A celebration of creativity from Africa, compiled and published by Counter-Print. Featuring 17 creatives & their work including: Vukile Batyi, Blood, Sweat + Polony, Bold Branding, Ahmad Hammoud, Elio Moavero, Mrs + Mr Luke, Thandiwe Muriu, MUTI, Thabiso Ntuli, Sindiso Nyoni, Hust Wilson, Pearly Yon, Studio Onss Mhirsi, Studio PIC, The Ninevites, Daniel Ting Chong & VM DSGN

Aesthetics is the science of ancient myths and art is a section of that, the story of civilization which changes by history.
Reality is transparent, therefore, it has more reflection rather than attraction, and also, it is the touchable part of existance.
Coming pages are first volume of fonts which includes the real simulations of graphic models, the usual objects which are the parts of early inventions and observation.
In fact, this book is a guide for observing the reality of illussions, difference between physics and phantom.
You will be close to learn that illusion is a search to use your incarnation about the "idea" and "icon" both to have skills on structuring models of real appearing.
You should join on triangle of logic "Vision, Object, Subject." On the models who are made by surfaces as ribbon you can use airbrushes by your election of color in pale that you can use edge and background that indeed is a part of designing.
On second volume of "Seventh Vision" you will join the painted models as well.
Finally, for your questions about calligraphy on this style, you will get your answers to your letters. Hope you enjoy by using fonts generally.
Gholam. R. Khosravi

After 22 years of dedicated work on his designs the author presents the first volume/second volume of his unique collection of artistically designed symbols for the 26 letters of our alphabet.

The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.

Now that information technologies are fully embedded into the design studio, Instabilities and Potentialities explores our post-digital culture to better understand its impact on theoretical discourse and design processes in architecture. The role of digital technologies and its ever-increasing infusion of information into the design process entails three main shifts in the way we approach architecture: its movement from an abstracted mode of codification to the formation of its image, the emergence of the informed object as a statistical model rather than a fixed entity and the increasing porosity of the architectural discipline to other fields of knowledge. Instabilities and Potentialities aims to bridge theoretical and practical approaches in digital architecture.

A revised edition of this popular history of design, updated to reflect innovations since the book's first publication in 2016. Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkers of modernism - and from the emergence of showmen such as Raymond Loewy in the 1930s to today's superstars such as Philippe Starck - the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach - such as Marcel Breuer's Wassily chair of 1925, Eliot Noyes' corporate identity work for IBM in the 1950s and Matthew Carter's Verdana typeface, designed to be read on screen - are analysed in detail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design. Design: The Whole Story provides all the information needed to decode the material world.