This book explores the broad territory of design anthropology,
covering key approaches, ways of working and areas of debate and
tension. It understands design as fundamentally human centred and
argues for a design anthropology based primarily on collaboration
and communication. Adam Drazin suggests the most important
collaborative knowledges which design anthropology develops are
heuristic, emerging as engagements between fieldwork sites and
design studios. The chapters draw on material culture literature
and include a wide range of examples of different projects and
outputs. Highlighting the importance of design as a topic in the
study of contemporary culture, this is valuable reading for
students and scholars of anthropology and design as well as
practitioners.
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