The animated science-fiction adventures of Rick and Morty are irreverent, shocking, and hilarious--from the cynical and rapid-fire one liners, to the grotesquely and endearing character designs. Now, take a deep trans-dimensional dive into the creation of these many insane universes with The Art of Rick and Morty!This new book is a must-have, not only for followers of the series, but for fans of animation as well! Featuring intimate commentary from the show's creators accompanying a vast collection of process, concept, and production art, this volume offers a tantalizing exploration of one of the most outlandish and beloved shows on television. Don't miss your chance to see the amazing art that goes into creating this twisted and fantastic Adult Swim series!Exclusive never before seen concept art from the making of the hit animated series, Rick and Morty! The comprehensive companion to the hit series, Rick and Morty!The art book that Rick and Morty fans have been waiting for!

"If you have ever turned on the TV after the 11 o'clock news and laughed, you owe Steve Allen a debt of gratitude." That's how Entertainment Weekly described Steve Allen's enormous contribution to American popular culture in a tribute to the legendary entertainer after his death on October 30, 2000. Steve Allen created the Tonight show - America's longest running entertainment show and most successful late-night TV show. In so doing he led the way for other American icons: Johnny Carson, Jack Paar, David Letterman, and Jay Leno. The formula we all now take for granted did not exist before Allen: the desk, the opening monologue, breezy chats with celebrities, wacky stunts, comedy sketches, cameras roaming down the hall and outside the theater, off-the-cuff interviews with passers-by, and ad-lib banter with the studio audience. It's all great fun and it's all due to the incredibly witty, incurably silly, musically gifted, and ever-likeable Steve Allen. Based on exclusive interviews, Ben Alba has produced this wonderful history of the first Tonight show, complete with terrific photos from the show and revealing insights from over 30 entertainment legends who knew and worked with Steve Allen - including Sid Caesar, Carl Reiner, Jonathan Winters, Don Knotts, Louis Nye, Tom Poston, Bill Dana, Steve Lawrence and Eydie Gorme, Andy Williams, Tim Conway, the Smothers Brothers, Diahann Carroll, Eartha Kitt, Bill Dana, and Doc Severinsen. In addition, Jay Leno, David Letterman, Bill Maher, Bob Costas, and other TV veterans reflect on Allen's contributions. Starting with Allen's early career in radio, Alba shows how the young radio talent developed many of the elements that would soon light up late-night television. He then highlights Allen's many innovations that made the Tonight show so appealing and enduring: the single-guest and single theme shows, road shows and live segments from across the country, Broadway shows visiting Tonight, creating a forum for jazz artistry and a groundbreaking showcase for African-American talent, musical tributes, and the use of the studio audience as a comedy goldmine. Alba has created an invaluable, entertaining, and revealing behind-the-scenes look at the birth of an American television institution and its brilliant inventor, whose influence continues to make America stay awake and laugh -night after night.

Ever wondered how the crew of Serenity would fare if they landed back on Earth-That-Was? Would we see etiquette classes by Inara? Remedial math lessons from Jayne? Could River make it as a psychic poker champ? And what kind of carnage could Saffron cause with a charity kissing booth? Find out in this cute cartoon collection from Joey Spiotto.

This volume considers the numerous philosophical ideas and arguments found in and inspired by the critically acclaimed series Breaking Bad. This show garnered both critical and popular attention for its portrayal of a cancer-stricken, middle-aged, middle-class, high school chemistry teacher's drift into the dark world of selling methamphetamine to support his family. Its characters, situations, and aesthetic raise serious and familiar philosophical issues, especially related to ethics and morality. The show provokes a bevy of rich questions and discussion points, such as: What are the ethical issues surrounding drugs? What lessons about existentialism and fatalism does the show present? How does the show grapple with the concept of the end 'justifying' the means? Is Walt really free not to 'break bad'? Can he be redeemed? What is the definition and nature of badness (or evil) itself? Contributors address these and other questions as they dissect the legacy of the show and discuss its contributions to philosophical conversations.

"A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena"--

Shirley Jones is an American film legend of the first order, having starred in Oklahoma!, Carousel, The Music Man, and her Oscar-winning role as a prostitute in Elmer Gantrylong before the iconicThe Partridge Family.On the show, she portrayed the epitome of American motherhood, a symbol to generations of families in the 1970s, and she remains a cult icon today. But for those who only think of Shirley as the prim and proper Marion the librarian or the chaste and demure Mrs. Partridge, a massive surprise is in store. Here, in this candid memoir, the realflesh and blood Shirley Jones is revealed at last. In this hilarious and heart-warming, shocking and intimate memoir, Shirley dishes the raw truth about her own highly charged sexuality, her two husbands-the charismatic and deeply troubled Broadway star Jack Cassidy and the wacky TV comic Marty Ingels-her legendary Hollywood co-stars, and her interactions with the cast of The Partridge Family, including her rock star stepson David Cassidy. From smuggling marijuana across the Mexican border to infidelity and her wild sexual escapades, movie and television icon Shirley Jones gives us an unparalleled look beyond the America's sweetheart exterior.

The definitive visual history of the thrilling make-up artistry of the legendary Rick Baker, a must-have for collectors and special effects afficionados. From the gory zombies of Michael Jackson's Thriller to the staggeringly lifelike results of Bigfoot in Harry and the Hendersons to the groundbreaking effects in An American Werewolf in London, Baker's special effects, makeup, and prosthetics are some of Hollywood's most enduring legacies. This deluxe, two-volume set is replete with more than 1000 four-colour images and original sketches. It covers the makeup artist's 40-plus-year journey, from his early days as a young "monster maker", creating body parts in his parents' kitchen, to his more than 70 film and television credits--that earned seven Academy Awards, one Emmy, and three BAFTAs, among numerous other awards.

"Rose presents a comprehensive historical explanation of the related changes in television and in the four performing arts. . . . Highly recommended for both culture students and enthusiasts of the performing arts." Library Journal

Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.

The high-pressured, fast-paced environment of television production leaves little time for producers to reflect on how the potentialities of texts and images will be interpreted outside of the immediate broadcast imperatives. This volume brings together the producers and analysts of television in a formal and productive way.

How does culture articulate, frame, organise and produce stories about social class and class difference? What do these stories tell us about contemporary models of success, failure, struggle and aspiration? How have class-based labels been revived or newly-minted to categorise the insiders and outsiders of the new 'age of austerity'? Drawing on examples from the 1980s to the present day this book investigates the changing landscape of class and reveals how it has become populated by a host of classed figures including Essex Man and Essex Girl, the 'squeezed middle', the 'sharp-elbowed middle class', the 'feral underclass', the 'white working class', the 'undeserving poor', 'selfish baby boomers' and others. Overall, the book argues that social class, although complicated and highly contested, remains a valid and fruitful route into understanding how contemporary British culture articulates social distinction and social difference and the significant costs and investments at stake for all involved.

Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.

Americans have been watching and enjoying British television programming since the mid-1950s, but the information on the personalities involved is difficult, if not impossible, to find in the United States. This guide provides biographical essays, complete with bibliographies, on 100 of the best known and loved actors and actresses from Richard Greene (Robin Hood) and William Russell (Sir Lancelot) in the 1950s through stars of Masterpiece Theatre, including Robin Ellis and Jean Marsh, to the new generation of British comedy performers such as Alexei Sayle and Jennifer Saunders. Not only are serious dramatic actors and actresses, such as Joan Hickson and Roy Marsden to be found here, but also the great comedy stars, including Benny Hill and John Inman. Among the many shows discussed in the text are Absolutely Fabulous; Are You Being Served?; Dad's Army; Doctor Who; EastEnders; Fawlty Towers; The Good Life; The Jewel in the Crown; Poldark; Rumpole of the Bailey; Upstairs, Downstairs; and Yes, Minister. The guide offers not only factual information but also samplings of contemporary critical commentary and in-depth interviews with Terence Alexander, Richard Briers, Benny Hill, Wendy Richard, Prunella Scales, and Moray Watson. This is a reference source that also serves as a fascinating entree into the wonderful world of British television, one that is as fun to browse as it is to use for factual documentation.

The existence of commercial television in Europe is relatively new compared to the United States and was 'officialised' only in 1989 with the adoption of the Television without Frontiers Directive. The introduction of private television - to some extent coordinated at the European level, but to a large extent shaped by the EU Member States - was fiercely commented upon in the 1980s. Nevertheless, most assertions on the phenomenon of private television are based not so much on empirical findings but rather on ideological arguments in favour or against commercial television. More often than not, arguments are entrenched in 'boom' and 'doom' perspectives on the commercialisation of media. In addition, academic research on private television remains scarce to date: the limited attention from scholars in Europe stands in sharp contrast with the extensive research in the field on public service broadcasting. Clustered around three themes, European and national experiences, content and markets, and policies, Private Television in Western Europe: Content, Markets, Policies aims to fill this gap, transcending the 'boom' and 'doom' scenarios that seem so dominant in media studies research.

This book argues that Doctor Who, the world's longest-running science fiction series often considered to be about distant planets and monsters, is in reality just as much about Britain and Britishness. Danny Nicol explores how the show, through science fiction allegory and metaphor, constructs national identity in an era in which identities are precarious, ambivalent, transient and elusive. It argues that Doctor Who's projection of Britishness is not merely descriptive but normative-putting forward a vision of what the British ought to be. The book interrogates the substance of Doctor Who's Britishness in terms of individualism, entrepreneurship, public service, class, gender, race and sexuality. It analyses the show's response to the pressures on British identity wrought by devolution and separatist currents in Scotland and Wales, globalisation, foreign policy adventures and the unrelenting rise of the transnational corporation.

This book makes a case for the synergetic union between reality TV and the music industry. It delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. It challenges the current scholarship which does not adequately distinguish the economic significance of these developments.

With the popularity of crime dramas like CSI focusing on forensic science, and increasing numbers of police and prosecutors making wide-spread use of DNA, high-tech science seems to have become the handmaiden of law enforcement. But this is a myth,asserts law professor and nationally known expert on police profiling David A. Harris. In fact, most of law enforcement does not embrace science-it rejects it instead, resisting it vigorously. The question at the heart of this book is why. "" Eyewitness identifications procedures using simultaneous lineups-showing the witness six persons together,as police have traditionally done-produces a significant number of incorrect identifications. "" Interrogations that include threats of harsh penalties and untruths about the existence of evidence proving the suspect's guilt significantly increase the prospect of an innocent person confessing falsely. "" Fingerprint matching does not use probability calculations based on collected and standardized data to generate conclusions, but rather human interpretation and judgment.Examiners generally claim a zero rate of error - an untenable claim in the face of publicly known errors by the best examiners in the U.S. Failed Evidence explores the real reasons that police and prosecutors resist scientific change, and it lays out a concrete plan to bring law enforcement into the scientific present. Written in a crisp and engaging style, free of legal and scientific jargon, Failed Evidence will explain to police and prosecutors, political leaders and policy makers, as well as other experts and anyone else who cares about how law enforcement does its job, where we should go from here. Because only if we understand why law enforcement resists science will we be able to break through this resistance and convince police and prosecutors to rely on the best that science has to offer. Justice demands no less. Visit the author's blog here.

Providing new and challenging ways of understanding the medieval in the modern and vice versa, The Medieval Motion Picture: The Politics of Adaptation highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval: not only in overtly medieval-themed films but also in such diverse genres as thrillers, horror films, performance animation, and even science fiction. Among the films and TV shows discussed are productions such as HBO's award winning series Game of Thrones, Francis Ford Coppola's Bram Stoker's Dracula, Akira Kurosawa's Ran, and M. Night Shyamalan's The Sixth Sense.