Title: L'Allegro, il Penseroso, ed il Moderato Composer: George Frideric Handel Original Publisher: Deutsche Handelgesellschaft The complete score as edited by Friedrich Chrysander and originally published as part of the Deutsche Handelgesellschaft, Band 6, in 1859. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

Title: Psalms Composer: George Frideric Handel Original Publisher: Deutsche Handelgesellschaft Book 1 of scores to Psalms written by George Frideric Handel and published as part of the Deutsche Handelgesellschaft as Band 34 in 1871. This book contains HWV 246, 247, 248, 249b, 250a, 250b, 251a, 251b, & 251c. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

"The Power of Song" shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic "singing revolution." When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent political action. More than 110 choral, rock, and folk songs are translated and interpreted in poetic, cultural, and historical context.

Guntis Smidchens is the Kazickas Family Endowed Professor in Baltic Studies in the Scandinavian studies department at the University of Washington.

"An excellent and thorough work and a significant and important addition to our understanding of the role that folklore and popular culture play in shaping political events." --Timothy Tangherlini, UCLA

"A monumental study addressing a sorely neglected aspect of one of the last century's most dramatic geopolitical upheavals. This book will stand, for years and even decades to come, as the standard, authoritative source on its topic." -Kevin C. Karnes, Emory University

Theirs had been a love story, a story of friendship, courtship and marriage, beginning when she was seventeen and he was a dashing Navy officer. It was a fairytale that never ceased-even Alzheimer's couldn't come between them. Phyllis Brown relives this one-of-a-kind love she shared with her husband, Bert, in HELP ME I'm Slipping. According to the Alzheimer's Association, there are many signs of the disease. The author noticed some of these signs in her husband, but she completely ignored them at first. A highly successful businessman, a gentle yet hardworking person who never stopped until he accomplished his goals, Bert was adept at hiding his memory loss. But as soon as it was confirmed that he had Alzheimer's disease, his wife went into action. Phyllis may not have been well-equipped with medical information and guidelines, but she was determined to give all her love and support to make the last years of Bert's life as happy as they could possibly be. HELP ME I'm Slipping follows the author's difficult yet rewarding experience as she helps her husband through the uncharted waters of Alzheimer's. From her journey, she shares lessons that she learned with her readers. In each day, she found something they could enjoy together: moments of love, and even fun and laughter. From strategies for helping her husband maintain his dignity to tips on activities that can be enjoyed daily, this book provides a truly inspiring testament to a love that endures.

Gregorian chant belongs to the oldest music being preserved in such scope till present; moreover it is still performed but also is one that mostly influenced the history and presence of music. For the reason it is important for ukulele players to meet this kind of music. The equipment for ukulele players includes campanela style which is the best for Gregorian chant play. This style helps to induce a large cathedral reverb. Therefore, left hand fingering is written above tablatures. Try to keep it and have strings drone. The book contains 44 tunes for standard ukulele with low G tuning (g-c-e-a). Includes: Veni Creator Spiritus, Stabat Mater, Veni Sancte Spiritus, Pater Noster, Missa XI, Ave Maria, Ave Verum Corpus and many more...

Bumblebee Rounds & Warm-ups for Choirs is more than just a collection of more than 80 choir exercises. Michael Griffin, an Australian who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape.

This English translation of Chourmouzios Chartophylax's revision of Chrysanthos' Introduction to the New Method of Greek chant notation has been made with the intention of providing students, scholars and musicians access to an easily digestible and widely accessible explanation of the rudimentary signs and theory of the chant notation used in the Greek and other Orthodox Churches. Written by two of the Three Teachers of the New Method, established in 1814, the Eisagoge is authoritative. Notes identify and underline the theoretical adjustments made by the 1888 Constantinople Music Committee. Despite the lack of great detail, this short work offers a thorough grounding for reference and comparison to subsequent publications.

Gregorian chant belongs to the oldest music being preserved in such scope till present; moreover it is still performed but also is one that mostly influenced the history and presence of music. For the reason it is important for ukulele players to meet this kind of music. The equipment for ukulele players includes campanela style which is the best for Gregorian chant play. This style helps to induce a large cathedral reverb. Therefore, left hand fingering is written above tablatures. Try to keep it and have strings drone. The book contains 44 tunes for standard ukulele tuning (g-c-e-a). Includes: Veni Creator Spiritus, Stabat Mater, Veni Sancte Spiritus, Pater Noster, Missa XI, Ave Maria, Ave Verum Corpus and many more...

Dubois' oratorio was given its premiere on Good Friday (April 19), 1867 at glise de la Madeleine in Paris under the composer's direction. Although first published in 1886 by Georges Hartmann of Paris, the vocal score presented here is a digitally enhanced reprint of the one first produced in 1899 by G. Schirmer of New York, with an English translation beneath the original Latin text by Theodore Baker (1851-1934). This score has been carefully reviewed, with measure numbers and rehearsal letters added. It is now completely compatible with the widely available full score and orchestral parts issued by Edwin F. Kalmus. The large (A4) size makes it particularly easy to read for choruses both at both professional and community levels.

Composed in 1718 while Handel was residing in Cannons Park. Like the other Chandos Anthems, it was comissioned by the Earl of Carnarvon James Brydges, subsequently named First Duke of Chandos. The anthem was first performed that year under the composer's direction ay St. Lawrence's Church in Cannons Park. The text is taken from Psalms 117, 135, and 148 in Nahum Tate and Nicolas Brady's 1696 "New Versions of the Psalms."This complete vocal and pano score, edited by Max Seiffert with a piano reduction by Karl Pasler, is an unabridged reprint of the score first issued by Breitkopf & Hartel, Leipzig ca. 1900.

for SSAA and piano This is a lilting arrangement of a traditional Mexican lullaby, based on the well-known Sandman myth. It was originally published for SAB voices in SongStream 2: An American Journey and may be sung in Spanish or English.

This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music, and the day-to-day training of choristers. There is also an investigation of the local circumstances under which many of the important manuscripts of the period were compiled, which reveals an unsuspectedly close interrelationship between domestic music and music for the church. In addition, a study of surviving sources reveals that they give little more than a general guide as to their composers' and copyists' intentions.

This collection of German songs contains two strains of tradition: the political song and the folk song. It is not always clear where the distinction between the two can be drawn, since many political songs become folk songs due to their popularity, and many folk songs have a clear, emancipatory - and thus political - dimension. But the main criterion for inclusion in this anthology is the popularity a song has enjoyed, either down through the centuries or more recently, in German-speaking or non-German-speaking countries. The addition of scores is another plus, offering an opportunity to recognize the songs musically.

Antonio Carluccio believes that food and music go well together, especially Italian food and grand opera, for which he has a lifelong passion. Accordingly, he has created fifteen delicious menus to accompany a selection of his favourite arias in this unique book/CD presentation. Featuring selected highlights from his own repertoire, including classic regional dishes, the menus combine to provide an irresistible celebration of Italy's finest food. Ossobuco Milanese, prawns in garlic, oil and chilli sauce, or baked peaches are just some of the flavours to delight the senses. Antonio has tried to suit the food to the character of the opera and having entertained some of opera's greatest personalities, including Luciano Pavarotti, Kiri Te Kanawa and Placido Domingo, he is perfectly placed to create the perfect accompaniment. Why not share the Antonio experience by entertaining to the sounds of Donizetti's Che mi Frena? Or some quintessential Verdi? The combination of inspiring music and deletable food is confirmation that life is too short not to be Italian.

for SSA unaccompanied Based on an old French melody.

A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself. Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.