those prefabs remaining today are subject to preservation orders but also perhaps offer a solution to the ongoing housing crisis in the UK. The book includes chapters on the development of the prefab house in the UK; comparisons with temporary housing programmes in the USA, Sweden and Germany; political and economic considerations to the UK Temporary Housing Programme and a discussion of the design of the Arcon, Uni-Seco, Tarran and Aluminium Temporary Bungalows.

Nation-states have long used representational architecture to create symbolic identities for public consumption both at home and abroad. Government buildings, major ensembles and urban plans have a visibility that lends them authority, while their repeated portrayals in the media cement their image as icons of a shared national character. Existing in tandem with this official self, however, is a second, often divergent identity, represented by the vast realm of domestic space defined largely by those who occupy it as well as those with a vested interest in its cultural meaning. Using both historical inquiry and visual, spatial and film analysis, this book explores the interaction of these two identities, and its effect on political control, class status, and gender roles. Conflicted Identities examines the politicization of both public and domestic space, especially in societies undergoing rapid cultural transformation through political, social or economic expansion or restructuring, when cultural identity is being rapidly "modernized", shifted, or realigned to conform to new demands. Using specific examples from a variety of national contexts, the book examines how vernacular housing, legislation, marketing, and media influence a large, but often underexposed domestic culture that runs parallel to a more publicly represented one. As a case in point, the book examines West Germany from the end of World War II to the early 1970s to probe more deeply into the mechanisms of such cultural dichotomy. On a national level, post-war West Germany demonstratively rejected Nazi-era values by rebuilding cities based on interwar modernist tenets, while choosing a decidedly modern and transparent architecture for high-visibility national projects. In the domestic realm, government, media and everyday citizens countered this turn to state-sponsored modernism by embracing traditional architectural aesthetics and housing that encouraged patriarchal family structures. Written for readers interested in cultural theory, history, and the politics of space as well as those engaged with architecture and the built environment, Conflicted Identities provides an engaging new perspective on power and identity as they relate to architectural settings.