This book investigates the shifting relationship between
performance and subjectivity over the course of the Modern era.
Each chapter details a different set of performance strategies
designed to grant the subject a stable sense of self-identity, and
each explores the fallout from the ultimate failure of these
strategies to offer the subject a fixed and enduring image of
itself. The conclusion examines the implications of this failure
for new Postmodern conceptions of subjectivity and poses questions
about the use of performance in the self-fashioning of future
generations.
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