This volume brings together perspectives from multimodal stylistics and adaptation studies for a unified theoretical analysis of adaptations of the work of Alice Munro, demonstrating the affordances of the approach in furthering interdisciplinary research at the intersection of these fields The book considers films and television programmes as complex multimodal stylistic systems in and of themselves in order to pave the way for a clearer understanding of screen adaptations as expressions of modal, medial, and aesthetic change. In focusing on Munro, Francesconi draws attention to a writer whose body of work has been adapted widely across television and film for an international market over several decades, offering a diachronic overview and insights into the confluence of socio-cultural contexts, audiences, and dynamics of production and distribution across adaptations. The volume complements this perspective with a microanalysis of the adaptations themselves, exploring the varied creative use of audio-visual dimensions, including sound, light, and movement. The book seeks to overcome simplified fidelity-based understandings of screen adaptations more broadly, showcasing creative multi-layered approaches to a creator's oeuvre to effect true transformation across media and modes. The volume will be of interest to scholars in multimodality, adaptation studies, film studies, and comparative literature.

This book is the first to explore the composition of television ratings in a cross-cultural, comparative manner. Using both communication history and the sociology of quantification, Television Audiences Across the World illuminates why the whole television industry, and television audiences themselves, refer to ratings as the main way to represent the television-watching public. It shows how a specific technology, the peoplemeter, has become the 'state of the art' in very different cultural contexts, including major non-Western countries. It analyses how television audience measurement succeeds in homogenizing diverse ways of watching television among different populations, creating 'apparent nations', and at times ignoring entire regions or parts of the population. The chapters in this volume discuss why television audience measurement has become the dominant model for the evaluation of popularity in the post-modern world, the true 'voice of the masses', still powerful in supposedly fragmented societies.

From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of ""respectability"" has historically been used to police black women's behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book's ten contributors - black female scholars from a variety of disciplines - provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as ""trash"", this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes ""trashiness"" and ""respectability"". Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre's representations and their effects on the black community.

An exploration of the many faces of televangelism in our world today, including Christian, Islamic and Hindu. The collection analyses the correspondences and major differences between global and local televangelism, focusing on the main individuals involved in televangelism, their practices and the social and cultural impact of their ministries.

Gather your friends on your favorite couch and prepare over 50 recipes inspired by the iconic Central Perk cafe from the beloved hit sitcom Friends. Friends: The Official Central Perk Cookbook offers a variety of recipes for chefs of all levels. From appetizers and small bites to drinks and desserts, each chapter includes iconic treats from the show and cafe. The latest in Insight Editions' best-selling line of Friends products has more than 50 recipes and beautiful full-color photography, as well as classic stills and iconic quotes from the show. This will be the year's best home cooking companion for fans of the show that has always been there for you.

The definitive, behind-the-scenes look at the most popular sitcom of the last decade, The Big Bang Theory, packed with all-new, exclusive interviews with the producers and the entire cast.

The Big Bang Theory is a television phenomenon. To the casual viewer, it’s a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don’t know in its entirety.

The Big Bang Theory:The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation, with the blessing and participation of co-creators Chuck Lorre and Bill Prady, executive producers Steve Molaro and Steve Holland, as well as Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch, Mayim Bialik, and more. Glamour senior editor Jessica Radloff, who has written over 150 articles on the series (and even had a cameo in the finale!), gives readers an all-access pass to its intrepid producing and writing team and beloved cast. It’s a story of on-and-off screen romance told in hilarious and emotional detail, of casting choices that nearly changed everything (which even some of the actors didn’t know until now), of cast members bravely powering through personal tragedies, and when it came time to announce the 12th season would be its last, the complicated reasons why it was more difficult than anyone ever led on.

Through hundreds of hours of interviews with the sitcom’s major players, Radloff dives into all this and much more. The book is the ultimate celebration of this once-in-a-generation show and a must-have for all fans.

Beginning from a poststructuralist position, "Constructing the Child Viewer" examines three decades of U.S. research on television and children. The book concludes that historical concepts of the child television viewer are products of discourse and cannot be taken to reflect objective, scientific truths about the child viewer. Widely disseminated constructs of the passive viewer, the active viewer, the interactive viewer, and the media literate viewer are seen as problematic. Nearly all academic studies published from 1948 to 1979 on the subject are included in this volume. Each receives close textual analysis, making this a useful bibliographic resource and reference book. Methodologically and theoretically, this is the first text of its kind to read the history of research on television and children as an archaeology of knowledge.

"Constructing the Child Viewer" is an extensive bibliographical resource, a preliminary introduction to Foucault's discourse theory, and an experimental application of that theory to one major strand of the discourse of mass communications research. Students of educational psychology, sociology, and communications/media will find this work invaluable.

This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people's self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.

Quite simply, Last of the Summer Wine is the longest-running comedy programme in the world. It premiered 37 years ago, in 1973, and, after 31 series it finally came to an end last year - even though all its original protagonists - Compo, Foggy, even Nora Batty - are now dead. Remarkably, for a series of such longevity and international appeal, it is all about elderly people, has little action or plot, and is set and filmed in and around the small Yorkshire town of Holmfirth. Now, Andrew Vine, the deputy editor of Yorkshire's daily newspaper, has written the definitive history of this television phenomenon. It covers the show's inauspicious beginnings, with low ratings, its endless reinvention as participants like Bill Owen, Michael Bates, Brian Wilde and Kathy Staff retired or died, the appearance of a string of guest stars from John Cleese and Norman Wisdom to Thora Hird and Russ Abbott (both of whom soon found themselves fixtures in the cast), and the ingenious plot contrivances as the protagonists became too old and frail to attempt any of the slapstick stunts with runaway prams - indeed any outdoor action. Holmfirth is now a year-round tourist attraction, and endless repeats and new DVD box sets will ensure a readership for this book for years to come.

According to Thaler, the presence of cameras in the courtroom is a pervasive technology that can affect public perceptions of the judicial process, change the behavior and attitudes of trial participants, and ultimately transform the sober process of justice into a media event designed for maximum public exposure. The author has interviewed more than 50 people--prominent journalists, academics, and members of the legal system--and brought together their observations in a fascinating historical and psychological profile of the televised courtroom. Thaler provides a historical overview and theoretical perspective, and discusses the new cable courtroom network and the current and continuing camera debate in New York City. He makes reference to the recent celebrated cases involving Amy Fisher, William Kennedy Smith, and Rodney King, then turns to an in-depth case study of the Joel Steinberg murder trial, including insights from the presiding judge, trial attorneys, witnesses, jurors, and the defendant himself, as well as journalists who covered the trial. The author concludes that the process of justice is slowly being turned into an entertainment vehicle, not unlike the show trials of bygone eras.

The successful return of horror to our television screens in the post-millennial years, and across a multi-media range of platforms, demonstrates that this previously moribund genre is once again vibrant, challenging and long-lasting. The traditional TV audience of the past would have watched very few horror TV shows, because not many were made. But that has changed. Programme makers have tapped into their public's insatiable need - in these days of terrorism, violence and mayhem - to provide programmes that have high production values, engaging storylines, and plenty of frights and gore. Horror TV offers a safety-valve for its audience, one that enables them to enter into it from the safety of their armchairs. The era of instant access, streaming, downloading and binge-watching whole seasons over a weekend, where fandom has blossomed into a cultural force, clearly shows horror as a vital part of today's TV scheduling. This edited collection investigates the rising popularity of horror-television through deconstructing the gender roles within them via series of case studies including such programmes as Hannibal, American Horror Story, The Walking Dead, Penny Dreadful, Supernatural, The Exorcist and Bates Motel. By using a series of case studies and employing theoretical modes of close analysis, each chapter demonstrates how and why these TV shows are important in reflecting the changing gender roles within modern society.

Star Trek has transcended science fiction through its integration of elements that also have crucial roles in the classical utopian tradition. New technologies change a civilization, a miniature society unfolds on a spaceship, and an android teaches humanity. Star Trek has been answering many questions about our own world for over five decades, and since the days of Captain Kirk, the franchise has become one of the world's best-known pop cultural phenomena. In six sections, this book documents what the Star Trek franchise has in common with classic utopias. Chapters analyze how technology changes society and how the Federation embodies utopian ideals. Also explored are the political relations among alien species that reflect past and present conflicts in our real world and how the Borg resembles an anti-utopian society.

Are you living the kind of love story you want to read about? More than 2.3 million people watched as Jeremy and Audrey Roloff shared their vows and committed their lives to each other. Now for the first time, the former co-stars of TLC's hit show Little People, Big World share their imperfect, resilient, and inspiring love story. In the New York Times bestseller A Love Letter Life, Jeremy and Audrey teach us that the moment you meet your potential spouse, you can start being intentional about shaping a beautiful love story, uniquely written for who God created you both to be. From health problems to emotional walls to being separated by a thousand miles, the couple faced countless obstacles in their dating relationship. But their unique approach to dating empowered them to write an uncommon love story and prepared them for married life. As beautiful as their wedding was, the Roloffs wanted to be intentional about preparing even more for their marriage. Told through both Jeremy's and Audrey's voices, A Love Letter Life tells a passionate and persevering story of relatable struggles, hard-learned lessons, practical tips, and devout commitment. In these pages, they give you the encouragement you need to: Stop settling for convenient relationships Take on tough topics including purity, fighting well, and staying connected in a world of technology Intentionally pursue a love story that never ends Grow your love story while growing your family Since A Love Letter Life was published in 2019, Jeremy and Audrey have welcomed three new members into the Roloff family. In this special edition of A Love Letter Life, Jeremy and Audrey include a new afterword dedicated to sharing all about how parenting has changed the way they pursue their love letter life. Whether you're single and searching, in a serious dating relationship, or desiring to love your spouse better, Jeremy and Audrey equip you to pursue an intentional, creative, and faithful love story by sharing theirs.

The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a sceptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of voice recording and archiving at the turn of the twentieth century, with a particular focus on the German paradigm, she reveals the entanglement of listening in the logic of Euro-American empire and the ways in which contemporary films can destabilize the history of colonial sound reproduction. Landry provides close readings of several disparate documentary films from the late 1990s and the early 2000s. The book pays attention to technology and knowledge production to examine how these films employ recordings plucked from different colonial sound archives and disrupt their purposes. Drawing on film and documentary studies, sound studies, German studies, archival studies, postcolonial studies, and media history, A Decolonizing Ear develops a method of decolonizing listening from the insights provided by the films themselves.

Engage with the cosmos at a whole new level with this sumptuously illustrated tarot deck featuring captivating visions of the characters from Star Trek: The Next Generation. Boldly go where no one has gone before with the guidance of this 24th-century update of the traditional 78-card tarot deck. Star Trek: The Next Generation Tarot Deck and Guidebook set features all the fan-favorite characters, from Captain Picard to Counselor Troi, from the series depicted in gorgeous original illustrations based on classic tarot iconography. Featuring both major and minor arcana, the set also comes with a helpful guidebook explaining each card's meaning, as well as simple instructions for easy readings. Packaged in a sturdy, decorative gift box, this unique tarot deck is the perfect gift for any Trek fan or tarot enthusiast.

The loving yet brutally honest memoir of the daughter of comedy legend Richard PryorRain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children, and her father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era.In this intimate, harrowing, and often hilarious memoir, Rain talks about her divided heritage, and about the forces that shaped her wildly schizophrenic childhood. In her father's house, she bonded with Richard's grandmother, Mamma, a one-time whorehouse madam who never tired of reminding Rain that she was black. In her mother's house, and in the home of her Jewish grandparents, Rain was a "mocha-colored Jewish princess," learning how to cook everything from kugel to beef brisket.It seemed as if Rain was blessed with the best of both worlds, but it didn't quite work out that way. Life at Mom's was unstable in the extreme, while at Richard's place Rain was exposed to sex and drugs before she had even learned to read. "Daddy," she told her father one day, sitting down to Thanksgiving dinner at the advanced age of eight, "the whores need to be paid." Jokes My Father Never Taught Me is both lovingly told and painfully frank: the story of a girl who grew up adoring her father even as she feared him--and feared for him--as his drug problems grew worse. In 1980 Pryor tried to kill himself by setting himself on fire, then joked that it had been an accident: "No one ever told me you couldn't mix cookies with two types of milk!" In his later years, Pryor succumbed to multiple sclerosis, and Rain watched in tears as her father became a shell of his former self. Once, in an unusually introspective mood, Pryor asked his daughter, "Why do you love me, Rainy, when I can be so mean?" Jokes My Father Never Taught Me answers that poignant question and many more. It is an unprecedented look at the life of a legend of comedy, told by a daughter who both understood the genius and knew the tortured man within.

For over 25 years, Dale Winton (1955-2018) was one of Britain's most popular stars. His warm and winning ways made him one of Britain's most popular and powerful personalities on TV, radio and with live audiences everywhere - but Dale's life was far from perfect. The story of his private life was traumatic and eventful, a tale of childhood insecurity, poverty and heartbreaking family tragedy - but also courage, commitment and strength. In this emotional, heartfelt book, Dale discusses the problems, the pain and the personalities of a life lived to the full in the mad world of showbusiness - as well as his plastic surgery, his lifelong battle with his weight, and the complicated truth about his sexuality. Rawest and most affecting is his honest account of his relationship with his parents, his bullying father who died on the day of Dale's bar mitzvah - but particularly his close relationship with his troubled mother, whose struggle with depression ended with her taking her own life, her body found by Dale just days after his 21st birthday. With an eye to the future as well as his fascinating past, Dale Winton's autobiography will make compelling reading for millions, testament to the legacy of one of Britain's great entertainers.

A revised and updated edition that includes new material on self-tapes, presenting from home, and other recent changes to the industry.

The opportunities for presenters have never been greater. But, although it's seen as a glamorous job and a step to celebrity, being a TV presenter is also hard work, and demands a varied range of journalistic, technical, performance and personal skills.

With a background in TV directing, working with professional presenters and training new ones for the TV industry, Kathryn Wolfe takes you through the techniques and skills required to become a successful presenter, including:

• How to read from a prompt and use in-ear monitoring
• How to talk to camera and talk to time
• How to cope with live, recorded, studio and location shoots
• How to present from home
• How to present for specialist channels (children's, shopping, weather)
• How to create a successful CV and convincing showreel

Hands-on exercises and checklists will guide you through improving your posture, overcoming nerves, developing correct breathing and good diction, being natural, evaluating your performance, and much more. The book is also packed with accessible advice and top tips from dozens of experienced and new presenters currently working on TV. It tells you what happens in auditions, and, above all, how to go about getting a job as a presenter.

______________________________________ A classic collection of the hilarious Reginald Perrin books: The Rise and Fall of Reginald Perrin, The Return of Reginald Perrin and The Better World of Reginald Perrin, immortalised in two BBC TV series, now being repeated on BBC Four. Reginald Iolanthe Perrin is surely one of the best loved comedy heroes of our time, in both literature and television. This omnibus brings together the first three Reginald Perrin novels containing a lifetime's outrageous and hilarious adventures. When we first meet Reggie, he is sick to death with selling exotic ice creams at Sunshine Desserts. Driven to desperation by the rat race and the unpunctuality of Britain's trains, Reggie's small eccentricities escalate to the extreme, until finally he leaves the unacceptable face of capitalism behind by driving off in a stolen motorised jelly. In his pursuit of the unconventional, he devotes himself to faking his own death, opening a shop devoted to selling completely useless goods, and setting up a commune strictly for the middle-class and middle-aged. Join Reggie, who didn't get where he is today without some help from some memorable supporting characters, in one man's quest to avoid an everyday existence.

"This book engages with key theoretical and analytical issues in the field of media, communication and cultural studies. Using case studies of radio, internet, text messaging and photojournalism, it deploys Bourdieu's ideas to reveal how language in the media is implicated in broader social patterns of "symbolic violence." --

The first sustained examination of the depiction of American suburbia in gothic and horror films, television and literature from 1948 to the present day. Beginning with Shirley Jackson's The Road Through the Wall , Murphy discusses representative texts from each decade, including I Am Legend , Bewitched , Halloween and Desperate Housewives .

The first and only guide to the beloved and star-studded Star Trek: The Animated Series. The first and only guide to the beloved and star-studded Star Trek: The Animated Series, the in-canon (mostly) continuation of the iconic Star Trek: Original Series. Star Trek was left for dead in 1969, after the cancellation of The Original Series (TOS). However, even though new adventures of the Enterprise and its crew were not being produced, it remained in the zeitgeist due to syndication and fan-run conventions. As a result, Star Trek became more popular and led to Gene Roddenberry and Filmation Studios continuing the Enterprise's original five-year mission on Saturday morning television. Star Trek: The Animated Series (TAS) was a critical success, airing 22 episodes over two seasons and earning the franchise its first Emmy Award in 1975. The show featured the voices of almost the entire original cast, including William Shatner and Leonard Nimoy, along with TOS writers Dorothy Fontana ("Journey to Babel"), David Gerrold ("The Trouble with Tribbles"), acclaimed science-fiction author Larry Niven, and many more. This book is the first officially dedicated to TAS, and provides fans with behind-the-scenes production documents, never-before-seen art, and all-new interviews with the people who produced the Enterprise's new animated adventures. Star Trek: The Official Guide to The Animated Series reveals the efforts it took to translate TOS into animated form, includes a Databank encyclopedia of new and returning characters, ships, and planets, as well as trivia, bloopers, and TAS's connections to other Star Trek shows.

A practical, hands-on guide to lighting for video, this book explores how LEDs are changing the aesthetics of lighting and provides students with an indispensable guide to the everyday techniques required to produce professional-quality lighting in the age of LEDs and wireless control options. The book focuses on first-hand application of technical knowledge, beginning with simple lighting setups and progressing to more complicated scenarios, and features accompanying diagrams, illustrations and case studies to demonstrate their real-world application. Key topics covered include basic three-point lighting, lighting moving actors, set lighting and exposure, instrument selection, bringing style to your lighting, color temperature and the Kelvin scale, exterior lighting, lighting categories and genres, green-screen techniques, money and budgeting, and electricity and electrical distribution. The book also provides guidance on career paths including what a grip does, case studies with photos and diagrams, and an extensive glossary of set terminology to introduce students to the language of filmmaking. A must-have resource for film and media production students taking classes in lighting and/or cinematography.