"Give me time and I'll give you a revolution" - Alexander McQueen

Ever since its creation in 1992, the House of Alexander McQueen has been synonymous with drama, risk-taking and cutting-edge innovation. From iconic collaborations, like with Lady Gaga for her "Bad Romance" music video, to shockingly controversial runway shows like The Horn of Plenty, Alexander McQueen was beloved for his fantastical silhouettes and blurring of gender lines.

This exquisitely illustrated volume explores the story behind the House, from McQueen's own early days to the current leadership of Sarah Burton. Through a carefully curated collection of finished designs, close-up details and sketches, this book pulls back the veil on the wonderful world of McQueen.

Ikat textiles, known as abr in their lands of origin in Central Asia, are beloved by collectors, decorators and textile devotees across the world. This book presents a new approach to the intricately patterned silk textiles by focusing on complete robes from a major Russian collection. These items of clothing tell stories about their wearers: their home, identity and place in society. By studying the history, making, and changing fashions of ikat robes, the past is brought to life. It quickly becomes clear that the power and influence of Central Asian costume reached far beyond the borders of modern Uzbekistan, inspiring imitations and providing visual stimuli for avant-garde artists.     With stunning photography and previously unpublished research findings, this publication is a new take on ikat costume for those interested in the history of textiles and fashion, but also for those wishing to admire the sheer beauty and exquisite craftsmanship of these remarkable textiles.

This sixteenth volume of ABHB (Annual bibliography oj the history oj the printed book and libraries) contains 3858 records, selected from some 2000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab countries Latin America Australia Luxembourg Austria The Netherlands Belgium Norway Bulgaria Poland Canada Portugal Denmark Rumania Finland South Africa France Spain German Democratic Republic Sweden German Federal Republic Switzerland Great Britain USA Hungary USSR Ireland (Republic of) Yugoslavia Italy Latin America and the Arab countries are being covered through the good offices of American colleagues. Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural VIII INTRODUCTION environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography.

Few have heard of the Shakespeare Head Press, although it ranks alongside William Morris’s Kelmscott, Emery Walker and Cobden-Sanderson’s Doves, Eric Gill’s Golden Cockerel and St John Hornby’s Ashendene. Its origins date to the 1860s, when a young Arthur Henry Bullen, dreamt of printing the whole of Shakespeare. Making his dream a reality, Bullen founded the Shakespeare Head Press in 1904 in an old Tudor house, where Shakespeare would have been a guest. There are many backstories associated with the Shakespeare Head Press and of the perennial dashed hopes of small presses’, which plagued Bullen. When the Press passed to Basil Blackwell (1921), Bullen’s mantle was assumed by the scholar-printer Bernard Newdigate. For twenty years, he produced a series of finely printed books, yet these were not commercially successful. Blackwell blamed the commodification of literature, and the metamorphoses of books from handcrafted works of art to manufactured objects. A Short and Beautiful Life reconstructs the lives of Bernard Newdigate and A.H. Bullen, and that of the Shakespeare Head Press. For Sir Basil Blackwell, ‘the exact record of events was secondary to the universal truths it served to illustrate.’ And there is something remarkably contemporary about them.

This volume sets out to challenge and ultimately broaden the category of the 'photobook'. It critiques the popular art-market definition of the photobook as simply a photographer's book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works - by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose - while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market. -- .

Food and design have always been perfect partners, and are relevant to all aspects of our lives. No matter which country you come from, designers are committed to creating more beauty for people's lives. Reinventing the way we look at food opens up possibilities for a healthier lifestyle, and allows us to enjoy life better, enjoy the design of love, and be a happy "food". This appetizing book covers exemplary illustrations of the world's best food brand packaging, brand image design and eatery interiors, where the design is as delicious and the food itself. The book has more than 300 pages showcasing unique creative and design applications from the airport buffet bar, healthy fast food chain brand, coffee shop, open-air market, tea house, food fair, dim sum house to the craft beer brewery.

Documents, such as drawings, memos and specifications, form an essential function in the design and construction industry. Throughout the lifecycle of a built asset, starting from an initial design idea, right through to a final built form and its ongoing management, thousands, even millions of documents can be used to convey various forms of information to a range of interested parties. In many ways, therefore, the success of a design, or construction-based company, relies upon an understanding of the use of documents, as well as the technologies and techniques that are used to create them.

The Digital Document provides an extensive background to the issues and technologies surrounding this very important topic. It examines a technical subject in an insightful manner that is neither intimidating nor confusing, even to the novice computer user. By introducing the subject through a series of preliminary reviews of current practices and essential computing technologies, the reader is able to better appreciate the benefits and capabilities of a wide range of digital document types. This book explores the role of documents in a professional practice, examines the components, capabilities, viability, and use of digital documents in the design and construction industry, and identifies and explains many of the
standards in use today.
In order to facilitate a better understanding of digital document technologies, a number of essential reviews are provided including:
- the definition and purpose of a document
- how documents are typically used by design professionals
- the nature of the digital document environment
- the data types which make up digital documents
The Digital Document is an essential reference for the architect, engineer or design professional that wants to find out more about effective communication in the digital workplace.
Bruce Duyshart is an IT Project Manager with Lend Lease Corporation and specialises in the development and implementation of digital media and information management technologies on design and construction projects. He holds a Masters degree in Architecture and is also an academic associate of the Faculty of Architecture, Building and Planning at the University of Melbourne. He has written numerous papers on emerging technologies in the architecture, engineering and construction industry, and has developed Internet web sites for the Royal Australian Institute of Architects and Architecture Media.
Only book available on this subjectMeets an increasing awareness of the importance of digital documentsEndorsed by influential organisations and institutions: Lend Lease, The University of Melbourne and the Royal Australian Institute of Architects

There was military project management. There was construction project management. Then there was business project management, a tool described as 'the wave of the future'. Where are architects in all this, professionals whose work has always been project-driven?

There is design management in engineering, product design, graphics, packaging, management theory and even in politics. Construction consultants talk about managing design. When are architects going to become committed to managing design?
Getting There by Design adopts an architect's view to design and project management. It sets out the fundamental principles and shows how they are applied, dealing with these two topics as one indivisible subject.
'Getting There by Design' demonstrates how to:
- make project efforts goal-oriented
- set up a planning and monitoring basis to architectural projects
- put the architect's fee calculus on a rationale basis
- diagnose your firm's practice culture
- develop successful teams
Put your practice onto a more effective basis.
Ken Allinson is an architect in private practice and principal of 'Architectural Dialogue'. He also teaches design studio and lectures on design and project management. He was formerly an associate at DEGW London and the Terry Farrell Partnership. He has practice experience in Europe, the USA and Japan and is the author of 'The Wild Card of Design' (1993).
A clear guide that helps you make project efforts goal-orientated
Learn how to set up a planning and monitoring basis to architectural projects
Be able to diagnose your firm's practice culture and develop successful teams

Many designs that appear in today's society will circulate and encounter audiences of many different cultures and languages. With communication comes responsibility; are designers aware of the meaning and impact of their work? An image or symbol that is acceptable in one culture can be offensive or even harmful in the next. A typeface or colour in a design might appear to be neutral, but its meaning is always culturally dependent. If designers learn to be aware of global cultural contexts, we can avoid stereotyping and help improve mutual understanding between people. Politics of Design is a collection of visual examples from around the world. Using ideas from anthropology and sociology, it creates surprising and educational insight in contemporary visual communication. The examples relate to the daily practice of both online and offline visual communication: typography, images, colour, symbols, and information. Politics of Design shows the importance of visual literacy when communicating beyond borders and cultures. It explores the cultural meaning behind the symbols, maps, photography, typography, and colours that are used every day. It is a practical guide for design and communication professionals and students to create more effective and responsible visual communication.

This is the first anthology of fashion criticism, a growing field that has been too long overlooked. Fashion Criticism aims to redress the balance, claiming a place for writing on fashion alongside other more well-established areas of criticism. Exploring the history of fashion criticism in the English language, this essential work takes readers from the writing published in avant-garde modernist magazines at the beginning of the twentieth century to the fashion criticism of Robin Givhan—the first fashion critic to win a Pulitzer Prize—and of Judith Thurman, a National Book Award winner. It covers the shift in newspapers from the so-called “women’s pages� to the contemporary style sections, while unearthing the work of cultural critics and writers on fashion including Susan Sontag and Eve Babitz (Vogue), Bebe Moore Campbell (Ebony), Angela Carter (New Statesman) and Hilton Als (New Yorker). Examining the gender dynamics of the field and its historical association with the feminine, Fashion Criticism demonstrates how fashion has gained ground as a subject of critical analysis, capitalizing on the centrality of dress and clothing in an increasingly visual and digital world. The book argues that fashion criticism occupied a central role in negotiating shifting gender roles as well as shifting understandings of race. Bringing together two centuries of previously uncollected articles and writings, from Oscar Wilde’s editorials in The Woman’s World to the ground-breaking fashion journalism of the 1980s and today’s proliferation of fashion bloggers, it will be an essential resource for students of fashion studies, media and journalism.

The time when "fashion" was defined by French designers whose clothes could be afforded only by elite has ended. Now designers take their cues from mainstream consumers and creativity is channeled more into mass-marketing clothes than into designing them. Indeed, one need look no further than the Gap to see proof of this. In The End of Fashion, Wall Street Journal, reporter Teri Agins astutely explores this seminal change, laying bare all aspects of the fashion industry from manufacturing, retailing, anmd licensing to image making and financing. Here as well are fascinating insider vignettes that show Donna Karan fighting with financiers,the rivalry between Ralph Lauren and Tommy Hilfiger, and the commitment to haute conture that sent Isaac Mizrahi's business spiraling.

This is a highly topical and important look at the development of a vibrant Chinese design culture within the context of China's recent history of industrialisation, consumer revolution and rapid urbanisation. Focusing on China's hopes and dreams - from the entrepreneurial spirit of individual designers, to society's aspirations at a moment of tremendous change, to the global ambitions of a nation, the book explores how China's new design culture began, what its driving forces are, and how it is developing.Within the framework of three cities - Shenzhen, Shanghai and Beijing - from the early 1990s, to the present day and beyond, a broad range of topics is covered, including graphic design, branding, new media such as advertising, television and blogs, the family and the home, fashion, youth cultures, luxury goods and everyday objects, architecture and urban planning, vehicle design and transportation. Published for a headline exhibition at the V&A, and coinciding with the Beijing 2008 Olympics, "China Design Now" is a significant and groundbreaking book that celebrates the emergence of an exciting new player in the field of global design.

This book looks at the field of fine arts, design and culture as an alternative source of inspiration for ways to work. It is a book about a better future for brand marketing and business leadership, thanks to the dreams and the visions of artists, designers and other creative industry leaders.

The first book of its kind - a car book like no other - offering a deeply nostalgic look at beautiful vintage cars through the superb literature, leaflets and pamphlets that sold them to us. Auto Erotica covers the gamut of motoring in Britain during the 1960s, 1970s and 1980s. These rare ephemeral booklets are full of unusual graphic ideas and concepts. Their fabulous photography, dazzling colour charts, daring typography, strange fold outs and inspiring styles symbolise the automobile aspirations of generations of Britons. The book is also packed full of era-defining classic cars, from those we love to those you can't remember. Expect fast Fords, the XJS, the TR8, MGs, minis, Maxis, Renaults, Beemers, VWs, Vivas, Citroens, DeLoreans and a whole lot more - amazing motors from the past and even some from the future - as you've never seen them before.

Deceptively simple or fantastically intricate, ikat technique has been used for many centuries to create extravagant costumes and cloths of deep cultural meaning. The distinctively blurred, feathered or jagged patterns of ikat-dyed textiles are found across much of the world - from Japan in the east to Central and South America in the west, with vast areas of South-east Asia, India, Central Asia and the Middle East in between. The traditional patterns still hold cultural relevance today in significant parts of the long-established ikat-weaving areas. Textile artists and fashion designers in many and varied countries have taken ikat in new directions, respecting traditional forms and palettes while creatively diverging from them. This is the first time all the different iterations of this textile have been comprehensively brought together in one volume, drawing from the wide-ranging collection of David Paly. It is a journey across the world through the lens of ikat. 

Hollywood has exerted a profound influence on British style and design. From its earliest days, Hollywood glamour in the form of make-up, hairstyles, and fashion was mimicked by women throughout Britain. But the influence of Hollywood was more than skin-deep. Nearly every form of British material culture in the twentieth century has been influenced to some extent by American style, disseminated through the medium of film to a broad and receptive market.With the erection of the Chrysler Building in New York in the late 20s, representing the city and modern American urban life, the Manhattan skyline became an enduring icon in popular culture on both sides of the Atlantic. Not only Hollywood film, but jazz and American companies all combined to bring the new Moderne style to bear on Britain. The architecture of shops, cinemas, and factories all reflect this influence, as did various forms of transportation and the interiors of homes. Even as late as the consumer boom in the 80s, revivals celebrating the Moderne style were popular in Britain as well as abroad. This influence was naturally not without its critics. The very popularity of American design challenged the aesthetics and elitism of British high arts and remains controversial. Anyone interested in design, material culture, film or architecture will find this book to be a lucid and absorbing exploration of a popular aesthetic.