Black And White Bioscope recovers a neglected chapter in the histories of world cinema and Africa. It tells the story of movie production in Africa that long predated francophone African films and Nollywood that are the focus of most histories of this industry.

At the same time as Hollywood was starting, a film industry in Southern Africa was surging ahead in integrating production, distribution, and exhibition. African Film Productions Limited made silent movies using technical and acting talent from Britain, the United States, and Australia, as well as from Africa. These included not only the original “long trek movie” and the prototype for the movies Zulu and Zulu Dawn but also the first King Solomon's Mines and the original Blue Lagoon, featuring African actors such as Goba, Tom Zulu, and Msoga Mwana, who starred as the black revolutionary in Prester John.

In this lavishly illustrated book, fifty movies are reconstructed with graphic photographs and plot synopses—plus quotations from reviews—so that readers can rediscover this long-lost treasure trove of silent cinema.

A 3-D masterpiece celebrating Harry Potter’s Hogwarts School of Witchcraft and Wizardry from New York Times best-selling pop-up engineer Matthew Reinhart.

Harry Potter: A Pop-Up Guide To Hogwarts is an exhilarating, interactive guide to the iconic school of witchcraft and wizardry. This book features spectacular pop-up re-creations of key locations inside and outside Hogwarts castle, and it opens flat to form a pop-up map of the castle and its grounds—including the Quidditch pitch, the Forbidden Forest, and beyond. In addition to large pops on each spread, numerous mini-pops will bring to life beloved elements from the Harry Potter films, such as the Marauder's Map and the Flying Ford Anglia.

Each pop will include insightful text about Hogwarts as seen in the films, making for a must-have collectible for fans of the wizarding world.

A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with CINEMA SPECULATION, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for.

Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Quentin Tarantino's long-awaited first work of fiction - at once hilarious, delicious, and brutal - is the always surprising, sometimes shocking new novel based on his Academy Award-winning film.

RICK DALTON - Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it?

CLIFF BOOTH - Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have gotten away with murder . . .

SHARON TATE - She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills.

CHARLES MANSON - The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star.

HOLLYWOOD 1969 - YOU SHOULDA BEEN THERE

The one and only Zadie Smith, prize-winning, bestselling author of Swing Time and White Teeth, is back with a second unmissable collection of essays.

No subject is too fringe or too mainstream for Zadie Smith's insatiable curiosity. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has endless enthusiasmand the boundless wit, insight and wisdom to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion.

This electrifying new collection showcases its author as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.

Taking a curtain call with a live snake in her wig...

Cavorting naked through the countryside painted green...

Acting opposite a child with a pumpkin on his head...

These are just a few of the things Dame Judi Dench has done in the name of Shakespeare.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra.

Here she reveals her behind the scenes secrets; inviting us to share in her triumphs, disasters, and backstage shenanigans, all brightened by her mischievous sense of humour and striking honesty.

Witty, provocative and inspiring, this is ultimately Judi's love letter to Shakespeare, or rather, The Man Who Pays The Rent.

Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise?

In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio’s key moments – from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney’s acquisition of Marvel to studio head Kevin Feige’s embrace of streaming TV – the authors demonstrate that the genius of Marvel was its resurrection and modification of Hollywood’s old studio system.

Dishy and authoritative, MCU is the first book to tell the Marvel Studios story in full – and an essential, effervescent account of popular culture.

The behind-the-scenes story of the action heroes who ruled 1980s and 90s Hollywood and the beloved films – from Die Hard to The Terminator – that made them stars.

This wildly entertaining account of the golden age of the action movie charts Sylvester Stallone and Arnold Schwarzenegger’s carnage-packed journey from enmity to friendship against the backdrop of Reagan’s America and the Cold War. Revealing fascinating untold stories of the colourful characters who ascended in their wake – high-kickers Chuck Norris and Jackie Chan, glowering tough guys Dolph Lundgren and Steven Seagal, and quipping troublemakers Jean-Claude Van Damme and Bruce Willis – it tells the story of how the era of the invincible action hero who used muscle, martial arts or the perfect weapon to save the day began to fade. And how, when Jurassic Park trounced Schwarzenegger’s Last Action Hero in 1993, the glory days of these macho men – and the vision of masculinity they celebrated – were officially over.

Drawing on candid interviews with the action stars themselves, plus their collaborators, friends and foes, The Last Action Heroes is a no-holds-barred account of a period in Hollywood history when there were no limits to the heights of fame these men achieved, or to the mayhem they wrought, on-screen and off.

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve.

For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable.

As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as:

• Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better.
• It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them.
• The cost of preventing errors is often far greater than the cost of fixing them.
• A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody.

Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.

Both a history and a critique of South Africa's film industry, this book recounts the long experience of filmmaker and producer Richard Green.

Green's story—especially his work in forging the film initiative New Directions Africa—is emblematic of the struggles, negotiations, and competing ideologies that faced South Africa as it emerged from apartheid.

He continues to be an essential part of what is now a burgeoning industry that not only supports the creative work of Africans, but is also seen as having an important role in the nation-building process.

Grief is all around us. At the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss - of innocence, of love, of the connection to our world and of that world itself. Now Go enters these emotional waters to interrogate not only how Studio Ghibli navigates grief so well, but how that informs our own understanding of grief's manifold faces.

As our world becomes more globalized, documentary film and television tell more cosmopolitan stories of the world's social, political, and cultural situation. Ib Bondebjerg examines how global challenges are reflected and represented in documentaries from the United States, the United Kingdom, and Scandinavia after 2001. The documentaries deal with the war on terror, the globalization of politics, migration, the multicultural challenge, and climate change.
"Engaging with Reality" is framed by theories of globalization and delves into the development of a new global media culture. It also deals with theories of documentary genres and their social and cultural functions. It discusses cosmopolitanism and the role and forms of documentary in a new digital and global media culture. It will be essential reading for those looking to better understand documentary and the new transnational approach to modern media culture.

Vienna appears in cinema as, among other things, a historical crossroads, a source of great music, and a site of world-famous architecture ranging from gothic cathedrals and baroque palaces to landmark modern structures. A panorama that encompasses all these perspectives, "World Film Locations: Vienna" sheds new light on the movies shot in the former imperial capital--and on the city itself.The first English-language book to explore Vienna's relationship with film beyond the waltz fantasies once shot in studios around the world, this volume shows how specific urban sites contribute to films that, in turn, play a role in our changing ideas about the city. In addition to reviews of key scenes from forty-six films from the silent era to the present, contributors explore such wide-ranging topics as the Austro-Hungarian Empire as cinematic myth; the Viennese film and Golden Age Hollywood; Jewish filmmakers and their take on lost cultural imagery; postwar nation building through film: and the startling "other Vienna" in the New Wave films of Michael Haneke, Barbara Albert, Ulrich Seidl, and Gotz Spielmann. Illuminating the rich multicultural cinematic history that eventually gave rise to the new Austrian films that began to capture international attention more than a decade ago, "World Film Locations: Vienna" will fascinate readers interested in film, art, architecture, literature, music, Jewish studies, or Central European history.

In 1913, a secretive American millionaire, who lived on the top floor of the famous Carlton Hotel, had a crazy idea: to make movies in Johannesburg. And not just any movies but the biggest in the world, huge spectacles with elaborate sets, thousands of extras and epic story lines.

Isidore Schlesinger – better known as ‘IW’ – built a studio on a farm called Killarney, where he set out to challenge a place in America that was in its infancy: Hollywood.

The glamour, gossip and high drama of IW’s studio fit perfectly into a city experiencing an intoxicating golden age. There was as much action on the movie sets as there was on screen: from political intrigue and the clashing of massive egos to public outbursts, fiery judicial inquiries, disaster and death.

Behind this mad enterprise was a maverick, a tycoon, a recluse, a friend of the famed and the connected. IW could have held his own in California but he chose as his base the City of Gold. This is the never-been-told-before story of the rise and fall of the strangest and most unique movie empire ever.

The world of media production is in a state of rapid transformation. In this age of the Internet, interactivity and digital broadcasting, do traditional standards of quality apply or must we identify and implement new criteria?
This profile of the work of the Cambridge University Moving Image Studio (CUMIS), presents a strong argument that new developments in digital media are absolutely dependent on an understanding of traditional excellence. The book stands alone in placing equal emphasis on theoretical and practical aspects of its subject matter and avoids jargon so as to be easily understood by the general reader as well as the specialist.
Chapters discuss:
- animation - navigable architectural environments - moving image narrativity
- questions of truth and representation - virtuality/reality - synthetic imaging
- interactivity
This broad analysis of current research, teaching and media production contains essential information for all those working or studying in the areas of multimedia, architecture, film and television.
The book is designed as a core text for the Cambridge University 1 year MPhil Degree in Architecture and the Moving Image.

Welcome to the most magical atlas of them all! Discover the dangers of the Pride Lands, dive under the sea with Ariel, try to make sense of Wonderland with Alice, fly to Neverland with Peter and hitch a ride onto the East Australian Current with Marlin and Dory. With stories retold and characters to meet along the way, there is something here for all Disney fans, from nostalgic classics to modern favourites. Includes maps from the following feature films: Peter Pan, Dumbo, Pinocchio, Alice in Wonderland, The Jungle Book, Beauty and the Beast, Finding Nemo, Monsters University, Coco, Inside Out, Cars, Up, The Little Mermaid, Aladdin, Frozen, Snow White and the Seven Dwarves, The Lion King, Ratatouille, The Incredibles, 101 Dalmatians, Moana, Brave, Toy Story, Finding Dory, and A Bug's Life.

A comprehensive, large-format hardcover offering unparalleled insight into the making of The War of the Rohirrim, and the complete creative journey from concept to finished film told by the artists and filmmakers themselves.

Written and compiled by Daniel Falconer, conceptual artist at the Academy Award-winning design studio, Weta Workshop, this indispensable book chronicles the stunning conception and design of the world of Middle-earth in Kenji Kaimyama’s The Lord of the Rings: The War of the Rohirrim.

With more than 1,000 never-before-seen sketches, drawings, character studies and environment designs, this beautiful full-colour volume follows the journey of ideas, from initial concepts through beautifully finished designs to scenes from the film itself.

The wealth of art is accompanied by insightful commentary from the artists and filmmakers, including director Kenji Kamiyama, producer Philippa Boyens, and the writers and producers, all of whom reveal the complete story behind the film.

Armed with a wealth of fascinating facts and unique imagery, The Art of The Lord of the Rings: The War of the Rohirrim is the ultimate insider's guide to this groundbreaking addition to the Lord of the Rings film-making saga.

Coloring Snow White, Cinderella, Pocahontas, Ariel, Tiana, and other Disney Princess characters is easy and fun with this special coloring book that contains more than 40 coloring pages. Each image was created from the Disney Dreams Collection of paintings by the Thomas Kinkade Studios, and is presented in color across the page from the exceptionally detailed black line art of the same image. This coloring book is perfect for fans of Disney Princess characters and Thomas Kinkade Studios' Disney Dreams paintings. Measures 7.25" x 9.5" closed Soft cover 96 pages Full-color art of image opposite black line art to color Uncoated paper suitable for crayons, colored pencils, and gel pens Printed on FSC-certified paper (c) Disney

Chocolate Frogs™, Bertie Bott’s Every Flavour Beans™, Fizzing Whizzbees™, and Exploding Bon Bons™ galore! Treat your friends to some magical fun this Valentine's Day with this Wizarding World ™–inspired valentine set.

• 28 CARDS, STICKERS, AND ENVELOPES: With the perfect amount of valentines for most classroom sizes, this set contains 28 total of three different candy box-shaped card designs with valentine messages, 28 coordinating scratch-and-sniff sticker sheets of three different Honeydukes™ sweets, and 28 envelopes with a pinstripe design to look like a Honeydukes™ candy bag.
• 3 SCRATCH & SNIFF STICKER SCENTS: Choose from three delicious scratch-and-sniff sticker scents―chocolate scented Chocolate Frogs™, fruit punch scented Bertie Bott’s Every Flavour Beans™, and vanilla scented assorted candies. Assemble each card with a scratch-and-sniff sticker by inserting it into slots on the back of the card.
• PERFECT FOR FANS: Whether you’re new to the Wizarding World™ or a longtime fan, these valentines are the perfect way to share your love of Harry Potter™ with all your friends and classmates.
• ADD TO YOUR COLLECTION: Add more fun super valentines from Insight Editions to your collection with Harry Potter™: Owl Post Super Valentines, The Powerpuff Girls™ Temporary Tattoo Valentines, and Scooby-Doo™: Scratch & Sniff Sticker Valentines.

Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.

In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

Discover the creatures of Labyrinth in this guide to the fauna of the beloved film, featuring illustrations by acclaimed artist Iris Compiet. Jim Henson's Labyrinth has remained a beloved film since its 1986 release, and the movie's myriad puppet creatures continue to capture the imaginations of fans to this day. Now, fans can discover an in-depth look at these iconic creatures in Jim Henson's Labyrinth: The Official Bestiary. Illustrated by Iris Compiet, the acclaimed artist behind The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra, this book is a gorgeous volume filled with incredible creature artwork-a must-have tome for fans of Labyrinth, Jim Henson, and the fantasy genre.