Adham Hamed explores how a metaphoric understanding of the Middle
East as an open space full of resonating sound bodies can be
applied to the Middle East Conflict. Through inquiring into the
experienced truths of large-scale political violence, the author
suggests that music carries a potential for speaking 'unspeakable'
truths. He explores hidden layers by applying the transrational
approach to peace studies and proposes a non-territorial
understanding of conflict. Hamed argues that security and justice
discourses make up the dominant primary themes in this context. The
Jerusalem Youth Chorus and the Egyptian band Eskenderella are
examined as case studies. This book uncovers where their truths
meet within and beyond the restrictions of formalized language. The
author concludes that in moments of experienced resonance there is
potential for change in the dynamics of rigid conflicts.
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