Using cine-ethnomusicology as a focus, Cineworlding introduces
readers to ways of thinking eco-cinematically. Screens are
omnipresent, we carry digital cinema production equipment in our
pockets, but this screen-based technological revolution has barely
impacted social science scholarship. Mixing existential
phenomenological fiction about social science digital cinema
research practice followed by theoretical reflection and discussion
of methods, this book has emerged from a decade-long inquiry into
cineworlding and a desire to help others produce digital media to
engage creatively with the digital networks that surround us.
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