Writer, producer, and director Wes Craven has successfully tapped into the horror vein for over forty years, serving up scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably Nightmare on Elm Street, which spawned a series of sequels and made Craven (and his creation, Freddy Kruger) an international sensation. He then created a second indelible series in the horror movie trope with Scream. In Screams & Nightmares, Brian J. Robb examines Craven's entire career, from his low-budget beginnings to his most recent box office hits, from the banned thriller The Last House on the Left and the cult classic The Hills Have Eyes to the outrageous Shocker and The People Under the Stairs. Through exclusive interviews with Craven, Robb provides in-depth accounts of the making of each of the films - including the final instalments of the Scream series - Craven's foray into writing novels, and his numerous television projects.

This wide-ranging interdisciplinary collection-the first of its kind-invites us to reconsider the politics and scope of the Roots phenomenon of the 1970s. Alex Haley's 1976 book was a publishing sensation, selling over a million copies in its first year and winning a National Book Award and a special Pulitzer Prize. The 1977 television adaptation was more than a blockbuster miniseries-it was a galvanizing national event, drawing a record-shattering viewership, earning thirty-eight Emmy nominations, and changing overnight the discourse on race, civil rights, and slavery. These essays-from emerging and established scholars in history, sociology, film, and media studies-interrogate Roots, assessing the ways that the book and its dramatization recast representations of slavery, labor, and the black family; reflected on the promise of freedom and civil rights; and engaged discourses of race, gender, violence, and power in the United States and abroad. Taken together, the essays ask us to reconsider the limitations and possibilities of this work, which, although dogged by controversy, must be understood as one of the most extraordinary media events of the late twentieth century, a cultural touchstone of enduring significance.

This comprehensive and in-depth study delves into the life and works of one of modern films most celebrated, successful and intriguing auteurs, Christopher Nolan. 'What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient...highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate.' - Cobb, Inception How has Nolan become this leading director? Is he the new Kubrick? What do audiences get out of his games? Visually, he offers a steely science-fiction noir with the highlights of big stars and a magician's flourishes, whether he is tackling Victorian London or the far reaches of outer space. In narrative terms, his films twist and turn, provoking as many questions as they answer. This book will look to crack open the magic box of Nolan's twisting universe. As a character, he eludes easy answers. Veteran film author Ian Nathan's research will lean into deciphering his cryptic pronouncements and motivations alongside the history and making of his films. Examining both the making of and the inspiration behind his many, many hit films, from The Prestige (2006) to the hugely successful Batman films, through to his mind-bending science fiction works such as Inception (2014) and Tenet (2020). Filled with fascinating insights and illustrated throughout with cinematography from his visually stunning ouvre, this book offers a unique, important and unmissable insight into the mind of this most brilliant of directors.

This collection of critical essays offers an unrivalled and up-to-the-minute assessment of the prolific and resilient life and vision of one of cinema s greatest auteurs. * The first edited collection of essays on Fritz Lang s body of work in over thirty years * A comprehensive assessment of one of cinema s most influential figures * Brings together key scholars, including Tom Gunning and Chris Fujiwara, to share their latest insights * Features translated contributions from writers rarely rendered in English such as Nicole Brenez and Paolo Berletto * Offers multinational and multi-perspectival analysis of Lang s oeuvre, including all his key films

Propaganda--so crucial to winning the battle of hearts and minds in warfare--witnessed a transformation during World War II, when film was fast becoming the most popular form of entertainment.In Film Propaganda in Britain and Nazi Germany, Jo Fox compares how each country exploited their national cinema for political purposes. Through an investigation of shorts and feature films, the author looks at how both political propaganda films and escapist cinema were critical in maintaining the morale of both civilians and the military and how this changed throughout the war. While both countries shared certain similarities in their wartime propaganda films - a harking back to a glorious historic past, for example - the thematic differences reveal important distinctions between cultures.This book offers new insight into the shifting pattern of morale during World War II and highlights a key moment in propaganda film history.

The definitive story of the medium that defines our times
"The Big Screen "tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen as important as the images it carries.
But "The Big Screen "is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. The celebrated film authority David Thomson takes us around the globe, through time, and across many media to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life--the stories, the stars, the look--and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room.
Does the big screen take us out into the world or merely mesmerize us? That is Thomson's question in this grand adventure of a book, vital to anyone trying to make sense of the age of screens--the age that, more than ever, we are living in.