Die beste resepte van die gewilde potjiekosreeks op Via. Van eenvoudig tot deftig, goedkoop tot duur – maar altyd gesellig en watertand lekker. Resepte vir voor- en hoofgeregte, bykosse en selfs nageregte, alles op die vuur. Potjies soos geroomde mossels, volstruisnekkerrie, lamskenkel, waterblommetjiebredie en ’n uithaler sjokalade-toringkoek! Met ’n verskeidenheid brode, om die laaste lekseltjie sous op te skraap – dus mos nou lekker!

Die geskiedenis van die eerste 59 jaar van die SAUK se bestaan; vanaf 1936 tot 1995. Die vertel ook die ontstaan van openbare uitsaai, die missie en doelwitte daarvan en waarom dit hersien moet word.

Die politieke element word bespreek: Watter soort stut was die SAUK vir apartheid? Watter rol het die SAUK gespeel as sleutelspeler in die transformasieproses? Daar word gekyk na politieke inmenging en aanstellings wat direk uit die Uitsaaiminister se staatsdepartement gemaak is. Ook ingespan is die SAUK se sleutelrol in geskiedkundige gebeure: Die vrylating van Nelson Mandela en die vryheidsverkiesing van 1994.

Die boek behoort nie net die wye publiek nie, maar ook akademici, historici en politici te interesseer.

From the editor in chief of Variety and author of the New York Times bestseller "Ladies Who Punch", the never-fully-told, behind-the-scenes story of Donald Trump and The Apprentice, the long-running reality series that catapulted him to the White House.

Here for the first time is the definitive untold story of Donald Trump’s years as a reality TV star. Trump himself admits he might not have been president without The Apprentice. Now, just as he uncovered the chaos inside the daytime favorite The View in his bestselling "Ladies Who Punch", Ramin Setoodeh chronicles Trump’s dramatic tenure as New York’s ultimate boss in the boardroom, a mirage created by Survivor producer Mark Burnett and NBC boss Jeff Zucker.

With unprecedented access, including hours of interviews with Trump, his boardroom advisers George Ross and Carolyn Kepcher, Eric Trump, and some of the most memorable contestants, and writing with flair and authority, Setoodeh shares all the untold tales from this legendary show that has left its mark on popular culture, shaped the legend of its star, and ultimately changed American history.

In 2012 verdwyn Binnelanders se geliefde Elise Kruger sonder waarskuwing van kykers se televisieskerms af. Lindie Stander, wat die rol van die vermaaklike Elise vertolk, was op die kruin van haar loopbaan toe sy in ’n bloedbevlekte bed in ’n staatshospitaal wakker word. Hier het sy besef dat sy haar rol en haar lewe soos sy dit ken, kwyt is.

Lindie Stander: Agter my glimlag is die eerlike ervaring van dit wat kykers nie op skerm sien nie: die verpletterende verlies van haar pa, haar worsteling met dwelmmisbruik en rehabilitasie, ’n lewe met depressie en ’n gewonde vrou se genadelose soeke na ’n liefde wat kan heelmaak.

In haar bekende, deernisvolle stem vertel Lindie haar hartverskeurende, maar hoopvolle verhaal soos net sy kan: sonder skroom en met ’n goeie skeut humor.

Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hauntings, and horror films presented as found footage. The horror genre is no longer exclusive to fiction and its narratives actively engage us in web forums, experiential viewing, videogames, and creepypasta. These participative modes of relating to the occult, alongside the impulse to seek proof of either its existence or fabrication, have transformed the production and consumption of horror stories. The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life, arguing that the relationship between the horror genre and reality is more intimate than we like to think. Through a revisionist and transmedial approach to horror this book investigates our expectations about the ability of photography and film to work as evidence. A historical examination of technology's role in at once showing and forging truths invites questions about our investment in its powers. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling a hoax.

Both a history and a critique of South Africa's film industry, this book recounts the long experience of filmmaker and producer Richard Green.

Green's story—especially his work in forging the film initiative New Directions Africa—is emblematic of the struggles, negotiations, and competing ideologies that faced South Africa as it emerged from apartheid.

He continues to be an essential part of what is now a burgeoning industry that not only supports the creative work of Africans, but is also seen as having an important role in the nation-building process.

In eleven original studies by social scientists, this is the first volume to focus on television reality crime programming as a genre. Contributors address such questions as: why do these programs exist; what larger cultural meaning do they have; what effect do they have on audiences; and what do they indicate about crime and justice in the late twentieth century? Adaptable at both undergraduate and graduate levels, Entertaining Crime will contribute to discussions of crime and the media, as well as crime in relation to other issues, such as gender, race/ethnicity, and fear of crime.

Cincinnati has a distinguished television history. Beginning before WLW-T signed on the air in February 1948, its experimental station W8XCT broadcast from the 46th floor of the Carew Tower. WKRC-TV and WCPO-TV signed on in 1949, WCET in 1954, and WXIX-TV in 1968. Since then, television has become part of the family. Uncle Al, Skipper Ryle, Batty Hattie from Cincinnati, the Cool Ghoul, Peter Grant, Al Schottelkotte, Nick Clooney, Ruth Lyons, Paul Baby, Bob Braun, and Jerry Springer visited Cincinnati living rooms on television. Remember Midwestern Hayride, TV Dance Party, PM Magazine, Juvenile Court, Young People's Specials, Lilias, Dotty Mack, Bob Shreve, Mr. Hop, Bean's Clubhouse, The Last Prom, and Ira Joe? They are part of the collective Cincinnati history, part of the Cincinnati culture, and part of the Cincinnati family.

Stanley Baxter delighted over 20 million viewers at a time with his television specials. His pantos became legendary. His divas and dames were so good they were beyond description. Baxter was a most brilliant cowboy Coward, a smouldering Dietrich. He found immense laughs as Formby and Liberace. And his sex-starved Tarzan swung in a way Hollywood could never have imagined. But who is the real Stanley Baxter? The comedy actor's talents are matched only by his past reluctance to colour in the detail of his own character. Now, the man behind the mischievous grin, the twinkling eyes and the once- Brylcreemed coiffure is revealed. In a tale of triumphs and tragedies, of giant laughs and great falls from grace, we discover that while the enigmatic entertainer could play host to hundreds of different voices, the role he found most difficult to play was that of Stanley Baxter.

Loki, ever the shapeshifter, has never been more adaptable across pop culture. Whether it's deep in the stories from Norse mythology, the countless offshoots and intepretations across media, or even the prolific Loki that has come to dominate our screens via the Marvel Cinematic Universe, each serves its own purpose and offers a new layer to the character we've come to know so well. By exploring contemporary variations of Loki from Norse god to anti-hero trickster in four distinct categories - the God of Knots, Mischief, Outcasts and Stories - we can better understand the power of myth, queer theory, fandom, ritual, pop culture itself and more. Johnson invites readers to journey with him as he unpicks his own evolving relationship with Loki, and to ask: Who is your Loki? And what is their glorious purpose?

This comprehensive guide in official partnership with the hit TV series Downton Abbey is a lavish celebration of the elegant institution of afternoon tea, filled with recipes, historical facts and etiquette guides. With over 150 stunning photographs featuring stills from across the series and right up to the latest film release, this collection of 70 delicious recipes will give you everything you need to take afternoon tea just like the Granthams do in the much-beloved series. With a foreword by Gareth Neame, executive producer of Downton Abbey, this book investigates the history of tea, covering its origins and varieties, the etiquette surrounding its consumption in English aristocratic life, and its presence in the series, both upstairs and downstairs. The book then turns to 70 recipes for delicious bakes, bites and assorted sweet and savoury delights to accompany a delightful afternoon tea, with sections on: Pastries, buns and biscuits - Whip up classics like the cream scone or chelsea buns, as well as enticing delicacies such as raspberry eclairs and chocolate florentines. Cakes, tarts and puddings - From colourful Battenburg cakes and lemon tarts to warming spicy dark gingerbread or steamed toffee pudding, these irresistable bakes will have something to suit every taste. Tea sandwiches and savoury bites - Enjoy mini pork pies and cornish pasties, or make carefully trimmed tea sandwiches to complete any spread. Preserves and spreads - Make aromatic strawberry-rhubarb jam, currant jelly or lemon curd from scratch to accompany your bakes. This carefully curated selection of recipes spans the world of Downton, from intimate afternoon tea taken in the drawing-room to glamorous tea parties in the garden. Full of photographs and quotes from Downton characters, with this book you can recreate the rich traditions and flavours of Downton Abbey Afternoon Tea time and time again.

On the Buses: The Filming Locations is the most comprehensive guide to filming locations used in the classic British sitcom and its spin-off films ever compiled. Over 200 filming locations with now and then photographs depicting the changes over the years and full travel directions if you wish to visit the locations. Read the book and learn about the locations used, but when you have finished, the book still serves a purpose as a guide. A section cataloguing the unknown locations mean you too can turn into a locations detective. Also make use of the travel trips and suggestions in the book and plan your days out visiting these locations. All in all, this is a book with plenty of uses either as a travel companion, a guide or a book to read and learn about where so many of the funniest scenes in On the Buses were filmed. Hop aboard and learn so much more about one of Britain's best-loved .

On the Buses: The Filming Locations is the most comprehensive guide to filming locations used in the classic British sitcom and its spin-off films ever compiled. Over 200 filming locations with now and then photographs depicting the changes over the years and full travel directions if you wish to visit the locations. Read the book and learn about the locations used, but when you have finished, the book still serves a purpose as a guide. A section cataloguing the unknown locations mean you too can turn into a locations detective. Also make use of the travel trips and suggestions in the book and plan your days out visiting these locations. All in all, this is a book with plenty of uses either as a travel companion, a guide or a book to read and learn about where so many of the funniest scenes in On the Buses were filmed. Hop aboard and learn so much more about one of Britain's best-loved sitcoms.

Munch your way through Star Wars with this baking cookbook filled with recipes inspired by the films, television series, and more. Featuring recipes that will transport you from Dagobah to Kashyyyk, these pies, cakes, and other treats will immerse you in the Star Wars galaxy. Bakers of all skill levels will be able to enjoy this cookbook, whether you're a Padawan or a Jedi Master. A must-have for your kitchen, this cookbook is bound to delight all Star Wars fans.

The definitive, behind-the-scenes look at the most popular sitcom of the last decade, The Big Bang Theory, packed with all-new, exclusive interviews with the producers and the entire cast.

The Big Bang Theory is a television phenomenon. To the casual viewer, it’s a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don’t know in its entirety.

The Big Bang Theory:The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation, with the blessing and participation of co-creators Chuck Lorre and Bill Prady, executive producers Steve Molaro and Steve Holland, as well as Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch, Mayim Bialik, and more. Glamour senior editor Jessica Radloff, who has written over 150 articles on the series (and even had a cameo in the finale!), gives readers an all-access pass to its intrepid producing and writing team and beloved cast. It’s a story of on-and-off screen romance told in hilarious and emotional detail, of casting choices that nearly changed everything (which even some of the actors didn’t know until now), of cast members bravely powering through personal tragedies, and when it came time to announce the 12th season would be its last, the complicated reasons why it was more difficult than anyone ever led on.

Through hundreds of hours of interviews with the sitcom’s major players, Radloff dives into all this and much more. The book is the ultimate celebration of this once-in-a-generation show and a must-have for all fans.

Two-time Peabody Award-winning writer and producer Ira Rosen reveals the intimate, untold stories of his decades at America's most iconic news show. It's a 60 Minutesstory on 60 Minutes itself. When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace. Based on decades of access and experience, Ira Rosen takes readers behind closed doors to offer an incisive look at the show that invented TV investigative journalism. With surprising humor, charm, and an eye for colorful detail, Rosen delivers an authoritative account of the unforgettable personalities that battled for prestige, credit, and the desire to scoop everyone else in the game. As one of Mike Wallace's top producers, Rosen reveals the interview secrets that made Wallace's work legendary, and the flaring temper that made him infamous. Later, as senior producer of ABC News Primetime Live and 20/20, Rosen exposes the competitive environment among famous colleagues like Diane Sawyer and Barbara Walters, and the power plays between correspondents Chris Wallace, Anderson Cooper, and Chris Cuomo. A master class in how TV news is made, Rosen shows readers how 60 Minutes puts together a story when sources are explosive, unreliable, and even dangerous. From unearthing shocking revelations from inside the Trump White House, to an outrageous proposition from Ghislaine Maxwell, to interviewing gangsters Joe Bonanno and John Gotti, Jr., Ira Rosen was behind the scenes of some of 60 Minutes' most sensational stories. Highly entertaining, dishy, and unforgettable, Ticking Clock is a never-before-told account of the most successful news show in American history.

"The definitive guide for scholars and fans alike to all things Masterpiece and Mystery!" Library Journal, Starred Review On a wintry night in 1971, Masterpiece Theatre debuted on PBS. Fifty years later, America's appetite for British drama has never been bigger. The classic television program has brought its fans protagonists such as The Dowager Countess and Ross Poldark and series that include Downton Abbey and Prime Suspect. In Masterpiece: America's 50-Year-Old Love Affair with British Television Drama, Nancy West provides a fascinating history of the acclaimed program. West combines excerpts from original interviews, thoughtful commentary, and lush photography to deliver a deep exploration of the television drama. Vibrant stories and anecdotes about Masterpiece's most colorful shows are peppered throughout, such as why Benedict Cumberbatch hates Downton Abbey and how screenwriter Daisy Goodwin created a teenage portrait of Queen Victoria after fighting with her daughter about homework. Featuring an array of photos from Masterpiece's best-loved dramas, this book offers a penetrating look into the program's influence on television, publishing, fashion, and its millions of fans.

'The "Fever Pitch" of telly.' Scotland on Sunday 'Like Linus' blanket in Charlie Brown, like breast fixations among men in their fifties, television can become an embarrassing addiction.' But for most of us, sitting in our living rooms looking for an excuse not to talk to each other of a Thursday night, a million million miles away from moon landings and Cold War tension and Third World famine, it is this addiction to a queer little flickering box in the corner that has shaped our lives since the late 1950s.

On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries' utopian vision for a multiscreen and communal live TV experience. In Social TV: Multiscreen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised-but failed to deliver-a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multiscreen campaigns have shifted away from a focus on live TV and toward all-day "content" streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.