Bound by modest budget constraints and dwarfed by Hollywood's output, British sci-fi cinema has enjoyed a checkered past, overlooked by critics. Yet the sci-fi genre has produced some of the best British films, from the pre-war classic "Things to Come" to "Alien" - made in Britain by a British director. This text redresses the balance, exploring the diverse strangeness of British sci-fi from literary adaptations like "1984" and "A Clockwork Orange" to the pulp fantasies and creature features far removed from the acceptable face of British cinema. Through case studies of key films like "The Day the Earth Caught Fire", contributors explore the unique themes and concerns of British sci-fi from the post-war boom years to more recent productions like "Hardware", and examine the use of different sources, from TV adaptations like "Dr Who and the Daleks", to the horror/sci-fi crossovers produced by the Hammer studio and John Wyndhams cult novels "Day of the Triffids" and "Village of the Damned". How did budget restrictions encourage the use of the invasion narrative in '50s films?;And how did films such as "The Day the Earth Stood Still" reflect fears about the decline of Britain's economi

Carrying On presents the complete story of the Carry Ons which have made Britain laugh for generations on film, television, and stage, and of the unique British filmmaking partnership of producer Peter Rogers and director Gerald Thomas. Writer and film historian Ian Fryer takes us on a journey into the glorious days of classic British humour, bringing to life the Carry On films and the vibrant, fascinating world of comedy from which they sprang. This lively and entertaining book presents detailed histories of the thirty Carry On films, revealing a cinematic legacy which is often more clever and complex than expected; from the post-war optimism of Carry On Sergeant and Carry On Nurse, via mini-epics such as Carry On Cleo, all the way to the smut-tinged seventies. Carrying On also turns the spotlight onto the host of other productions the Rogers and Thomas partnership brought to the screen along with detailed biographies of legendary Carry On stars such as Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, and Barbara Windsor who have brought fun and laughter to millions for decades.

Film maker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the 'infinite relation'of word to image. Cinema Interval brings together her recent conversations on film and art, music and language, life and theory, with Homi Bhabba, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas and visions. Extensively illustrated in colour and black and white, Cinema Interval covers a wide range of issues, many of them concerning 'the third term' or the 'space between'- between viewer, maker and film; image, sound and text; or else, between different sets of fictions, different forms of blindness and lucidity; between love and resistance. While discussing the films' perspectives on the shifting realities of China and Vietnam, the interviews also expand on the roles played by such concepts as residue, resonance, repetition, indirectness and foreignness in the creative proces. The complete scripts of Trinh's films Shoot for the Contents and A Tale of Love are also included. Cinema Interval will be an essential work for readers interested in contemporary film art, cultural politics, feminist thought and postcolonial studies.

Written based on the author's own notes compiled over 18 years This manual is a learning tool focusing exclusively on the work of animators. explains the principles of physics applicable to any motion

Since the debut of Harry Potter and the Sorcerer's Stone, the Harry Potter film franchise has become one of the most popular and successful in the world. Beautifully crafted and presented in a deluxe, large-format with lavish production values, these pages present a visual chronicle of the work by artists and filmmakers to bring the wizarding world to life onscreen. Bursting with hundreds of rare and unpublished works of art, including production paintings, concept sketches, storyboards, blueprints, and more, this collectible book is the definitive tome on the visual legacy of the Harry Potter films. Fans will recognise beloved characters, creatures, locations, and more as they embark on a journey through the wizarding world, from Gringotts to the Quidditch pitch.

Hollywood Confidential is the first truly in-depth look at the sexy, humorous, violent, and tragic history of the mob in Hollywood from the 1920s, when Joe Kennedy decided to buy a motion picture company, to the 1980s when the last vestiges of mob influence were revealed through investigations of former Screen Actors Guild President Ronald Reagan and his union backers. The revelations continue into the 1980s when the major studios were no longer important, the independents were on the rise, and it was no longer possible to buy, bribe, or blackmail in a meaningful way. There were deals and bad guys, but the mob as it existed was finished in Hollywood.

Working Girls investigates the thematic concerns of contemporary Hollywood cinema, and its ambivalent articulation of women as both active, and defined by sexual performance, asking whether new Hollywood cinema has responded to feminism and contemporary sexual identities.
Whether analysing the rise of films centred around female friendships, or the entrance of pop stars such as Whitney Houston and Madonna into film, Working Girls is an authoritative investigation of the presence of women both as film makers and actors in contemporary mainstream cinema.

The beloved Hollywood star and New York Times bestselling author of Unsinkable continues her intimate chat with fans in this entertaining collection of anecdotes, stories, jokes, and random musings from a woman who has seen it all-and done most of it. From her acclaimed performances to her headline-making divorce from Eddie Fisher, raising a famous daughter to hitting the road with a successful one-woman show, Debbie Reynolds was in the spotlight for decades. Over her more than six-decade-long career she met presidents, performed for the Queen of England, and partied with kings. In this fabulous personal tour, she recalls wonderful moments with the greats of the entertainment world-Lucille Ball, Frank Sinatra, Bette Davis, Phyllis Diller, and many, many more-sharing stories that shed new light on her life and career and the glittering world of Hollywood then and now. Debbie has plenty to tell-and in Make 'Em Laugh, she dishes it in the warm, down-to-earth voice her fans adore. Debbie shares memories of late night pals and some of the greatest comedians of all time, stories from the big screen and small, and tales of marriage, motherhood, and children. Combining her wicked sense of humor and appealing charm, she reveals the personal side of show business and fame in funny, poignant, and delightful reminiscences. Nothing is off limits: Debbie talks about her sex life, her family drama-and even shares a few secret recipes. A true Hollywood icon, beloved by millions of fans around the world, Debbie Reynolds died on December 28, 2016, at the age of 84, just one day after the death of her daughter, actress and author Carrie Fisher.

In 2019, Oscar-winning special effects supremo John Richardson released his first book, the bestselling Making Movie Magic, which chronicled his remarkable career in the film industry. A year later, during a house clear-out as the UK was stuck in a seemingly never-ending lockdown, he unearthed another treasure trove of behind-the-scenes images from the blockbuster films he worked on. Featuring never-before-seen photos from the Harry Potter films, eight James Bond films, The Omen, A Bridge Too Far, Superman, Aliens, Willow, Cliffhanger and many others, all reproduced in stunning colour alongside extended captions, Making Movie Magic: The Photographs is a further celebration of Richardson's extraordinary body of work over five decades.

The Northman: A Call to the Gods is the official look at how this epic Viking revenge thriller was conceived, written, cast, and produced by acclaimed director Robert Eggers. Set against the ruthless backdrop of tenth-century Norse territory, The Northman is an epic Viking revenge thriller by acclaimed director Robert Eggers (The Witch [2015] and The Lighthouse [2019]), featuring an all-star cast including Alexander Skarsgard, Nicole Kidman, Ethan Hawke, Anya Taylor-Joy, Willem Dafoe, and Bjoerk. Compiled from fascinating interviews with the cast and crew, inspiring storyboards, exclusive behind-the-scenes photographs-including the director's own firsthand account of his creative processes in writing and directing-The Northman: A Call to the Gods explores the cold and forbidding world of the Vikings, their customs, traditions, and relentless thirst for battle and vengeance that inspired Eggers to write this compelling Norse saga. Learn how the wardrobe department recreated the intricate chainmail armor and costumes of Viking berserkers and warriors; and delve into the research behind the art department's visual inspiration for replicating the villages of Hrafnsey and Freysdalur.

This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia. Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders - within Asia as well as in the West. The chapters in this book were originally published as a special issue of Transnational Screens.

The Cinema of John Marshall explores the life and art of the pioneering ethnographic filmmaker. Its centerpiece is an autobiographical essay in which Marshall assesses his forty-year involvement with the San peoples (Bushmen) of South Africa and his films, from the 1957 award winning "The Hunters'' to his current work in progress, "Death by Myth.'' The book weaves together the political economy of San dispossession, history and ethnography, personal narratives of historical importance, and expositions of film techniques and film language. The first English language study of the man and his work, The Cinema of John Marshall conveys the complex unity of Marshall's life: the filmic, the intellectual, the political, and the human.

In this volume, Charlotte Brunsdon analyzes a wide range of contemporary film and television programmes, from British soap operas and crime series such as "Crossroads" and "Widows" to Hollywood movies such as "Working Girl" and "Pretty Woman".;As well as interpreting the pleasures and meanings that these programmes offer - particularly for women viewers - the book is concerned with the nature of media criticism, particularly feminist criticism, and the problematic aesthetics of popular culture. Why have feminist media critics been so interested in the soap opera viewer? What are the "race" politics of the TV crime series? What is meant by "quality" in television? And was the fuss about the erection of satellite dishes on British homes really about architectural values?;The book brings together Charlotte Brunsdon's key writings on film and television and its criticism, with new introductions which contextualise and update the arguments, and recent work on the "post-feminist girly" in recent Hollywood cinema. Brunsdon's focus is on the tastes and pleasures of the female consumer as she is produced by popular film an television - and by feminist criticism.

This book offers clear and detailed strategies for tackling every stage of the documentary editing process, from organizing raw footage and building select reels to fine cutting and final export. Written by a Sundance award-winning documentary editor with a dozen features to his credit and containing examples from over 100 films, this book presents a step-by-step guide for how to turn seemingly shapeless footage into focused scenes, and how to craft a structure for a documentary of any length. The book contains insights and examples from seven of America's top documentary editors, including Geoffrey Richman, ACE (The Cove, Tiger King), Kate Amend, ACE (The Keepers, Serena), and Mary Lampson (Harlan County U.S.A.), and a companion website contains easy-to-follow video tutorials. Written for both practitioners and enthusiasts, this book offers unique and invaluable insights into the documentary editing process. The second edition is completely revised and updated with contemporary examples and contains a new chapter titled, "Editing the Short Documentary."

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915-2020), emphasizing the breadth and long duration of American Independent Cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters introduce students to different approaches within film studies from historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Journey back to where it all started in this deluxe collection of the classic Topps trading cards from 1993-just in time for the theatrical release of Jurassic World: DominionJurassic Park was an immediate blockbuster and has gone on to become a multimedia franchise with five sequels, theme park attractions, comic books, toys, and more-including a set of trading cards released by Topps in 1993 to tie into the film. This comprehensive collection of the original trading card series-timed to publish alongside Jurassic World: Dominion-includes the fronts and backs of all of these classic cards, plus the special chase cards and rare promotional material. The book also includes text and commentary by Gary Gerani, editor of the original series, and an afterword by Chip Kidd, who created and designed the cover of Michael Crichton's Jurassic Park, which became the iconic logo for the franchise.

How far have we progressed from the days when showing a film such as Jack Smith 's Flaming Creatures landed the cinema 's programmer, projectionist, and ticket taker in jail? What are some of the hidden clues modern audiences are overlooking in older films that suggest a character 's bisexuality? Which famous actors, actresses, directors, and screenwriters were attracted to people of both sexes? In Bisexual Characters in Film, the first book to focus on the role of bisexual characters in film, you ll find answers to these questions and many more as you explore, analyze, and celebrate 80 years of bisexual movie characters (and the people who have created them) from around the world. A lively, entertaining, and informative commentary, this book examines the treatment of bisexual film characters and shows you how that treatment has been affected by societal forces such as censorship, politics, religious prejudices, homophobia, and sexual stereotypes. Bisexual Characters in Film looks at the contribution of bisexual people (and others who have had lovers of varying sexes) to the body of work available on film today. These include the directors, writers, actors, composers, and designers whose sexual orientation has informed their work. An analysis of the Motion Picture Production Code and its devastating effect on bisexual and homosexual screen images forms an important part of the book. You learn how, specifically, it eradicated gay, lesbian, and bisexual characters from Hollywood films as well as the role of bisexual, lesbian, and gay filmmakers in finally defeating it. Other questions you ll find answers to include: Who, or what, is a bisexual?How were bisexual characters represented in silent film, before the forces of censorship banned them from the screen?What bisexual myths and stereotypes are portrayed on film?What is the role of "camp" in bisexual film?Bisexual Characters in Film is a unique resource for researchers; librarians; film festival planners; the queer media; professors and students of lesbian, gay, and bisexual studies; bisexual activists; and general bisexual, gay, lesbian, and transgendered readers. It provides a much-needed view of bisexual representations in a major segment of our popular culture.

The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik

This book provides a compelling, multi-disciplinary examination of a landmark film and media event, Joker, 2019, which was met with simultaneous celebration and derision It breaks down Joker to explore its aesthetic and ideological representations within the social and cultural context in which it was released The book brings together an international team of scholars, providing a range of perspectives on a divisive film text This book will be of interest to scholars in several areas, such as screen studies, theatre and performance studies, psychology and psychoanalysis, geography, cultural studies, and sociology

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Discover the secrets of Oscar-winning director Guillermo del Toro's stop-motion masterpiece Pinocchio through stunning unseen art and incisive commentary from the filmmaker and his collaborators. Academy Award(R)-winning filmmaker Guillermo del Toro reinvents Carlo Collodi's classic tale of the wooden marionette who is magically brought to life in order to mend the heart of a grieving woodcarver named Geppetto. This whimsical, stop-motion film directed by Guillermo del Toro and Mark Gustafson follows the mischievous and disobedient adventures of Pinocchio in his pursuit of a place in the world. Illustrated with stunning visuals, this deluxe volume follows the remarkable creative journey that brought Pinocchio to the screen, from del Toro's early ideas for the adaptation, through to character design, puppet building, and the meticulous animation process. Featuring interviews with del Toro and a wide range of the film's key creatives, this is the definitive story behind the birth of a brand-new Pinocchio. EXCLUSIVE INTERVIEWS: Includes exclusive interviews with Oscar-winning director Guillermo del Toro and his cast and crew. ORIGINAL CONCEPT ART: Features a wealth of electrifying character and location art, storyboards, and other visuals used to conceptualize the film. GO BEHIND-THE-SCENES: Filled with behind-the-scenes images and information about the entire filmmaking process, including the creation of the remarkable puppets and sets that were hand-crafted for the film. PERFECT GIFT: The perfect gift for fans of Guillermo del Toro, animation, and film.

Whether you realise it or not, you probably enjoy bad movies. If you've ever been amused by cheesy '80s action, or laughed at a shoddy horror movie monster then you've paddled in the so-bad-it's-good shallows. The deep waters beyond can be intimidating, teeming as they are with dreck. But among the unmentionables are some of the most ridiculous and enjoyable movies ever made, you just need to know where to look. Exposing good-bad action movies, science fiction and fantasy, horror - and the rest - The Bad Movie Bible includes films such as Batman & Robin, The Room, Troll 2, Miami Connection, Nick Fury: Agent of Shield, Black Devil Doll From Hell, and Hell Comes to Frogtown. The Bad Movie Bible is the first in the series of light-hearted movie bibles, analysing and eulogising cinematic subcultures.

This is an account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been revised to take into account recent scholarship of early cinema, the author provides an account of the rich history of the origins of film. The book demonstrates that the theory of "the persistence of vision", which led to the invention of moving pictures, has been superceded by modern scientific findings. In its place, it puts forward a theory of invention as a type of "bricolage", and shows that cinematography was a product of the forces of 19th century capitalism. It discusses the wealth of influences, both popular and bourgeois, on the culture of early cinema, including diorama, the magic lantern, itinerant entertainers and music hall. The book looks at the relationship between film and photography, and considers the nascent film business, the ways in which early cinema was received by its audiences and the developing aesthetics of cinema in its first 15 years.

Explore the amazing world of Star Wars: The Mandalorian, the critically acclaimed series that expands the Star Wars galaxy to incredible new frontiers. This collector's edition features the stunning artwork from the first four chapters of the Disney+ smash hit, highlighting the characters, creatures, allies, enemies and environments of this all-new Star Wars story. In addition to showcasing stunning illustrative images and photography, this guide also features Doug Chiang, Christian Alzmann, Ryan Church, Nick Gindraux, John Park, Jama Jurabaev, Erik Tiemens, Brian Matayas, Seth Engstrom and Anton Grandert.