Seeking a closer connection with nature than the manicured lawns of suburbia, naturalist Fred Gehlbach and his family built a house on the edge of a wooded ravine in Central Texas in the mid-1960s. On daily walks over the hills, creek hollows, and fields of the ravine, Gehlbach has observed the cycles of weather and seasons, the annual migrations of birds, and the life cycles of animals and plants that also live in the ravine.

In this book, Gehlbach draws on thirty-five years of journal entries to present a composite, day-by-day almanac of the life cycles of this semiwild natural island in the midst of urban Texas. Recording such events as the hatching of Eastern screech owl chicks, the emergence of June bugs, and the first freeze of November, he reminds us of nature's daily, monthly, and annual cycles, from which humans are becoming ever more detached in our unnatural urban environments. The long span of the almanac also allows Gehlbach to track how local and even global developments have affected the ravine, from scars left by sewer construction to an increase in frost-free days probably linked to global warming.

This long-term record of natural cycles provides one of only two such baseline data sets for North America. At the same time, the book is an eloquent account of one keen observer's daily interactions with his wild and human neighbors and of the lessons in connectedness and the "play of life" that they teach.

Gene Logsdon has found an imaginative way to introduce gardeners to amore total enjoyment of nature -- fauna as well as flora. From suburb tocountryside, every gardener knows that there are many pests who delight in one'sprecious creations -- rabbits devour petunias, raccoons eat the almost ripe sweetcorn, deer browse the morning glories, crows pull up young corn sprouts. How cangardeners and wildlife live together in harmony. Gene knows.

When Steve Sieberson and his wife unexpectedly found themselves in Britain with an entire summer on their hands, they readily agreed to avoid the usual tourist attractions, opting instead for a road trip to the UK's far-flung national parks. As they set out, however, he envisioned bracing days of energetic hillwalking, while she assumed they would relax in tearooms and cozy pubs. Seldom planning more than a few days in advance, the two traversed the country in a rented Vauxhall, subjecting themselves to single-track lanes, diabolical signage, and whimsical advice from locals. They discovered a town called Mirthless, a place where cats' eyes are removed, and a vibrating cottage, while at mealtimes they dove fearlessly into black pudding, Eton mess, and barely recognizable enchiladas. Meanwhile, after their initial attempts at hiking together nearly ended in disaster, Sieberson received dispensation to scramble alone to the highest point in each national park-as long as he was quick about it and left plenty of time for more sedentary pursuits. Low Mountains or High Tea dishes up the charms and eccentricities of rural Great Britain as seen through the eyes of two Americans who never really knew what was coming next.

Observing the plants of the forest floor - the flowers, ferns, sedges and grasses - can be a vital way of understanding our relationship with British woodland. They tell us stories about its history and past management, and can be a visible sign of progress when we get conservation right. For centuries, woodland plants have also been part of our lives in practical ways as food and medicines, and they have influenced our culture through poetry, perfume and pub signs. In this insightful and original account, Keith Kirby explores how woodland plants in Great Britain have come to be where they are, coped with living in the shade of their bigger relatives, and responded to threats in the form of storms, fires, floods, the attentions of grazing herbivores and the effects of the changing seasons. Along the way, the reader is introduced to the work of important botanists who have walked the woods in the past, collecting information on where plants occur and why. In-depth profiles of some of our most important and popular ground flora species provide extra detail and insight. Beautifully illustrated, Woodland Flowers is a must for anyone who appreciates and wants to learn more about British woodland and its plants.

'a delightful and funny memoir of her family's crazy life in the English countryside. Perfect escapist reading for these locked-down times.' - SALMAN RUSHDIE 'a heartwarming tale of country living' - SUNDAY EXPRESS 'a charming memoir and a perfect choice for these unsettling times' - DEVON LIFE 'A total joy... enchanting, hilarious and vivid... Beautifully written, richly informative...' - LIZ CALDER 'A gem ... A heart-warming memoir of moving to the glorious Cornish countryside and taking up farming is the perfect antidote to city life.' - NIKOLA SCOTT "A love letter to the British countryside...a wonderfully earthy story of fresh Cornish air...an adventure from start to finish." - TOWN & COUNTRY "A light-hearted account of 30 years of trial and error on a Cornish farm...I loved every minute..." - SAGA Ever dream of packing up and escaping to a simpler life on the land, just the Cornish landscape and a few cows and goats rising up to greet you each day? When Rosanne and her husband left city life for the Cornwall idyll they knew little of farming, the seasons and milking; but over time they found their way, rising to each new challenge and embracing all that the land gave them. Growing Goats and Girls lovingly and invitingly charts the rural, hardworking and joyfully haphazard lives of Rosanne and her husband as they escape London to live off the land. In their tumbled-down farmhouse in Cornwall, they learn to rear goats, chickens, cows, bees - and two children - get to grips with unruly machinery and cantankerous farmers, and chart the changing seasons in glorious countryside over thirty years. Heart-warming and uplifting in its celebration of the simple things, this earthy portrait of life on the land taps into our collective imagination. After all, who hasn't dreamed of new beginnings, escaping into nature and living more simply. Growing Goats and Girls reminds us to appreciate the fleeting, timeless moments of beauty, nature and the simple comforts of family life.

'An absorbing love letter to the English apple tree...lyrical and joyful' - TLS 'A delightful book' - Sunday Times Shortlisted for the Andre Simon Food and Drink Book Award 2016 A Radio 4 Book of the Week 'Wonderful, revelatory ... very moving' - Sheila Dillon, BBC Radio 4 'His ability to laugh at himself, openness to wonder and willingness to go wherever the search takes him make Brown an engaging writer and The Apple Orchard an entertaining journey' - Mail on Sunday Taking us through the seasons in England's apple-growing heartlands, this magical book uncovers the stories and folklore of our most familiar fruit. 'An orchard is not a field. It's not a forest or a copse. It couldn't occur naturally; it's definitely cultivated. But an orchard doesn't override the natural order: it enhances it, dresses it up. It demonstrates that man and nature together can - just occasionally - create something more beautiful and (literally) more fruitful than either could alone. The vivid brightness of the laden trees, studded with jewels, stirs some deep race memory and makes the heart leap. Here is bounty, and excitement.'

Considered a classic at the time of its publication in 1910, A Shepherd's Life is a rare account of the lives of those who lived on and worked the land in nineteenth-century rural Britain. A masterful work of prose, W. H. Hudson focuses on the story of one man, a Wiltshire shepherd named Caleb Bawcombe, whose tales of sheep dogs, farmer's wives, poachers and local fairs become a sublime account of a way of life that has largely disappeared from these shores.

Winner of the John Burroughs Medal from the American Museum of Natural History Examines the complex ecology of Chesapeake Bay, and observes its marshes and swamps, and its jellyfish, ospreys, and fiddler crabs.

American scientist and author Rachel Carson is said to have sparked the modern day environmental movement with the publication of Silent Spring in 1962. She made vivid the prospect of life without birdsong. But has her warning been heeded? Fifty years on, Conor Mark Jameson reflects on the growth of environmentalism since Silent Spring was published. His revealing and engaging tale plots milestone events in conservation, popular culture and political history in the British Isles and beyond, tracing a path through the half century since 'zero hour', 1962. Around this he weaves his own observations and touching personal experiences, seeking to answer the question: what happened to the birds, and birdsong, and why does it matter?

Bestselling author of The Hidden Life of Trees, Peter Wohlleben, invites you to reconnect with nature As soon as we step out of the door, nature surrounds. Thousands of small and large processes are taking place, details that are long often fascinating and beautiful. But we've long forgotten how to recognise them. Peter Wohlleben, bestselling author of The Hidden Life of Trees, invites us to become an expert, to take a closer look and interpret the signs that clouds, wind, plants and animals convey. Chaffinches become weather prophets, bees are live thermometers, courgettes tell us the time. The Weather Detective combines scientific research with charming anecdotes to explain the extraordinary cycles of life, death and regeneration that are evolving on our doorstep, bringing us closer to nature than ever before. A walk in the park will never be the same again.

The quintessential Englishwoman Clarissa Dickson Wright, one of the Two Fat Ladies and author of Spilling the Beans, takes us on a personal journey through the country of her birth. From Cornwall to Cumbria, Norfolk to Northumbria she brings her extraordinary knowledge, huge passion, forthright opinions and inimitable wit to the distinctive history and regional character of every corner of England. In her cornucopia of local knowledge she reveals, for example, how Boudicca was the original Essex girl, that Lincolnshire has a coriander crop second only in size to India's, and just why a Cornish pasty should never contain carrots. As much an entertaining narrative as it is a travel companion, Clarissa's England will amuse, enlighten, surprise and delight all those who read it.

'HEIDA IS A FORCE OF NATURE . . . EXACTLY THE RIGHT SORT OF MODERN ROLE MODEL' SUNDAY TIMES The inspiring story of Icelandic sheep farmer, former model and feminist heroine Heida Asgeirsdottir has become a double prize-winning international bestseller. As heard on Radio 4's Start the Week I'm not on my own because I've been sitting crying into a handkerchief or apron over a lack of interested men. I've been made every offer imaginable over the years. Men offer themselves, their sons . . . drunk fathers sometimes call me up and say things like: "Do you need a farmhand?" "I can lift the hay bales" "I can repair your tractors". . . Heida is a solitary farmer with a flock of 500 sheep in a remorseless area bordering Iceland's highlands. It's known as the End of the World. One of her nearest neighbours is Iceland's most notorious volcano, Katla, which has periodically driven away the inhabitants of Ljotarstadir ever since people first started farming there in the twelfth century. This portrait of Heida written with wit and humour by one of Iceland's most acclaimed novelists, Steinunn Sigurdardottir, tells a heroic tale of a charismatic young woman, who walked away from a career as a model to take over the family farm at the age of 23. I want to tell women they can do anything, and to show that sheep farming isn't just a man's game. Divided into four seasons, Heida tells the story of a remarkable year, when Heida reluctantly went into politics to fight plans to raise a hydro-electric power station on her land. This book paints a unforgettable portrait of a remote life close to nature. Translated into six languages, Heida has won two non-fiction prizes and has become an international bestseller. We humans are mortal; the land outlives us, new people come, new sheep, new birds and so on but the land with its rivers and lakes and resources, remains. 'UTTERLY CHARMING' MAIL ON SUNDAY 'REVELATORY AND INSPIRING' HERALD

'Essential reading for anybody who cares about the future' Henry Marsh, *New Statesman Books of the Year* A radical examination of Britain's relationship with the land by one of our greatest nature writers. **SHORTLISTED FOR THE WAINWRIGHT GOLDEN BEER BOOK PRIZE 2019** The British love their countryside more than almost any other nation, yet they live in one of the most denatured landscapes on Earth. From the flatlands of Norfolk to the tundra-like expanse of the Flow Country in northern Scotland, Mark Cocker sets out on a personal quest through the British countryside attempting to solve this puzzle. Radical, provocative and original, Our Place tackles some of the central issues of our time whilst mapping out a future in which this overcrowded island of ours could be a place fit not just for human occupants but also for its billions of wild citizens. 'A tour de force... By turns hopeful, melancholy, humorous and heartfelt' BBC Wildlife Book of the Month

'One woman's gloriously lyrical account of life and love as a shepherdess' Mail on Sunday 'Janet White's unfailingly enjoyable book . . . taps into a widespread feeling that we have become cut off from the natural world' TLS 'An immensely enjoyable and heartfelt book: it makes you want to run for the hills' The Lady With an introduction by Colin Thubron As a child in wartime England, Janet White decided that she wanted to live somewhere wild and supremely beautiful, to inhabit and work the landscape. She imagined searching the whole world for a place, high and remote as a sheep stell, quiet as a monastery, challenging and virginal, untouched and unknown. Turning her back on convention, Janet's desire to carve out her own pastoral Eden has taken her from the Cheviot Hills to Sussex and Somerset, via the savage beauty of rural New Zealand. The Sheep Stell tells the tale of a woman before her time; a woman with incredible courage and determination, truly devoted to the land and its creatures. Evocative, unaffected and profound, it is a lost classic. 'A book to share or even fight over if necessary' Rosamund Young, author of The Secret Life of Cows 'An extraordinary memoir . . . The Sheep Stell is pure joy, one of the most moving books I've read in a long time'Philip Marsden, author of Rising Ground 'This is a strange and lovely book, and quiet as it is, it makes you gasp at the profoundly lived quality of the life it so modestly describes' Jenny Diski 'A hymn to country solitude, lyrical, unpretentious and deeply felt' Colin Thubron

For a number of years, Roger Scruton has contributed a weekly article to the "Financial Times" on country matters. Always beautifully written, one of these pieces ("Vegetables") won the 2002 prize from The Queen's English Society for the best piece of prose writing of the year. These are not sentimental bucolic rambles. Scruton's prose is devoid of sentimentality and soggy nostalgia. Whatever he writes about, he always writes with serious purpose. He speaks up for the country dweller, who sees his or her world eroded by the wishy-washy liberal commands of Blairite do-gooders, who sit on their backsides in North West London pontificating about the needs of country people. Nature being red in tooth and claw is something that these people only know about from sitting in a classroom. Farming issues are equally important in this book. The devastations of the foot and mouth crisis showed graphically how great is the divide between town and country dwellers. And when the fate of people in the countryside is decided by bureaucrats in Brussels and Strasbourg, their feeling of alienation is even greater. These are the causes that Professor Scruton espouses and he has become their most intelligent, articulate and clear-thinking advocate.

Colin Elford's A Year in the Woods is an enthralling journey into the heart of the English countryside - with a preamble from Craig Taylor. Colin Elford spends his days alone - alone but for the deer, the squirrels, the rabbits, the birds, and the many other creatures inhabiting the woods. From the crisp cold of January, through the promise of spring and the heat of summer, and then into damp autumn and the chill winds of winter, we accompany the forest-ranger as he goes about his work - stalking in the early morning darkness, putting an injured fallow buck out of its misery, watching stoats kill a hare, observing owls, and simply being a part of the outdoors. Colin Elford immerses himself in the richly diverse and unique landscapes of Britain, existing in rhythm with natural environments. For fans of Robert Macfarlane's Landmarks, Helen Macdonald's H is for Hawk orJames Rebanks' A Shepherd's Life, Colin's rare and uplifiting journey will unveil the true nature and beauty of Britain's countryside. 'This is nature for real . . . Elford describes woodland wonders in short paragraphs of luminous intensity' Daily Mail 'A poetic insight in the world of hidden Nature' Countryman 'Stalking sharpens the senses and there is an almost hallucinatory clarity to Elford's writing' Observer 'Refreshingly unsentimental. Contains some wonderful descriptions and sentences which are so profound they demand a second reading' Sunday Express Colin Elford is a forest ranger on the Dorset/Wiltshire border. Craig Taylor is the author of Return to Akenfield and One Million Tiny Plays About Britain and the editor of the magazine Five Dials.

Seton Gordon really created himself as naturalist, photographer and writer, the first such in the country, his first book appearing when he was eighteen. In all he wrote 27 books, two specifically about the Cairngorms where he grew up and first explored and returned to many times throughout his long life. He wrote with a revelational wonder and freshness, writing in poetic prose descriptions only possible by someone intimately at home in the hills with their interacting, connected features: birds, plants, trees, geology, weather, Gaelic culture, place names, history, folklore - an ecologist before the word was coined. Hamish Brown selected passages for "Seton Gordon's Scotland" and has now made a fascinating choice from Seton Gordon's extensive writings about the Cairngorms. There are descriptions of hill days throughout the seasons and intimate descriptions of wildlife. Seton Gordon lived to a great age but the Cairngorms were his first, young man's enthusiasm. Hamish Brown, no mean mountaineer and lover of the outdoors, has garnered biographical material and archive pictures for a book which everyone with an interest in the Scottish hills will welcome.

Book 3 of the classic trilogy of humorous rural adventures through pre-war England Mr Finchley takes a fancy to a horse-drawn caravan that he sees for sale, but his new wife does not relish the prospect of a caravan journey so she goes to visit her brother, while he sets out to explore the countryside and go house-hunting. While learning to handle the horse and the caravan, he encounters a variety of eccentrics and country characters, and several unsuitable houses. It gradually emerges that the caravan contains a secret, and Mr Finchley finds himself in real trouble - until his wife comes to the rescue. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: 'Wonderful character from a kinder slower England between the wars.' 'An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.' 'An antidote to the rush of the early 21st century.' 'A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.' 'Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.' 'So gentle, it hurts.' 'There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.' 'A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.' 'Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.' 'Highly recommended for anyone seeking an entertaining amusing read.' 'A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.' Editorial reviews: 'Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm ... The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.' Daily Telegraph 'His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.' Punch 'A paean to the beauties of the English countryside and the lovable oddities of the English character... [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them.' New York Times 'What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene.' The Times 'There is such a gentle humour in the book ... Mr Finchley is the ideal Englishman.' Daily Sketch

This beautiful book is a celebration of the mighty oak, through the passion and vision of artist Mark Frith. Mark has drawn large scale portraits of 22 of Britain's oldest living oaks, with exceptional detail conveyed in these intricate graphite works, bringing the ancient features of these majestic individuals to life on the page. Growing up in the Gloucestershire countryside, Mark enjoyed a childhood experiencing the natural world and in particular developed a huge closeness to a local ancient character - the Great Oak at Nibley Green. Mark would return to this tree in 2010 as the first of his series of oak drawings, commissioned by the publisher, poet, philanthropist and planter of trees Felix Dennis. These large-scale drawings measuring 1.7 m wide took Mark three and a half years to complete and were finished just before Felix Dennis's death in 2014. Following Felix Dennis's wishes, his estate bequeathed 10 of the drawings to the Royal Botanic Gardens, Kew. This stunning book is the ideal gift for art and tree lovers alike, and a fitting dedication to these ancient individuals. I hope that in some modest way these drawings express man's profound relationship with the natural world, and, if it has one, something of the soul of the ancient oak tree. Mark Frith

One night Mark Cocker followed the roiling, deafening flock of rooks and jackdaws which regularly passed over his Norfolk home on their way to roost in the Yare valley. From the moment he watched the multitudes blossom as a mysterious dark flower above the night woods, these gloriously commonplace birds were unsheathed entirely from their ordinariness. They became for Cocker a fixation and a way of life. Cocker goes in search of them, journeying from the cavernous, deadened heartland of South England to the hills of Dumfriesshire, experiencing spectacular failures alongside magical successes and epiphanies. Step by step he uncovers the complexities of the birds' inner lives, the unforeseen richness hidden in the raucous crow song he calls 'our landscape made audible'. Crow Country is a prose poem in a long tradition of English pastoral writing. It is also a reminder that 'Crow Country' is not 'ours': it is a landscape which we cohabit with thousands of other species, and these richly complex fellowships cannot be valued too highly.

Another beautiful, revelatory country diary from one of the best nature writers in Britain. 'If you've never read Mark Cocker, then you must. His style is sharp, selfless, and wonderfully evocative, his knowledge deep and wide-ranging but lightly borne, his curiosity joyful and infectious.' Mail On Sunday, Books of the Year For seventeen years, as part of his daily writerly routine, the author and naturalist Mark Cocker has taken a two-mile walk down to the river from his cottage on the edge of the Norfolk Broads National Park. Over the course of those 10,000 daily paces he has learnt the art of patience to observe a butterfly, a bird, flower, bee, deer, otter or fly and to take pleasure in all the other inhabitants of his parish, no matter how seemingly insignificant. In turn these encounters have then been converted into literary epiphanies that are now a widely celebrated part of his work. In A Claxton Diary he has gathered some of the finest short essays that he has ever written on wildlife. They range over almost everything he can see, touch or smell, from the minute to the cosmic, from a strange micromoth called yellow-barred longhorn to that fiercest of winter storms the so-called 'Beast from the East'. From the marvellous to the macabre, Cocker tries to capture nature without flinching and in its entirety. In so doing he provides us with a vision of an English country parish that for intimacy and precise detail is comparable with Gilbert White's diary on Selbourne. Above all he reminds us that we are all just members of one miraculous family, fashioned from sunlight and the dust from old stars.

Take a trip down memory lane with the memoir from national TV treasure John Craven, as he recounts both the highs and lows of one of the longest entertaining careers in history, and the people and animals that have helped to shape it. 'Magical memoirs. A BBC legend. A broadcasting icon. The best bits from cub reporter to Countryfile' Daily Mail He began by reading the front page of the evening newspaper in the kitchen to his mother and aunt. Since then, he's spoken to the nation on the BBC almost every week for more than half a century and is one of the most-beloved broadcasters of our time. Presenter of treasured programmes Newsround, Countryfile and Swap Shop, John brought us the headlines and breaking news of our childhood and later helped us discover the magic and wonder of the British countryside. Now, in his first ever autobiography, he recounts a life in news, his childhood, the great impact that the absence of his father - held prisoner for three and a half years while fighting for his country - had on him. He writes too about the people, the major events - and, of course, the animals - that have shaped his life. This is John Craven. And this is the story behind the man so many of us grew up watching on our television screens. 'A cracking read' Chris Evans

Tales of escape and adventure on Britain's waterways; In The Pull of the River two foolhardy explorers do what we would all love to do: they turn their world upside down and seek adventure on their very own doorstep.; In a handsome, homemade canoe, painted a joyous nautical red the colour of Mae West's lips, Matt and his friend James delve into a watery landscape that invites us to see the world through new eyes.; Over chalk, gravel, clay and mud; through fields, woodland, villages, towns and cities, they reveal many places that otherwise go unnoticed and perhaps unloved, finding delight in the Waveney, Stour, Alde/Ore, upper and lower Thames, Lark, Great Ouse, Granta and Cam, Wye, Otter, Colne, Severn and the Great Glen Trail.; Showing that it is still possible to get lost while knowing exactly where you are, The Pull of the River is a beautifully written exploration of nature, place and friendship, and an ode to the great art - and joy - of adventure.