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Books > Arts & Architecture > Industrial / commercial art & design > General
Little Book of Prada is the pocket-sized and beautifully
illustrated story of the legendary fashion house. Understated
elegance and luxury, technologically advanced fabrics and sublime
originality of design are all hallmarks of the House of Prada. In
this miniature monograph, Laia Farran Graves documents the history
and heritage of the brand, from the company's origins as a
leather-goods manufacturer to the global fashion empire created by
Miuccia Prada. Little Book of Prada explores the evolutions and
innovations of the brand, as well as a design ethos informed by an
interest in minimalism and contemporary art. Images of individual
garments, catwalk shots and fashion photography pay tribute to one
of the world's most influential fashion houses and the woman behind
it, in a perfectly designed and stylish format that makes a perfect
gift for any lover of fashion.
Most of our expereince is visual. We obtain most of our information
and knowledge through sight, whether from reading books and
newspapers, from watching television or from quickly glimpsing road
signs. Many of our judgements and decisions, concerning where we
live, what we shall drive and sit on and what we wear, are based on
what places, cars, furniture and clothes look like. Much of our
entertainment and recreation is visual, whether we visit art
galleries, cinemas or read comics. This book concerns that visual
experience. Why do we have the visual experiences we have? Why do
the buildings, cars, products and advertisements we see look the
way they do? How are we to explain the existence of different
styles of paintings, different types of cars and different genres
of film? How are we to explain the existence of different visual
cultures? This book begins to answer these questions by explaining
visual experience in terms of visual culture. The strengths and
weaknesses of traditional means of analysing and explaining visual
culture are examined and assessed. Using a wide range of historical
and contemporary examples, it is argued that the groups which
artists and designers form, the audiences and markets which they
sell to, and the different social classes which are produced and
reproduced by art and design are all part of the successful
explanation and critical evaluation of visual culture.
A guide to finding, researching and using historical textiles in your stitched work, to bring layers of meaning and a rich sense of emotional connection through place and time. Renowned textile artist and tutor Hannah Lamb frequently uses and is inspired by old fabrics in her work, from age-worn cotton and linen sheets to delicate lace collars, vintage patchwork to snippets of colourful printed silk. In this book she explores many creative ways to incorporate historical textiles into your own work, from first conception and initial research to the finished piece. Chapters cover: • Unfolding: how to track down historical textiles in shops, markets, antiques fairs, museum collections and online, or in your own family scrap bag, and how to conduct thorough and meaningful research into them. • Connecting: how to design and plan your work with historical textiles, starting with mood boards and sketchbooks and progressing to practical creative experimentation, including old-fashioned techniques such as the ‘prick and pounce’ method of pattern transfer, popular in Tudor times. • Making: the practicalities of using old and fragile materials in your work, and how to combine them with newer fabrics to make cohesive and beautiful pieces that tell powerful stories. This chapter also explores alternative ideas, such as digital printing, that allow you to import the fabric’s essence but leave the original piece intact. • Gathering: this chapter considers examples of contemporary artworks that respond to textile heritage and place, and studies how we tell histories and whose perspective we tell them from. This thoughtful, imaginative book is illustrated with inspirational examples of the author’s own work and that of other leading textile artists, and provides a valuable introduction to working with historical textiles to enhance your own pieces of textile art.
This comprehensive sewing book will take you through the entire
process from picking the right fabric and notions to completing a
pair of jeans that will rival high-end denim brands. Learn garment
industry insider techniques, explained in an easy to understand,
visual format. All tutorials can be done using regular home sewing
machines and tools that are easy to access. Sewing Jeans: The
complete step-by-step guide also includes chapters on pattern
alterations, a comprehensive guide to the best seams and stitches
plus an extensive section on denim fabric and their care and uses.
Making your own jeans doesn't have to be hard, with the techniques
shown in this book you'll be able to sew a great looking pair of
denim that are uniquely you.
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Closet 2018
(Paperback)
Elizabeth Glickfeld, Anna Bates; Designed by Sara De Bondt, Mark El-khatib; Text written by Alice Twemlow, …
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R360
Discovery Miles 3 600
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Ships in 10 - 15 working days
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Design consists of the solution proposals put forward by the
designer for the target audience. The changing needs of the target
audience cause the designer to change the solutions. Although the
act of designing seems to take place in the triangle of
mass-object-designer, it is also affected by the period it is in,
independently of these components. The changing perception of taste
with the change of the period, the adoption of fast consumption,
the advancement of technology, the attempt to establish the real
world in the virtual with this progress, and the widespread use of
social media causes different effects on different user groups.
Some users, who feel this effect, adapt to it and try to meet their
needs in parallel, while the other part shows a conscious
resistance to this effect and prefers to maintain a perception of
"liking" from the past. It is important to share these views to
break the resistance and ensure the construction of a new agenda.
Contemporary Manifests on Design Thinking and Practice reveals the
current problems, practices, and research of the period in design
disciplines. It gives readers the opportunity to see the impact of
the ever-present change and transformation in design as a whole.
Covering topics such as alternative design models, social media
interaction, and urban social sustainability, this premier
reference source is a dynamic resource for designers, architects,
industrial designers, business leaders and executives, students and
faculty of higher education, librarians, researchers, and
academicians.
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