Star Wars: Luke Skywalker and The Secrets of the Jedi is the ultimate in-universe guide to the world of the Jedi, transporting young readers to a galaxy far, far away through interactive features, fascinating facts, and captivating insights. With thrilling original illustrations and amazing special features including lift-the-flaps, textures, and more, Star Wars: Luke Skywalker and The Secrets of the Jedi is guaranteed to thrill the saga's legions of young fans.

The Innocence of Memories is an important addition to the oeuvre of Nobel Prize-winning author Orhan Pamuk. Comprised of the screenplay of the acclaimed film by Grant Gee from 2015 (by the same name), a transcript of the author and filmmaker in conversation, and captivating colour stills, it is an essential volume for understanding Pamuk's work.

Drawing on the themes from Pamuk's best-selling books, The Museum of Innocence, Istanbul and The Black Book, this book is both an accompaniment to the author's previous publications and a wonderfully revelatory exploration of Orhan Pamuk's key ideas about art, love, and memory.

Take a tour through the colourful worlds of Marvel's Spider-Verse in this comprehensive guidebook detailing the lives of its many web-slingers. Follow Gwen Stacy-better known as Ghost-Spider-as she jumps between dimensions visiting the countless friendly (and some not-so-friendly) neighborhood Spider-folk whom she has met in her adventures across the Marvel Multiverse. From Peter Parker to Miles Morales, from Spider-Ham to Spider-Man 2099, more than 60 of Gwen's iconic wall-crawling colleagues are profiled here, each illustrated with amazing original art. Thrilling and vibrant, this arachnophile's treasury is a must-have collectible for every Spider-fan!

Steven Spielberg is responsible for some of the most successful films ever made: Jaws, Close Encounters of the Third Kind, E.T. and the 'Indiana Jones' series. Yet for many years most critics condescendingly regarded Spielberg as a child-man incapable of dealing maturely with the complexities of life. The deeper levels of meaning in his films were largely ignored. This changed with Schindler's List, his masterpiece about a gentile businessman who saves eleven hundred Jews from the Holocaust. For Spielberg, the film was the culmination of a long struggle with his Jewish identity - an identity of which he had long been ashamed, but now triumphantly embraced. Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. In his astute and perceptive biography, Joseph McBride reconciled Spielberg's seeming contradictions and produced a coherent portrait of the man who found a way to transmute the anxieties of his own childhood into some of the most emotionally powerful and viscerally exciting films ever made. In the second edition, McBride added four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to 2010, a period in which he balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director: Amistad, Saving Private Ryan, A. I. Artificial Intelligence, Minority Report, The Terminal and Munich -- films which expanded his range both stylistically and in terms of adventurous, often controversial, subject matter. This third edition brings Spielberg's career up to date with material on two recent films he directed, The Adventures of Tintin and War Horse, analyzing what they represent in terms of Spielberg's overall career development as an artist making both lighter and darker works alternately involving fantasy or history. The new sections also deal with the recent upheavals in Spielberg's position as a minimogul, his uneven but prolific work as a producer, and his upcoming projects. The original edition of Steven Spielberg: A Biography was praised by the New York Times Book Review as 'an exemplary portrait' written with 'impressive detail and sensitivity'; Time called it 'easily the finest and fairest of the unauthorized biographies of the director.' Of the second edition, Nigel Morris - author of The Cinema of Steven Spielberg: Empire of Light - wrote: 'With this tour de force, McBride remains the godfather of Spielberg studies.'

From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reine, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.

The introduction of film study or analysis into the school curriculum, along with the presentation of courses on the art of cinema at technikons, universities and film and television schools, has led to more and more students becoming cinema literate at an early age. It is not intended as a text on film criticism, film theory or communication studies. Instead it sets out to provide practical answers to questions confronted by newcomers to courses on film analysis and appreciation. The contemporary examples, case studies and many photographs enhance the student-driven approach of this interesting publication.

Social commentators, psychologists, and journalists all point to the idea that in the new millennium, traditional masculinity is in crisis. In contemporary film and literature, this predicament is often portrayed as a problem of desire-particularly, heterosexual desire. Male libido, it appears, is especially vicious when it is misguided. Yet the genesis of this problem is not consistently diagnosed. While some texts may situate it in the unbridled expression of human sexuality and its associated discourses, others contend it is the perverse result of popular constructions of sex and gender. Addressing this conundrum, Errancies of Desire focuses on the intersections of phallocratic violence and masculine identity in contemporary works of fiction across three subcontinents: North America, Western Europe, and sub-Saharan Africa. In doing so, Messier details the ways in which male desire is predicated on mediated forms of predatory and misogynistic sexuality that cross national and cultural divides. Employing a comparative methodology, he interrogates common perceptions of national differences and masculine identities grounded in historical specificity. Errancies of Desire effectively argues that when associated symptoms of violent and sexist behavior are institutionalized and misguidedly construed as a masculine norm, all men can become monsters.

Delve into the making of Godzilla vs. Kong, and experience cinema's most colossal clash like never before. Featuring exclusive concept art and insights from the filmmakers, The Art of Godzilla vs. Kong is the ultimate guide to an iconic movie showdown. From creature design to on-set photography, The Art of Godzilla vs. Kong captures every stage of the filmmaking process, giving you unprecedented access to the creation of a titanic movie event. *Exclusive concept art lets you experience the epic showdown in a whole new way. *Interviews with filmmakers give you an inside look at the making of the movie. *A deluxe format makes this book a must-have collector's item.

When you hear the words Hammer Films, you instantly conjure up mental images of monsters and vampires. Behind the scenes was one man working flat out to produce those wonderful creatures. That man was Roy Ashton, and it was he who created all of the make-up effects for mummies, werewolves and Gothic horrors. Greasepaint and Gore takes a look into the props wardrobe and make up unit where Ashton, long before computer technology existed, created his own high standards of magical illusions. With an introduction from the late Peter Cushing OBE, who had the opportunity to watch Roy Ashton at work countless times (after all make-up can also make you look glamorous as well as horrific), this is a demonstration of a true professional at work. Greasepaint and Gore catalogues the largest single collection of Hammer production artefacts in existence, and is a must have for any horror. or indeed any film fan

A stunning book exploring the art of Sergio Pablos' animated Christmas original, Klaus. A young, lowly Scandinavian postman named Jesper gets the chance to make his mark when he's tasked with bringing the postal service to a contentious village in the cold north, where he meets a mysterious, white-bearded toymaker named Klaus.