This is the first book to discuss the canon of Pope's verse in
relation to Early British Enlightenment thinking about mythology
and mythography. The book shows how Pope did not merely use
classical and non-classical myths but also translated and
refashioned them too. It situates Pope's mythologies within
changing seventeenth and eighteenth-century understandings of what
myth is and what it could be. It therefore offers a distinct a new
perspective on the career of eighteenth-century Britain's
preeminent poet.
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