This full-color book covers nearly all of the NATO, and other European armies' camouflaged uniforms, and not only shows and explains the many patterns, but also their efficacy of design. Described and illustrated are the variety of materials tested in over forty different armies, and includes the history of obsolete trial tests from 1945 to the present time. More than two hundred patterns have been manufactured since World War II using various landscapes and seasonal colors for their look. The Vietnam and Gulf Wars, African or South American events, as well as recent Yugoslavian independence wars have been used as experimental terrains to test a variety of patterns. This book provides a superb reference for the historian, reenactor, designer, and modeler.

This book reveals the business history of the Australian Government Clothing Factory as it introduced innovative changes in the production and design of the Australian Army uniform during the twentieth century. While adopting a Schumpeterian interpretation of the concept of innovation, Anneke van Mosseveld traces the driving forces behind innovation and delivers a comprehensive explanation of the resulting changes in the combat uniform. Using an array of archival sources, this book displays details of extensive collaborations between the factory, the Army and scientists in the development of camouflage patterns and military textiles. It uncovers a system of intellectual property management to protect the designs of the uniform, and delivers new insights into the wider economic influences and industry linkages of the Government owned factory.

At its height in the late twentieth-century, the Soviet Armed Forces boasted one of the world's largest armies. Yet, in the twenty-five years that have passed since the fall of the Soviet Union, much of its material culture has fast disappeared. Soviet Military Badges: A History and Collector's Guide, therefore, offers the reader a timely tour of a little-known subject within the English language. In its pages are detailed the badges awarded to the officers and men of the Soviet Army, Navy, Air Force and Frontier Guards found during the Cold War era. Captured in full colour and accompanied by a wealth of archive photographs, this book examines such categories as sports badges, proficiency clasps, and awards for excellence from the start of the Cold War in 1949 through to the end of the USSR in 1991. Each section is observed in detail using the obverse and reverse views in order to identify and date each badge, in addition to charting the changes in design and manufacture encountered over time (often helping the reader identify the rarer and more valuable examples). Richard Hollingdale is a writer and academic historian specialising in the armies of the Eastern Bloc. He is a frequent contributor to The Armourer Magazine and has written numerous articles on the Soviet military and other Warsaw Pact nations. His earlier publication, Warsaw Pact Badges, offered the first detailed study of Eastern Bloc badges in the English language. Soviet Military Badges follows this tradition by presenting the reader with a detailed catalogue of Soviet badges that can be used as both a history and a collector's guide.

With more than 1,200 photos, the second volume of this series gets into the heart of the USAF uniforms and equipment used during the Vietnam War. Focusing on hundreds of Air Force named items, the book offers precise insight and references covering a selection of 70+ units. Flight suits, helmets, utility shirts, jungle jackets, plaques, and souvenir lighters are featured together to illustrate the history of these flying and ground units. From the air bases to the mighty B-52s, from the secret missions to the POWs, many aspects of USAF involvement in Southeast Asia are covered in this second volume.

This two volume set by Pat Moran and Jon Maguire illustrates, in full color, over 240 visor hats and helmets of the German: Army, Luftwaffe, Kriegsmarine, SS, NSDAP, Police, Civilian, and miscellaneous formations. Each peaked hat is shown from four angles, including interior, and insignia detail. These volumes are a must for collectors of German headgear and militaria, as well as modelers and students of military uniforms.

This book reveals the business history of the Australian Government Clothing Factory as it introduced innovative changes in the production and design of the Australian Army uniform during the twentieth century. While adopting a Schumpeterian interpretation of the concept of innovation, Anneke van Mosseveld traces the driving forces behind innovation and delivers a comprehensive explanation of the resulting changes in the combat uniform. Using an array of archival sources, this book displays details of extensive collaborations between the factory, the Army and scientists in the development of camouflage patterns and military textiles. It uncovers a system of intellectual property management to protect the designs of the uniform, and delivers new insights into the wider economic influences and industry linkages of the Government owned factory.

All the patterns used by the formidable troops of the Waffen-SS, from the first revolutionary designs of the late 1930s to little-known innovations of 1945, are explained and illustrated by means of more than 120 colour photographs of rare, original surviving specimens. The book also covers similar and derivative patterns used by German and foreign armies up to the modern day; and gives invaluable advice on the identification of original wartime uniforms. Useful for collectors, uniform historians and military modellers alike, this title aims to resolve the confusion surrounding this subject and establishes and complete and concise system of identification and terminology.

From its origins as the Consular Guard of the French Republic, and as Napoleon's personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principle tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favour of the Emperor of the French. Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard in such detail and with such precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by an unrivalled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modellers. It is one of the most important publications ever produced on this most famous of military formations.

A perennially popular topic the ancient world continues to yield incredibly rich archaeological finds. Based on years of detailed research, Dr Raffaele D'Amato now presents a new history on the dress and equipment of Roman Centurions from the Roman kingdom to the height of the Republic. In addition, thanks to his detailed research amongst Roman gravestones, the book also includes several reconstructions of actual named individuals and two lavish scenes showing combat between two Centurions and a Triumphal procession.

Preceding and simultaneously with the conquest of England by Duke William, other ambitious and aggressive Norman noblemen (notably the Drengot, De Hauteville and Guiscard families) found it prudent to leave Normandy. At first taking mercenary employment with Lombard rulers then fighting the Byzantine Empire in southern Italy, many of these noblemen achieved great victories, acquired rich lands of their own, and perfected a feudal military system that lasted for 200 years. As news of the rich pickings to be had in the south spread in Normandy, they were joined by many other opportunists - typically, younger sons who could not inherit lands at home. Steadily, these Norman noblemen fought their way to local power, at first in Apulia, then across the Adriatic in Albania, and finally in Muslim Sicily, defeating in the process the armies of Byzantium, the German 'Holy Roman Empire', and Islamic regional rulers. Finally, in 1130, Roger II founded a unified kingdom incorporating southern Italy and Sicily, which lasted until the death of Tancred of Lecce in 1194 - though its legacy long outlasted Norman political rule. This beautifully illustrated title explores not only the Norman armies, but the armies of their opponents, with full-colour plates and expert analysis revealing fascinating details about the fighting men of Normandy, Byzantium, the Arab armies and more.

The United States Marine Corps was one of the phenomena of the Second World War. Greatly expanded from its pre-war order of battle of scattered defence battalions, overseas garrisons and ship detachments, it became a multi-division force bearing the brunt of the hardest fighting across the whole vast expanse of the Pacific theatre of operations. In August 1942 Marines were among the first to strike back at the Japanese in the jungles of Guadalcanal; Marine Raider battalions were formed to carry the fight to the enemy; and from the Central Solomon's landings of mid-1943 it was the Marines who spearheaded the 'island - hopping' amphibious campaign which brought them to Okinawa, on Japan's doorstep, by VJ-Day. This epic story has been well documented in most respects - except one: the uniforms, insignia and personal equipment of the Marines who fought their way across the Pacific. Authoritative, illustrated reference works of this important aspect of World War II's physical history have been notoriously lacking. In this book, long-time collector and researcher Jim Moran fills the gap, with a systematic, detailed guide illustrated with more than 300 photographs, including some 200 close-ups of surviving items in private collections on both sides of the Atlantic. The author covers service and field uniforms at the outbreak of war; the development of the Marine's dungaree's'; the introduction and development of the camouflage uniforms which became the Marine's trademark in the popular imagination; the 782 gear' webbing equipment; the various packs and other load-carrying items; the uniforms, insignia and equipment special to the elite Marine Raiders and Paramarines; the uniforms and accoutrements of the US Marine Corps Women's Reserve; and a range of issue and personal small kit items which collectors may encounter. His research is supported by some 100 wartime photographs showing the identified item in use. Assisted and encouraged by the US Marine Corps Historical Center at Quantico, Virginia, Jim Moran has produced an essential reference for the collector, modeller, illustrator and uniform historian.

This book is jam-packed with practical knowledge on German cloth military headgear. Useful information to help novice collectors learn how to avoid costly mistakes - cap construction basics and materials, descriptions of each cap model and comparisons with altered originals, modified post-war caps, and reproductions - all neatly divided into individual sections for easy reference. Also included is a series of convenient quick check lists that identify common modification danger points for each cap type. For the advanced collector, the book offers historical background about the German cap making industry with the first-ever comprehensive listing of German cap makers, maker mark illustrations, and many individual histories, including never published information on the history and sad fate of the famous cap maker Robert Lubstein/EREL. Over 220 color and black and white contemporary and period photographs bring The Pocket Guide to Third Reich Military Headgear to life.

Orlando Norie is considered to have been one of the foremost illustrators of the British army in the 19th century, with thousands of watercolors to his credit in public and private collections. His pictures are highly sought after and command high prices. Yet his life remained a mystery that is only now being uncovered. Many of these wonderful pictures are revealed here for the first time. The Anne S.K. Brown Military Collection in Brown University Library, Providence, Rhode Island, USA, possesses one of the largest, if not the largest public collection of original military watercolors by Orlando Norie. The pictures in the Brown military collection range from single figure uniform studies or composites, to genre and battle scenes and at least one named portrait. These are published as a group for the first time along with Michel Tomasek's masterful account of Norie's life, including comments on the artist's British pictures by Peter Harrington.

Franz Joseph I and Karl. These emperors ruled a multiethnic empire destined to become one of the central powers in World War I. In addition to the studio portraits shown, the candid photos offer an authentic view of life in the trenches and on the battlefield. Each photo has been carefully chosen and researched to offer the reader detailed information on the k.u.k (royal and imperial) Empire's air, motor and medical corps, as well as infantry, artillery, pioneer and railroad troops. There are chapters covering highly decorated elite units, such as the Bosnian and the Kaiserschuetzen. A full color section of heretofore unpublished photos of original head dress, uniforms, equipment and accessories used by the k.u.k armed forces provides valuable information on the materials, markings, stamps, and construction of field caps, cavalry helmets and flight gear. Also included in this section are pilot badges and cap and collar insignia. This book is an indispensable resource for all historians, collectors, re-enactors, war gamers and model builders.

What did British combatants wear on the western front in the First World War? From the idealized recruitment images to the coarse trousers and ill-fitting tunics, Jane Tynan retraces wartime culture through images and experiences of khaki. Photographs, newspapers, memoirs, war office documents and tailoring ephemera reveal the impact of the war on the tailoring trade. But the story of uniform also involves the wartime knitting projects, the issue of 'Kitchener Blue', Sikhs wearing khaki on the western front, and the punishments given to COs. Military uniforms were designed to make soldiers of civilian men and to rank them according to race and class, but Tynan argues that neat images of men in khaki concealed the reality that clothing an ever-expanding army involved compromise, resistance and improvisation. Uniforms transformed men and war changed British society. This book tells the story of British army clothing during wartime and offers insights into why khaki has endured as the symbol of modern militarism.

The Defense Logistics Agency (DLA), an agency of the Department of Defense (DOD), supplies more than 8,000 different items ranging from uniforms and body armour to tents and canteens. Military uniforms are procured through competitive contracts. This book provides an overview of military uniform assessment and procurement.

Academical dress has been worn by students and graduates for hundreds of years and even in this modern time shows no obvious sign of becoming obsolete. Each new university, on receiving its charter, adopts its own distinctive robes. This is an updated and expanded third edition of Dr George Shaw's comprehensive guide to the academical dress of British and Irish universities, produced in accordance with the original author's wishes, and published by the Burgon Society.

Detailed history of all aspects of German infantry uniforms in over 200 photos, many in color.

Volume: 2 Publisher: London: Bell Publication date: 1920 Subjects: Armor -- History Weapons -- History Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

Volume: 2 Publisher: London: Bell Publication date: 1920 Subjects: Armor -- History Weapons -- History Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

Volume: 2 Publisher: London: Bell Publication date: 1920 Subjects: Armor -- History Weapons -- History Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

Volume: 2 Publisher: London: Bell Publication date: 1920 Subjects: Armor -- History Weapons -- History Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

Volume: 2 Publisher: London: Bell Publication date: 1920 Subjects: Armor -- History Weapons -- History Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

In the '30s, Americans began working on a modern vehicle for cavalry reconnaissance and artillery units in freshly formed armoured and motorized units. The American command became interested in French half-track vehicle designs. On their basis the American industry proposed its own solutions. In 1938, White Motor Company created a vehicle called T-7, which was a combination of the design of the M3 scout car and the T-9 half-track transporter. Year later, a version with a more powerful engine was prepared. The new car was designated T-14 and used mainly by artillery units. In 1940, the project was renamed M2 and put into production.