Sound experimentation by avant-garde theatre artists of the
late-nineteenth and early-twentieth centuries is an important but
largely ignored aspect of theatre history. In this book, Curtin
shows how attention to this activity enhances our understanding of
artistic practice (modernism) and historical circumstance
(modernity) and considers how avant-gardists staged sonic modernity
by exploring its conceptual and communicative possibilities as well
as its experiential realities. He critically examines avant-garde
theatre through a composite analysis of dramatic texts, historical
productions, sound recordings, philosophical speculations, and
social movements.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
(7)
