In September 1960 a television show emerged from the mists of prehistoric time to take its place as the mother of all animated sitcoms. The Flintstones spawned dozens of imitations, just as, two decades later, The Simpsons sparked a renaissance of primetime animation. This fascinating book explores the landscape of television animation, from Bedrock to Springfield, and beyond.
The contributors critically examine the key issues and questions, including: How do we explain the animation explosion of the 1960s? Why did it take nearly twenty years following the cancellation of The Flintstones for animation to find its feet again as primetime fare? In addressing these questions, as well as many others, essays in the first section examine the relation between earlier, made-for-cinema animated production (such as the Warner Looney Toons shorts) and television-based animation; the role of animation in the economies of broadcast and cable television; and the links between animation production and brand image. Contributors also examine specific programmes like The Powerpuff Girls, Daria, The Simpsons, Ren and Stimpy and South Park from the perspective of fans, exploring fan cybercommunities, investigating how ideas of 'class' and 'taste' apply to recent TV animation, and addressing themes such as irony, alienation, and representations of the family.

This book traces the contribution of Punjabis born before the Partition of India in 1947 to Indian cinema. It examines the story of their contributions at three centres of Hindustani-language films: Bombay, Calcutta and Lahore. This book is co-published with Aakar Books. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

Focusing on Netflix's child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science-fiction, horror, and fantasy television under Netflix's 'Family Watch Together TV' tag. Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family friendly TV genres and challenging earlier broadcast TV models around child-appropriate, family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. Chapters explore how this 'Netflixication' of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector which is unsettling older concepts of family viewing leading to considerable audience and critical confusion around target audiences and viewer expectations. This book will be of particular interest to upper level undergraduates, graduates and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies.

A fully revised, updated and expanded edition of the seminal text on film

A new edition of the most accessible and compelling history of the cinema yet published, which is now updated with extra chapters. The Story of Film explores cinema from around the world and shows how cinematic ideas and techniques cross national boundaries. Divided into three main epochs--Silent (1885-1928), Sound (1928-1990), and Digital (1990-Present)--the movies are discussed within chapters reflecting both the stylistic concerns of the moviemakers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and the general moviegoer.

Embargoed to 30th March 2017 The Art of Smurfs presents hundreds of storyboards, character design, and location concept pieces. With a foreword by Veronique Culliford, daughter of Pierrot "Peyo" Culliford, this insider's guide celebrates her father's cherished Smurfs and provides a glimpse into the creative process that turned his popular comics into a feature-length, animated film. In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette and her friends Brainy, Clumsy and Hefty on an exciting race through the Forbidden Forest leading to the discovery of the biggest secret in Smurf history.

Scene-by-scene trivia and information from the latest Star Wars movie, The Last Jedi along with interviews with the cast and crew of the film. Also features fantastic images and production art. An essential companion to the film and for all fans of the saga.

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915-2020), emphasizing the breadth and long duration of American Independent Cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters introduce students to different approaches within film studies from historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

The definitive guide to the making of the Prime Video smash hit The Boys, featuring exclusive insights into the origins, themes and production of the show from the cast and crew. The Art and Making of The Boys is a fascinating insight into the darkest, wittiest, most shocking series on TV - a pitch-black satire of superheroes and corporate America based on the classic comic books. It's packed with eye-popping exclusive art, behind-the-scenes photography, and interviews with the cast and crew detailing how and why The Boys came to our screens. It's the perfect companion to the show, and a treasure trove for fans.

Now You See It, Richard Dyer's groundbreaking study of films by and about lesbians and gay men, has been revised for a second edition, and features an introduction by Juliane Pidduck outlining developments in lesbian and gay cinema since 1990. Now You See It examines familiar titles such as Girls in Uniform, Un Chant D'Amour, and Word Is Out, in their lesbian / gay context as well as bringing to light many other forgotten but remarkable films. Each film is examined in detail in relation to both film type and tradition and the sexual subculture in which it was made.
Now You See It is also a case study in the dynamics of lesbian and gay cultural production. These films were formed from the filmic and sub-cultural images, assumptions and styles available to lesbians and gay men which both made the films possible and delimited the forms they could take and what they could say. They carry a special charge for lesbians and gay men seeking both to break free from and be heard in the languages of a homophobic society.

Contents:
Woollacott Texts and their readings 2. Annette Kuhn Women's genres 3. Judith Mayne Paradoxes of Spectatorship 4. Janet Staiger Reception studies in Film and Television Part 2: Technologies 5. Edward Buscombe Sound and colour 6. Steve Neale Colour and film aesthetics 7. Richard Dyer Lighting for whiteness 8. Gianluca Sergi A cry in the dark: the role of post-classical filmm sound 9. Stephen Prince True Lies: perceptual realism, digital images and film theory 10. Barbara Creed The cyberstar: digital pleasures and the end of the Unconscious Part 3: Industries 11. Tom O'Regan A National Cinema 12. John Hill British cinema as a national cinema: Production, audience and representation 13. Stepehen Teo Postmodernism and the end of Hong Kong cinema 14. Thomas Schatz The new Hollywood 15. Tino Balio 'A major presence in all the world's important markets': the globalisation of Hollywood in the 1990s Part 4: Meanings and pleasures 16. Richard Dyer Monroe and Sexuality: Desirability 17. P. David Marshall The cinematic apparatus and the construction of the film celebrity 18. Jane Feuer Spectators and spectacles 19. Stella Bruzzi Desire and the costume film: Picnic at Hanging Rock, The Age of Innocence, The Piano 20. Tania Modleski The Terror of Pleasure: the contemporary horror film and postmodern theory 21. Jim Collins Genericity in the 90s: Eclectic irony and the new sincerity Part 5: Identities 22. Yvonne Tasker Action heroines in the 1980s: the limits of 'musculinity' 23. Sabrina Barton Your Self Storage: Female investigation and male performativity in the woman's psychothriller 24. Chris Straayer The Hypothetical Lesbian Heroine in Narrative Feature Film 25. Susan Jeffords Can Masculinity be Terminated? 26. Issac Julien and Kobena Mercer De Margin and De Centre 27. Ella Shohart and Robert Stam The imperial imaginary Part 6: Audiences and Consumption 28. Justin Wyatt High Concept and market research: Movie marketing by the numbers 29. Miriam Hansen Charmeleon and Catalyst: The cinema as an alternative public sphere 30. Jackie Stacey Hollywood Cinema - the great escape 31. Jacqueline Bobo Watching The Color Purple: Two Interviews 32. Mark Jancovich 'A Real Shocker': authenticity, genre and the struggle for distinction

The horror film is now one of the most popular and talked-about film genres and yet, outside of the Hammer studio, very little has been written about British horror. Going beyond Hammer, British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.
^ Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraft movies, the work of the Amicus studio, and key filmmakers including Peter Walker. British Horror Cinema also features a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley.
Chapters include:
*the 'Psycho Thriller'
*the British censors and horror cinema
*femininity and horror film fandom
*witchcraft and the occult in British horror
*Horrific films and 1930s British Cinema
*Peter Walker and Gothic revisionism

The European Cinema Reader is a comprehensive introduction to the theory and practice of national cinemas in Europe, bringing together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen. Contributors explore attempts to define European film culture and examine key issues of auteurism and the art house film, national cinemas, the relationship between European film and Hollywood, and issues of funding and distribution. Each section features an editor's introduction setting debates in their context, and the volume concludes with a comprehensive bibliography.

Ozu Yasujiro's moving family drama, Tokyo monogatari/Tokyo Story (1953), is universally acknowledged as one of the most significant Japanese films ever made, and regularly cited as one of the greatest films of all time in polls of leading critics and filmmakers around the world. Telling the story of an elderly couple who travel to Tokyo to visit their grown-up children, the film contrasts the behaviour of their children, who are too busy to pay their parents much attention, and their widowed daughter-in-law who treats them with hospitable kindness. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of postwar Japan. Alastair Phillips combines a close analysis of the film and its key locations - the city of Tokyo, the town of Onomichi and the coastal resort of Atami - with a discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English language sources, he situates the film within various contemporary critical and industrial contexts and examines the multiple international dimensions of Tokyo Story's long after-life to understand its enormous contribution to global film culture.

Illustrates how filmmakers can implement aesthetic decision making by using the screenplay and translate this into a powerful film. Focuses on how films can be crafted stylistically from beat-to-beat and empowers filmmakers to do this. Covers all aspects of the filmmaking process to create a comprehensive guide for filmmakers wanting to ensure that they can make the right decision at all stages of the filmmaking process, including directing, acting, cinematography, lighting, production design, sound, and editing.

The Art of The Batman is the official behind-the-scenes illustrated tie-in book to the highly-anticipated Matt Reeves (Cloverfield, Dawn of the Planet of the Apes, War for the Planet of the Apes) film, coming to theaters March 4, 2022. Set during Batman's second year as a crimefighter, this unique, noir-inspired take on the Dark Knight serves as a return to the character's roots in detective fiction, crime, and horror and stars Robert Pattinson as Bruce Wayne, Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, and Colin Farrell as The Penguin. Readers will get an insider's look at the film's production process through character designs, vehicle and gadget designs, background paintings, storyboards, and keyframe art done for the film, alongside original commentary and interviews from the filmmakers, cast, production designer, and conceptual artists.

Originally published in 1954, this was the first factual history of comedy films and the men and women who had since 1894 kept us laughing in the cinema. It traces the beginning of comic motion pictures and the pioneer work of Paul, Gaumont, Hepworth, Pathe and Zecca. Then comes the picture palace craze and the success of the early Italian and French comedies and trick films. The work of Al Christie and Mack Sennett in America, and the rise of American films, is fully described, as knockabout gives way to slapstick, and salaries and box-office receipts soar. Now come Chaplin, Harold Lloyd and all the other bright figures of the Roaring Twenties, with favourites like Buster Keaton and Will Rogers to the fore. The development of sound and its effect on the comedians is explained, and the story comes up to date through the thirties and forties to 1954. Some of the hundreds of names to whom tribute is paid include Mabel Normand, Larry Semon, Roscoe Arbuckle, Monty Banks, Max Linder, Harry Langdon, Will Hay, the Marx Brothers, Bob Hope, Fernandel and Alec Guinness. These are only a few of the many whose careers are traced. The book is illustrated by a number of carefully selected photographs, many of which are unique. This edition, first published in 1968 has been revised but the period it covers remains the same, 1894-1954, sixty years of film humour.

The Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors. The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. This Encyclopedia will be an invaluable reference tool for students and scholars of Film and Media Studies. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.

eBook available with sample pages: 0203426495

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915-2020), emphasizing the breadth and long duration of American Independent Cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters introduce students to different approaches within film studies from historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Contents:
Introduction 1.Why Does a Letter Always Arrive at Its Destination 1.1 Death and Sublimation: The Final Scene of City Lights 1.2 Imaginary, Symbolic, Real 2.Why is Woman a Symptom of a Man? 2.1 Why is Suicide the Only Successful Act? 2.2 The Night of the World 3.Why is Every Act a Repetition? 3.1 Beyond Distributive Justice 3.2.Identity and Authority 4.Why Does the Phallus Appear? 4.1 Grimaces of the Real 4.2 Phallophany of the Anal Father 5.Why are there Always Two Fathers? 5.1 At the Origins of Noir: The Humiliated Father 5.2 Die Versagung Index

Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martin analyses more than forty 21st century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom's The Mask You Live In to Raoul Peck's I Am not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers' view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender and masculinity.

Like founder Helga Hufflepuff, the members of Hogwarts' Hufflepuff house, including Cedric Diggory and Newt Scamander, are known for their loyalty and honesty. Now you can capture the magic of Hufflepuff house like never before and collect a stunning array of artifacts inspired by the Harry Potter films. Inside, fans will learn about all things Hufflepuff, relive moments from the films, and delve into the behind-the-scenes magic that brought Harry Potter to life on the big screen.

Carrying On presents the complete story of the Carry Ons which have made Britain laugh for generations on film, television, and stage, and of the unique British filmmaking partnership of producer Peter Rogers and director Gerald Thomas. Writer and film historian Ian Fryer takes us on a journey into the glorious days of classic British humour, bringing to life the Carry On films and the vibrant, fascinating world of comedy from which they sprang. This lively and entertaining book presents detailed histories of the thirty Carry On films, revealing a cinematic legacy which is often more clever and complex than expected; from the post-war optimism of Carry On Sergeant and Carry On Nurse, via mini-epics such as Carry On Cleo, all the way to the smut-tinged seventies. Carrying On also turns the spotlight onto the host of other productions the Rogers and Thomas partnership brought to the screen along with detailed biographies of legendary Carry On stars such as Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, and Barbara Windsor who have brought fun and laughter to millions for decades.

'...this is an utterly engaging and valuable collection of early British film documents. Highly recommended for comprehensive film-history collections serving upper-divison undergraduates, researchers, faculty, and general readers - T. Lindvall, Choice Vol. 38 No. 3 February 2001

If you ran into Stephen Tobolowsky on the street, you would not be mistaken: Yes, you've seen him before. A childhood dentist? A former geometry teacher? Your local florist? Tobolowsky is a character actor, one of the most prolific screen and stage presences of our time, having appeared in productions that range from Deadwood to Glee, from Mississippi Burning to Groundhog Day. But Stephen Tobolowsky, it turns out, is also a dazzlingly talented storyteller and writer. The Dangerous Animals Clubis a beguiling series of stories combining biography and essay, with a tone both hilarious and introspective. The stories have heroics and embarrassments, riotous humour and pathos, characters ranging from Bubbles the Pigmy Hippo to Stephen's unforgettable mother, and scenes that include coke-fueled parties, Hollywood sets, and hospital rooms. Told in a voice that is "wry, discursive, and full of generous spirit and curiosity" (Kirkus Reviews), Tobolowsky renders the majestic out of the mundane, profundity from the patently absurd, and grace from tragedy. The Dangerous Animals Clubmarks the debut of a massively talented storyteller.

From big city bites to small town tastes, feed your interdimensional demon inside with a smorgasbord of paranormal-inspired recipes with the first-ever official Ghostbusters cookbook! Who you gonna call... to eat?! Featuring more than 50 recipes inspired by the beloved Ghostbusters 1984 film and continuing into present day with Ghostbusters: Afterlife, this cookbook celebrates the bold personalities of Egon, Venkman, Zeddemore, and Stantz, along with the spooks, spectres, and ghosts that tried to transform New York City to a Babylonian dystopia. But they're not alone - they've got company with a new generation of Ghostbusters like Phoebe, Trevor, Podcast, and Lucky that saved Summerville, Oklahoma from the second coming of Gozer! In fact, it's Podcast's, well, podcast that inspires this book! Now he and Ray are combing through the Ghostbusters archives and recording new episodes to bring the group's favorite new and old foods to delicious life. With luscious full-color photography and packed with the fun and spirit of the films, Ghostbusters: The Official Cookbook is a must-have for foodies and paranormal investigative fans alike.