Between Habit and Thought in New TV Serial Drama: Serial Connections is a consideration of some of the key examples of serial television drama available via transnational streaming platforms in recent times. Through the individual works examined, the book exemplifies the ways in which aesthetics, technology, and capitalism weave a complex social fabric around the production of the respective television series, thus presenting this type of serial drama as a finely engineered cultural production. Taking Bernard Stiegler's notion of an "image warfare" as its starting point, the author critically investigates the strategies deployed by the shows' producers to navigate this dynamic, shaped by the "new spirit of capitalism". With creativity intrinsic to the process, on the one hand, and a highly efficient drive for capturing and fixing attention driven by algorithm and economic logic, on the other, the author maps the processes at work in the production of high-value serial drama and considers how, despite this tension, they manage to present meaningful insights into the experience of being in this world: A world shaped by trauma, a desire for justice, and a search for systems of belief that can offer a way through the vicissitudes of contemporary life. Framed by a detailed analysis of the multiple processes that shape these works is a sustained analysis of the serials Mr Robot, Billions, The Leftovers, Rectify, and Westworld, and the dynamics of despair and hope that ripple through them. As such, it will appeal to readers of film and television studies, cultural theory, and those interested in furthering a critical aesthetics for our time.

Students will find this book interesting and relevant as it offers the most up-to-date accounts of the Korean Wave examples and interdisciplinary analyses, including the 2019 film Parasite, the Korean boy band BTS and recent TV dramas, such as Kingdom (2019, 2020), Crash Landing on You (2020) and Mr. Sunshine (2018). With it's coverage of film, TV and popular music, this collection will have interdisciplinary appeal and can be used on courses in Korean and Asian studies as well as film, media, and cultural industries. Includes scholars from a range of disciplines and a series of case studies from Asia, the USA, Europe and the Middle East.

- Constitutes the first textbook the field, written specifically in relation to sound design - Contributors are world-leading researchers in their fields and come from a variety of countries and institutions. - Marries the theoretical with the practical, by offering concrete examples and case studies throughout

This book makes fascinating connections between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation The discussions in this book will have much to add to debates on the emotional and cognitive effects of television dramas on their audiences, and thus larger questions of what should or should not be represented on screen The chapters explore a number of questions including: - How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? - How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? - Why and how do we value some serials while disliking others? - What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television's cognitive, socio-political, and aesthetic value, and its current ubiquity in popular culture? This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art

Among shifting politics, tastes, and technology in television history, one genre has been remarkably persistent: the cop show. Claudia Calhoun returns to Dragnet, the pioneering police procedural and an early transmedia franchise, appearing on radio in 1949, on TV and in film in the 1950s, and in later revivals. More than a popular entertainment, Dragnet was a signifier of America's postwar confidence in government institutions-and a publicity vehicle for the Los Angeles Police Department. Only the Names Have Been Changed shows how Dragnet's "realistic" storytelling resonated across postwar culture. Calhoun traces Dragnet's "semi-documentary" predecessors, and shows how Jack Webb, Dragnet's creator, worked directly with the LAPD as he produced a series that would likewise inspire public trust by presenting day-to-day procedural justice, rather than shootouts and wild capers. Yet this realism also set aside the seething racial tensions of Los Angeles as it was. Dragnet emerges as a foundational text, one that taught audiences to see police as everyday heroes not only on TV but also in daily life, a lesson that has come under scrutiny as Americans increasingly seek to redefine the relationship between policing and public safety.

Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books. Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected film and video editor. Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.

As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue - from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist's inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers' knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.

-examines the relationship between Brexit and its comedy, exploring how Brexit and comedy are connected in both Leave and Remain discourse -argues that both populism and comedy are rhetorical in nature and so are linked through their semantic structure and communicative potential -the author analyses the populism that has emerged from those incongruities in the form of ironic, ambiguous and dichotomous discourse -provides not just an advance in our understanding of political satire but also a clearer description of the nature of populism

The first two seasons of Star Trek: Discovery, the newest instalment in the long-running and influential Star Trek franchise, received media and academic attention from the moment they arrived on screen. Discovery makes several key changes to Star Trek's well-known narrative formulae, particularly the use of more serialized storytelling, appealing to audiences' changed viewing habits in the streaming age - and yet the storylines, in their topical nature and the broad range of socio-political issues they engage with, continue in the political vein of the series' megatext. This volume brings together eighteen essays and one interview about the series, with contributions from a variety of disciplines including cultural studies, literary studies, media studies, fandom studies, history and political science. They explore representations of gender, sexuality and race, as well as topics such as shifts in storytelling and depictions of diplomacy. Examining Discovery alongside older entries into the Star Trek canon and tracing emerging continuities and changes, this volume will be an invaluable resource for all those interested in Star Trek and science fiction in the franchise era. List of contributors: Sherryl Vint, Andrea Whiteacre, Torsten Kathke, John Andreas Fuchs, Ina Batzke, Sarah Boehlau, Will Tattersdill, Kerstin-Anja Munderlein, Diana Mafe, Whit Frazier Peterson, Henrik Schillinger, Arne Soennichsen, Judith Rauscher, Amy C. Chambers, Mareike Spychala, Sabrina Mittermeier, Jennifer Volkmer, Si Sophie Pages Whybrew and Lisa Meinecke.

Engage with the cosmos at a whole new level with this sumptuously illustrated tarot deck featuring captivating visions of the characters from Star Trek: The Next Generation. Boldly go where no one has gone before with the guidance of this 24th-century update of the traditional 78-card tarot deck. Star Trek: The Next Generation Tarot Deck and Guidebook set features all the fan-favorite characters, from Captain Picard to Counselor Troi, from the series depicted in gorgeous original illustrations based on classic tarot iconography. Featuring both major and minor arcana, the set also comes with a helpful guidebook explaining each card's meaning, as well as simple instructions for easy readings. Packaged in a sturdy, decorative gift box, this unique tarot deck is the perfect gift for any Trek fan or tarot enthusiast.

'I always knew he was quite creative, but I had no idea he was so reckless' Lord Sugar 'The thinking woman's Bakewell tart ... Witty, interesting and underpinned by a sharp intellect' Jo Brand 'This book is a total delight - as wise and witty and surprising as the man himself' Gyles Brandreth When Nick Hewer first appeared on our TV screens in The Apprentice in 2005, he had thought he was heading towards a quiet retirement after a long and successful career in PR and marketing. Little did he realise that appearing on the show with Lord Sugar and Margaret Mountford would mean that his life was about to be transformed. Quickly, he became a regular presence in our homes, renowned for his wry sense of humour and his astute insights. But the story of how the current host of Countdown came to this point has remained largely unknown - until now. In My Alphabet, Nick Hewer takes us through an A to Z of some of the most remarkable and entertaining events his life, covering everything from his Boyhood in Swindon, when he took his Dinky toys on a most unexpected journey, to Regrets, and an episode that ended in a kidnapping. With chapters on subjects from Tottenham Hotspur to one on Underwear, there is sure to be something for all tastes within these pages. My Alphabet builds up into a brilliant and fascinating self-portrait, taking the reader on a remarkable journey that will inform, entertain and move you. We get to see behind the scenes on The Apprentice and Countdown, and much else besides. Self-deprecating and witty, Nick Hewer has written a brilliant book his many fans are sure to treasure.

Explore all that Vulcan has to offer in an interactive guidebook. Drawing on 50 years of Star Trek TV shows, films, and novels to present a comprehensive guide to Spock's iconic home world, it covers every significant region, with historical, geographical, and cultural insights that bring the planet to life. Illustrated with classic Star Trek imagery and original illustrations. The perfect way to celebrate 50 years of Star Trek.

There are certain films and shows that resonate with audiences everywhere--they generate discussion and debate about everything from gender, class, citizenship and race, to consumerism and social identity. This new 'teachable canon' of film and television introduces students to alternative classics that range from silent film to CSI. Since its debut in September 2000, "CSI"'s fusion of cinematic spectacle, forensic pathology and character drama has regularly drawn in tens of millions of viewers around the worldThis original new study investigates "CSI"'s cultural importance, both for the media industry and for the criminal justice system itself, exploring its formal and narrative style, and its impact on media cultureC"SI" provides a model for studying how genre, narrative, industry concerns, and the broad 'public life' of a television series contribute to our understanding of the nature and function of contemporary popular television

In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness. By viewing comedy as both a constitutive feature of social interaction and as a necessary requirement in the appraisal of what is often deemed to be 'politically correct', this book provides an innovative and multidisciplinary approach to the study of comedy and popular culture. In doing so, it engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to 'PC Debates', contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Zizek and Alenka Zupancic, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC 'mockumentary', The Office (UK), as well as a variety of television comedies. Drawing from psychoanalysis, social psychology and philosophy, this book will be highly relevant for postgraduate students and academic researchers studying comedy, race/racism, multiculturalism, political correctness and television/film.

The Oscar-nominated Precious star and Empire actress delivers a riveting memoir that is wise, complex, smart, funny, and breaks the mold, just like Sidibe, herself. Gabourey Sidibe - "Gabby" to her legion of fans - skyrocketed to international fame in 2009 when she played the leading role in Lee Daniels' acclaimed movie Precious. In This Is Just My Face, she shares a one-of-a-kind life story in a voice as fresh and challenging as many of the unique characters she's played onscreen. With full-throttle honesty, Sidibe paints her Bed-Stuy/Harlem family life with a polygamous father and a gifted mother who supports her two children by singing in the subway. Sidibe tells the engrossing, inspiring story of her first job as a phone sex "talker". And she shares her unconventional (of course!) rise to fame as a movie star alongside "a superstar cast of rich people who lived in mansions and had their own private islands and amazing careers while I lived in my mom's apartment." Sidibe's memoir hits hard with self-knowing dispatches on friendship, depression, celebrity, haters, fashion, race, and weight ("If I could just get the world to see me the way I see myself," she writes, "would my body still be a thing you walked away thinking about?"). Irreverent, hilarious, and untraditional, This Is Just My Face will resonate with anyone who has ever felt different and with anyone who has ever felt inspired to make a dream come true.

Horror films have traditionally sunk their teeth into straitened times, reflecting, expressing and validating the spirit of the epoch, and capitalising on the political and cultural climate in which they are made. This book shows how the horror genre has adapted itself to the transformation of contemporary American politics and the mutating role of traditional and new media in the era of Donald Trump's Presidency of the United States. Exploring horror's renewed potential for political engagement in a socio-political climate characterised by the angst of civil conflict, the deception of 'alternative facts' and the threat of nuclear or biological conflict and global warming, Make America Hate Again examines the intersection of film, politics, and American culture and society through a bold critical analysis of popular horror (films, television shows, podcasts and online parodies), such as 10 Cloverfield Lane, American Horror Story, Don't Breathe, Get Out, Hotel Transylvania 2, Hush, It, It Comes at Night, South Park, The Babadook, The Walking Dead, The Woman, The Witch and Twin Peaks: The Return. The first major exploration of the horror genre through the lens of the Trump era, it investigates the correlations between recent, culturally meaningful horror texts, and the broader culture within which they have become gravely significant. Offering a rejuvenating, optimistic, and positive perspective on popular culture as a site of cultural politics, Make America Hate Again will appeal to scholars and students of American studies, film and media studies, and cultural studies.

This interdisciplinary and international volume offers an innovative and critical exploration of the impact of motherhood on the engagement of women in media and creative industries across the globe. Diverse contributions critically engage with the intersections and overlap between the social categories of worker and mother, and the work of media production and maternal caregiving. Conflicting ideas about, and expectations of, mothers are untangled in the context of the working world of radio, film, television and creative media industries. The book teases out commonalities between experiences that are evident across a number of countries, from Hollywood to Bollywood, as well as examining the differences between class, religion, maternal status and cultural frameworks that surround working mothers in various nation states. It also offers some possibilities for ways forward that can improve the lives of women workers who are also mothers. A timely and valuable contribution to international debates on equality, mothers and motherhood in audiovisual industries, this book will be of interest to scholars and students of media, communication, cultural studies and gender, programmes engaged with work inequalities and motherhood studies, and activists, funders, policymakers and practitioners.

In this edited volume, contributors explore an essential element of the influential television series Twin Peaks: the role of music and sound. From its debut in 1990 to its return to television in 2017, Twin Peaks has amassed a cult following, and inspired myriad scholarly studies. This collection considers how the music and sound design not only create the ambience of this ground-breaking series, but function in the narrative, encouraging multiple interpretations. With chapters that consider how music shapes the relationship of audiences and fans to the story, the importance of sound design, and the symbolism embedded in the score, this book provides a range of perspectives for scholars of music and film studies, while giving fans new insight into an iconic television show.

In this edited volume, contributors explore an essential element of the influential television series Twin Peaks: the role of music and sound. From its debut in 1990 to its return to television in 2017, Twin Peaks has amassed a cult following, and inspired myriad scholarly studies. This collection considers how the music and sound design not only create the ambience of this ground-breaking series, but function in the narrative, encouraging multiple interpretations. With chapters that consider how music shapes the relationship of audiences and fans to the story, the importance of sound design, and the symbolism embedded in the score, this book provides a range of perspectives for scholars of music and film studies, while giving fans new insight into an iconic television show.

This book explores how British culture is negotiating heroes and heroisms in the twenty-first century. It posits a nexus between the heroic and the state of the nation and explores this idea through British television drama. Drawing on case studies including programmes such as The Last Kingdom, Spooks, Luther and Merlin, the book explores the aesthetic strategies of heroisation in television drama and contextualises the programmes within British public discourses at the time of their production, original broadcasting and first reception. British television drama is a cultural forum in which contemporary Britain's problems, wishes and cultural values are revealed and debated. By revealing the tensions in contemporary notions of heroes and heroisms, television drama employs the heroic as a lens through which to scrutinise contemporary British society and its responses to crisis and change. Looking back on the development of heroic representations in British television drama over the last twenty years, this book's analyses show how heroisation in television drama reacts to, and reveals shifts in, British structures of feeling in a time marked by insecurity. The book is ideal for readers interested in British cultural studies, studies of the heroic and popular culture.

"Who would have thought you could create a cat bed from a washing-up bowl, design a doll's house from an old shoe box or make a flower pot from a margarine tub - all on live television!" Valerie Singleton, Blue Peter presenter 1962-1972 "My ultimate favourite has to be Tracy Island. I loved all the little details, such as the bendable pipe cleaner, palm trees and that it was compatible with the shop bought Thunderbirds toys." Konnie Huq, Blue Peter presenter, 1997-2008 Blue Peter is the longest-running children's programme in the world. At its peak, before the days of streaming and social media, it notched up 8 million viewers an episode and received a thousand letters a day. Recently voted the UK's best children's TV programme of all time, it was - and remains - famous for its makes, all of which used inexpensive household items such as cereal boxes and squeezy bottles, as well as the essential sticky-backed plastic and rubber solution glue. This affectionate celebration of the favourite makes from the show, has facsimiles from the Blue Peter annuals and includes the iconic Advent Crown, made with wire coat hangers, tinsel and candles. A Christmas Door Decoration, made from a polystyrene ceiling tile, some more tinsel and a cake doily. A Luxury Cat Basket, made from a washingup bowl. Plant Pots using old margarine tubs. A Doll's House made from a shoebox (with furniture made from matchboxes). Plus, of course, the instructions for the Blue Peter version of Thunderbirds Tracy Island.

A guide to Marvel Studios' action-packed Disney+ series, featuring Sam Wilson and Bucky Barnes. Includes interviews with the cast and crew of Marvel Studios' The Falcon and the Winter Soldier, along with exclusive photos and art. This special collector's edition focuses on Captain America's fighting companions, Sam Wilson and Bucky Barnes, played by Anthony Mackie and Sebastian Stan.

This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations. Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields - actors, journalists, athletes, comedians, writers, and television personalities - and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia's colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption. This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies.

Difficult Women on Television Drama analyses select case studies from international TV dramas to examine the unresolved feminist issues they raise or address: equal labor force participation, the demand for sexual pleasure and freedom, opposition to sexual and domestic violence, and the need for intersectional approaches. Drawing on examples from The Killing, Orange is the New Black, Big Little Lies, Wentworth, Outlander, Westworld, Being Mary Jane, Queen Sugar, Vida, and other television dramas with a focus on complex female characters, this book illustrates how female creative control in key production roles (direct authorship) together with industrial imperatives and a conducive cultural context (indirect authorship) are necessary to produce feminist texts. Placed within the larger context of a rise in feminist activism and political participation by women; the growing embrace of a feminist identity; and the ascendance of post-feminism, this book reconsiders the unfinished nature of feminist struggle(s) and suggests the need for a broader sweep of economic change. This book is a must-read for scholars of media and communication studies; television and film studies; cultural studies; American studies; sociology of gender and sexualities; women and gender studies; and international film, media and cinema studies.