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Books > Arts & Architecture > Industrial / commercial art & design > General
Aesthetics is the science of ancient myths and art is a section of
that, the story of civilization which changes by history.
Reality is transparent, therefore, it has more reflection rather
than attraction, and also, it is the touchable part of existance.
Coming pages are first volume of fonts which includes the real
simulations of graphic models, the usual objects which are the
parts of early inventions and observation.
In fact, this book is a guide for observing the reality of
illussions, difference between physics and phantom.
You will be close to learn that illusion is a search to use your
incarnation about the "idea" and "icon" both to have skills on
structuring models of real appearing.
You should join on triangle of logic "Vision, Object, Subject." On
the models who are made by surfaces as ribbon you can use
airbrushes by your election of color in pale that you can use edge
and background that indeed is a part of designing.
On second volume of "Seventh Vision" you will join the painted
models as well.
Finally, for your questions about calligraphy on this style, you
will get your answers to your letters. Hope you enjoy by using
fonts generally.
Gholam. R. Khosravi
After 22 years of dedicated work on his designs the author presents
the first volume/second volume of his unique collection of
artistically designed symbols for the 26 letters of our alphabet.
Design Philosophy is becoming increasingly important as the nature
of design practice and design education change. "The Design
Philosophy Reader" presents and explains the recent emergence of
Design Philosophy, illustrates the main concerns of Design
Philosophy and demonstrates why Design Philosophy has emerged in
recent years, why it is needed, what it can do, how it can be done
and where it is going. Comprised of an eight thematic sections,
each with a short introduction, to contextualise theory and
highlight its implications, and annotated bibliographies, the
Reader presents both an argument for the need for Design Philosophy
and an overview of its emergence. With texts ranging from writing
on design that is informed by philosophy; philosophically informed
writing on culture, relevant to the thinking of design; ancient and
contemporary philosophy that directly, or by implication, addresses
design; and exegesis and commentary on philosophical texts relevant
to design.
The Technique of Islamic Bookbinding is the first monograph
dedicated to the technical development of the bookbinding tradition
in the Islamic world. Based on an assessment of the extensive
oriental collections in the Leiden University Library, the various
sewing techniques, constructions and the application of covering
materials are described in great detail. A comparative analysis of
the historic treatises on bookbinding provides further insight into
the actual making of the Islamic book. In addition, it is
demonstrated that variations in time and place can be established
with the help of distinctive material characteristics. Karin
Scheper's work refutes the perception of Islamic bookbinding as a
weak structure, which has generally but erroneously been typified
as a case-binding. Instead, the author argues how diverse methods
were used to create sound structures, thus fundamentally
challenging our understanding of the Islamic bookbinding practice.
Karin Scheper has been awarded the De La Court Award 2016 by The
Royal Netherlands Academy of Arts and Sciences for her study of the
bookbinding tradition in the Islamic world.
Now that information technologies are fully embedded into the
design studio, Instabilities and Potentialities explores our
post-digital culture to better understand its impact on theoretical
discourse and design processes in architecture. The role of digital
technologies and its ever-increasing infusion of information into
the design process entails three main shifts in the way we approach
architecture: its movement from an abstracted mode of codification
to the formation of its image, the emergence of the informed object
as a statistical model rather than a fixed entity and the
increasing porosity of the architectural discipline to other fields
of knowledge. Instabilities and Potentialities aims to bridge
theoretical and practical approaches in digital architecture.
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