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The Disappearance of Literature - Blanchot, Agamben, and the Writers of the No (Hardcover, New)
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The Disappearance of Literature - Blanchot, Agamben, and the Writers of the No (Hardcover, New)
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Aaron Hillyer considers the fate and implications of Maurice
Blanchot's enigmatic formulation of literature's future: Literature
is heading to its essence, which is its disappearance. The
Disappearance of Literature's primary theoretical objective is to
highlight a previously neglected difference between Blanchot's and
Agamben's philosophies. These philosophical and literary arguments
proceed by examining a series of related concepts: study,
sexuality, language, mysticism, and friendship. Despite the fact
that Blanchot and Agamben often serve today as primary points of
reference for literary theory, no significant critical work has yet
examined their works in a sustained dialogue. Hillyer initiates
this new trajectory of research through readings of Blanchot's The
Unavowable Community and Agamben's The Open, which are followed by
encounters with books by contemporary writers Vila-Matas, Aira, and
Carson. The juxtaposition of these two different forms of writing
(philosophy as literature and literature as philosophy) shows that
the new kind of writing analyzed here holds both literature and
philosophy at a certain distance from each other as well as from
themselves.The primary means of this distantiation is the gesture
of deactivation performed by the act of study. The narrators and
authors examined here often study both literature and philosophy in
order to remove them from their perilous metaphysical foundations.
In this way, Hillyer argues, the study-novel emerges as a basic
paradigm of the disappearance of literature, a new category of
literary creation marked by Agamben's dispute with Blanchot.
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