One way to analyze the intensely conflicting feelings Americans
hold toward the Vietnam War is to see how the war has been
portrayed through film. "How the War Was Remembered" is the first
book to analyze Vietnam War films. Auster and Quart create a
typology of these films based on their connection to
sociohistorical currents such as the Wounded Hero, Superman,
Hunter/Hero, and the Survivor. They also combine aesthetic analysis
with a social, historical, and cultural critique. "How the War Was
Remembered" by Albert Auster and Leonard Quart is a full-length
treatment of filmic portrayals of the Vietnam War. From Samuel
Fuller's "China Gate" to Francis Coppala's "Apocalypse NoW" they
examine the major works of an ever growing genre. The book is
divided into four parts. The first deals with the genre, and the
other three specific types within the genre. Notes, a bibliography,
and an index complete the volume. "Communication BooknoteS"
One way to analyze the intensely conflicting feelings Americans
hold toward the Vietnam War is to see how the war has been
portrayed through film. "How the War Was Remembered" is the first
book to analyze Vietnam War films, beginning with China Gate, and
ending with Hamburger Hill. Included are analyses of all the major
films about the Vietnam War, including "Green BeretS," "The
Deerhunter," "Apocalypse NoW," "The Killing FieldS," "Rambo,"
"Platoon," and "Full Metal Jacket," and others. Auster and Quart
create a typology of these films based on their connection to
socio-historical currents such as the Wounded Hero, Superman,
Hunter/Hero, and the Survivor. They also combine aesthetic analysis
with a social, historical, and cultural critique.
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