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Books > Arts & Architecture > Performing arts > Films, cinema
Through South Korean filmic and literary texts, this book explores affect and ethics in the healing of historical trauma, as alternatives to the measures of transitional justice in want of national unity. Historians and legal practitioners who deal with transitional justice agree that the relationship between historiography and justice seeking is contested: this book reckons with this question of how much truth-telling from a violent past will lead to healing, forgiving, forgetting and finally overcoming resentment. Nuanced interpretations of South Korean filmic and literary texts are featured, including Park Chan-wook's Oldboy, Bong Joon-ho's Mother and literary texts of Han Kang and Ch'oe Yun, whilst also engaging the ethical and political philosophy of Levinas, Hannah Arendt, and others. Also offered is new and extensive research into the hitherto hidden history of thousands of North Korean war orphans who were sent to Eastern European countries for care. Grappling with the evils of history, the films and novels examined herein find their ultimate themes in compassion, hospitality, humility and solidarity of the wounded. Healing Historical Trauma in South Korean Film and Literature will appeal to students and scholars of film, comparative literature, cultural studies and Korean studies more broadly.
Animation covers everything from Tex Avery's split-second slapstick and The Simpsons' knowing digs at pop culture, to Hayao Miyasaki's strong-willed heroines and Yuri Norstein's delicately rendered folktales. Often dismissed by the uninitiated as 'kid's stuff', any detailed look at animation reveals a technically complex, sophisticated and endlessly inventive medium. Intended both as a guide and an introduction to this fascinating field, the Pocket Essential Animation examines and celebrates this genre in its many forms. It explores the careers, techniques and key films of many of the major animators. It begins with pioneers such as Winsor McCay, the Fleischer brothers and Walt Disney when the 'House of Mouse' was only a twinkle in his eye. Then brings you right up to date with Nick Park's claymation and the slick CGI comedies of John Lasseter's Pixar studio. In between, it takes in the innovations of Norman McLaren, the sexual obsessions of Bob Godfrey and the agit-prop surrealism of Jan Svankmajer. Kid's stuff, indeed.
Can films be used as historical evidence? Do historical films make good or bad history? Are documentaries more useful to historians than historical drama? Written from an international perspective, this book offers a lucid introduction to the ways films are made and used, cumulating with the exploration of the fundamental question, what is history and what is it for? Incorporating film analysis, advertisements, merchandise and internet forums; and ranging from late-nineteenth century short films to twenty-first century DVD 'special editions', this survey evaluates the varied ways in which filmmakers, promoters, viewers and scholars understand film as history. From Saving Private Ryan to Picnic at Hanging Rock to Pocahontas, History Goes to the Movies considers that history is not simply to be found in films, but in the perceptions and arguments of those who make and view them. This helpful introductory text blends historical and methodological issues with real examples to create a systematic guide to issues involved in using historical film in the study of history. History Goes to the Movies is a much-needed overview of an increasingly popular subject.
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: the development of colour technology how visual stule was affected by the shift from black and white to colour colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima colour in the films of Godard, Hitchcock, Almodovar and many more. Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
Explore the epic art of Pacific Rim Uprising, the highly anticipated follow-up to the 2013 monster hit. The Art and Making of Pacific Rim Uprising takes readers behind the scenes and back into the heart of the epic battle between Kaiju and Jaegers. Showcasing the brilliant concept art behind the film and immersing fans in the creation of a true sci-fi epic, this book will be the ultimate exploration of one of the most anticipated films of 2018. Directed by Steven S. DeKnight, (Angel, Smallville, Daredevil), Pacific Rim Uprising stars John Boyega (Star Wars: The Force Awakens), Scott Eastwood (The Fate of the Furious), and newcomer Cailee Spaeny.
From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal. The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre. ' How did Shakespeare make the movies? How did the movies make Shakespeare? And how do the movies keep remaking him? Shakespeare on Film answers these questions. It looks at Shakespeare on the silent screen; in the art-house and the multiplex; from Asta Nielsen to Julie Taymor; in the hands of auteurs like Kurosawa, Jarman, Branagh ...
Go behind the scenes with an insightful look at horror filmsand the directors who create them The Spectacle of Isolation in Horror Films: Dark Parades examines the work of several of the genre's most influential directors and investigates how traditional themes of isolation, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by Alfred Hitchcock that place his work squarely in the horror (rather than suspense) genre, discuss avant-garde cinema's contributions to mainstream horror, explore films that use the apartment setting as the cell of horror, and analyze how angels and aliens function as the supernatural Other. A unique resource for film students and film buffs alike, the book also examines Sam Raimi's Evil Dead trilogy and the fusion of science, technology, and quasi-religious themes in David Cronenberg's films. Instead of presenting a general overview of the horror genre or an analysis of a specific sub-genre, actor, or director, The Spectacle of Isolation in Horror Films offers an imaginative look at classic and contemporary horror cinema. The book examines Surrealist films such as Un Chien Andalou and Freaks, the connections among the concepts of voyeurism, paranoia, and alienation in films like Rear Window, Rosemary's Baby, Blue Velvet, and The Blair Witch Project; the use of otherworldly creatures in films such as The Prophecy, Dogma, and The Day The Earth Stood Still; and the films of directors George Romero, John Waters, and Darren Aronofsky, to name just a few. This unique book also includes an extensive A-to-Z filmography and a bibliography of writings on, and about, horror cinema from filmmakers, film critics, and film historians. The Spectacle of Isolation in Horror Films examines: Body Doubles and Severed Handsthe common ancestry of avant-garde art films and exploitation horror B-movies And I Brought You Nightmaresrecurring themes of psychological terror in Alfred Hitchcock's films Horror, Humor, PoetrySam Raimi's transformation of drive-in horror cinema Atheism and 'The Death of Affect'David Cronenberg's obsessions, interests, and cautionary messages in films ranging from Videodrome to Dead Ringers to eXistenZ and much more! The Spectacle of Isolation in Horror Films: Dark Parades is a unique resource of critical analysis for academics working in film and popular culture, film historians, and anyone interested in horror cinema.
Over the 50 incredible years of Star Trek TV shows and movies, the franchise has produced many stand-out villains. Collected here are features on some of the very best - or worst - villains and classic interviews with the actors who portrayed them. Includes the Borg (Alice Krige as the Borg Queen), Khan (Ricardo Montalban, Benedict Cumberbatch), Q (John de Lancie), Shinzon (Tom Hardy) and many, many more.
Richard Linklater's celebrated Before trilogy chronicles the love of Jesse (Ethan Hawke) and Celine (Julie Delpy) who first meet up in Before Sunrise, later reconnect in Before Sunset and finally experience a fall-out in Before Midnight. Not only do these films present storylines and dilemmas that invite philosophical discussion, but philosophical discussion itself is at the very heart of the trilogy. This book, containing specially commissioned chapters by a roster of international contributors, explores the many philosophical themes that feature so vividly in the interactions between Celine and Jesse, including: the nature of love, romanticism and marriage the passage and experience of time the meaning of life the art of conversation the narrative self gender death Including an interview with Julie Delpy in which she discusses her involvement in the films and the importance of studying philosophy, Before Sunrise. Before Sunset. Before Midnight: A Philosophical Exploration is essential reading for anyone interested in philosophy, aesthetics, gender studies, and film studies.
This lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles from" Mildred Pierce" and "Brief Encounter "to "Raging Bull "and "In the Mood for Love," It engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. The work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory, arguing that these movies can tell us much about our complex relationship to the past, and about history and identity. Pam Cook also investigates the recent history of film studies, re-viewing the developments that have culminated in the exciting, if daunting, present moment. Classic essays sit side by side with new research, contextualized by introductions which bring them up-to-date, and provide suggestions for further reading. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
Let creative sparks fly with this journal featuring beautiful concept art from Kiki’s Delivery Service, Studio Ghibli’s delightful film about a young witch and her journey of self-discovery. With full-color artwork on the front and back covers, spot illustrations, and four spreads of concept art sprinkled throughout, this journal is a must for Kiki fans and cute witches everywhere! Kiki’s Delivery Service © 1989 Eiko Kadono - Studio Ghibli – N
Celebrate the fortieth anniversary of Steven Spielberg's sci-fi classic Close Encounters of the Third Kind with this fully authorised behind-the-scenes book exploring the creation, production, and legacy of this iconic film.Created in conjunction with Sony Pictures and Amblin Entertainment, Close Encounters of the Third Kind: The Visual History details the complete creative journey behind the making of the film and examines its cultural impact.Featuring rare and never-before-seen imagery from the archives, the book brings together a stunning collection of on-set photography, concept art, storyboards, and more to create a visual narrative of the film's journey to the big screen. It also features a wealth of insightful commentary from every key player involved in the film, from the acclaimed director himself to the film's stars and the key department heads who brought Spielberg's vision to life.Special inserts and interactive elements include script pages, call lists, concept sketches, and more. Comprehensive, compelling, and filled with unseen treasures, Close Encounters of the Third Kind: The Ultimate Visual History is a fitting tribute to one of history's most iconic films.
Have a very Supernatural Christmas with this official advent calendar, filled with 25 days of exclusive gifts inspired by the hit series! Grab the keys to the Impala and get ready to ring in the holidays with Sam and Dean Winchester! Open up a new gift pocket each day leading up to Christmas to discover exclusive otherworldly keepsakes inspired by the iconic television series. Fun and interactive, Supernatural: The Official Advent Calendar will delight monster hunters of all ages! 25+ SURPRISES AND COLLECTIBLES: Discover a thrilling range of exclusive Supernatural gifts, including recipe cards, a tin button, a cell phone card holder, and more! MEMORABLE MOMENTS: Includes photos of favorite scenes from Supernatural. COUNTDOWN TO CHRISTMAS: Open up a gift pocket each day between December 1st and Christmas to find a new collectible inspired by Supernatural. GREAT GIFT: Filled with exciting keepsakes featuring beloved characters like Castiel and the Winchester brothers, this advent calendar is a must-have gift for every Supernatural fan. COMPLETE YOUR SUPERNATURAL COLLECTION: Supernatural: The Official Advent Calendar stands alongside Supernatural: The Official Cookbook, Supernatural Tarot Deck and Guidebook, and Supernatural: The Men of Letters Bestiary in Insight Editions' fan-favorite library of Supernatural titles.
This new collection of writings on Alfred Hitchcock celebrates the remarkable depth and scope of his artistic achievement in film. It explores his works in relationship both to their social context and to the traditions of critical theory they continue to inspire. The collection draws on the best of current Hitchcock scholarship, featuring the work of both new and established scholars. It displays the full diversity of critical methods that have characterized the study of this director's films in recent years. The articles are grouped into four thematic sections: "Authorship and Aesthetics" examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. "French Hitchcock" looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. "Poetics and Politics of Identity" explores the representation of personal and political in Hitchcock's work, and the final section, "Death and Transfiguration" addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece "Psycho,"
Director Steven Spielberg's Jurassic Park unleashed an island of awe-inspiring dinosaurs, captivating audiences worldwide. Grossing over $900 million worldwide, the film ushered in a whole new age of digital visual effects and would go on to enthrall generations of moviegoers. The most comprehensive book about the Jurassic Park trilogy to date, Jurassic Park: The Ultimate Visual History begins with an in-depth account of the making of Spielberg's original film, including rare and never-before-seen imagery and exclusive interviews with key creatives. Readers will then unearth the full history of the trilogy, from The Lost World: Jurassic Park to Jurassic Park III, through unprecedented access to the creative process behind the films. Fans will also find a fascinating look at the wider world of the saga, including video games, toys, comics, and more, exploring the lasting legacy of the movies and their influence on pop culture. Jurassic Park: The Ultimate Visual History will be the last word on the most epic saga in movie history-the definitive behind-the-scenes book that fans have been waiting for.
The religious imagination is alive and well in the movies. Contrary to those who criticize Hollywood, popular movies very often have metaphorically represented God on the screen. From Clint Eastwood as an avenging angel in "Pale Rider and "Nicolas Cage as a love-sick angel in "City of Angels, "to Jessica Lange as an angel of death in "All That Jazz, "and from George Burns as God in "Oh God "to Audrey Hepburn in "Alwaysto "pure white light in "Fearless "and "Flatliners, "God is very much present in the movies. Images of angels and God used by movie makers are explored here. This intelligent, insightful volume is an exercise in urban anthropology. Religious imagination is the subject and the movie house is its location. The authors show that the religious imagination is irrepressible, and shows up in our best-known example of popular cultures, movies. Contrary to conservative opinion that suggests that Hollywood is anti-religious, Greeley and Bergesen find just the opposite. Ordinary movies, not explicitly about religion and not made by particularly religious individuals often demonstrate some basic religious theme, point, or message. "God in the Movies "does not judge or approve, recommend or criticize; the authors simply alert the reader to the great variety of metaphors for God, angels, heaven, and hell, from beautiful women to white light at the end of the tunnel to Groundhog Day. They are not concerned with explicitly religious movies. This is not a study of "Ben Huror The Last Temptations of Christ, "but rather of ordinary mass-release movies, including "Field of Dreams, Always, All That Jazz, Commandments, Babette's Feast, Fearless, Breaking the Waves, Jacob's Ladder, Flatliners, Ghost, Pale Rider, Star Wars, 2001, Dogma, "and even Japanimation, like "Ghost in the Shell." The authors' vivid explication of various cinematic metaphors for God is accompanied by an analysis of what these movies tell about our sociological attitudes toward life and death. They also discuss the social conditions that give rise to various kinds of imagery and forms of movies. In a real sense, this book is for both the professional concerned with religion, sociology, cultural studies, anthropology, media and cinema studies, and the layperson interested in how popular movies also contain religious imagery.
This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's "Spirited Away," It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on "Spirited Away "and other recent releases, including "Howl's Moving Castle"--Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more.
Inspired by the hit Tomb Raider videogame franchise, this book features over 40 recipes from the many locations Lara Croft visits and explores across the globe, with food and drinks inspired by key characters and locations. Also included is expert information on the cultural history of the many beautiful cities and countries to which she travels. A global exploration, this unique cookbook and travel guide takes fans on an exclusive journey across the planet chasing the thrills and adventures of Lara Croft. Featuring beautiful full color photography as well as stunning art from the games, this is the ultimate gift for fans, travelers, and food aficionados alike.
Richard Dyer's classic study of movie stars and stardom has been
updated for a second edition, with a new introduction by the author
discussing the rise of celebrity culture and developments in the
study of stars.
Focusing on Netflix's child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science-fiction, horror, and fantasy television under Netflix's 'Family Watch Together TV' tag. Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family friendly TV genres and challenging earlier broadcast TV models around child-appropriate, family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. Chapters explore how this 'Netflixication' of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector which is unsettling older concepts of family viewing leading to considerable audience and critical confusion around target audiences and viewer expectations. This book will be of particular interest to upper level undergraduates, graduates and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies. |
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