Will appeal to scholars across both film studies and psychoanalysis Uses a range of contemporary films to illustrate Combines socio-political commentary and psychological insight

You're a part of this too. Dive deeper into Matt Reeves' remarkable film The Batman with this one-of-a-kind edition of the screenplay. The Batman follows the Caped Crusader early in his career, as faces off against sinister serial killer The Riddler, and reckons with the sins of the Wayne family's past. Now, fans can experience the thrilling story in an all-new way, with this deluxe version of the film's script. Supplemented with film stills, The Batman: The Official Script Book is an immersive tribute to the Dark Knight's journey from the page to the screen.

By the Hollywood correspondent for "The New York Times", "Rebels On The Backlot" is a revealing and page-turning account of the new generation of film directors who are changing the face of today's Hollywood. Very much as the 1970s gave rise to a defining group of filmmakers such as Martin Scorsese and Francis Ford Coppola, the 1990s witnessed a new generation who captured the imaginations of audiences, and opened the pursestrings of the Hollywood film machine. "Rebels On The Backlot" follows six top-level film directors, from the origins of their careers through the making and release of their signature films. They are: Quenton Tarantino ("Pulp Fiction"), Paul Thomas Anderson ("Boogie Nights"), David Fincher ("Fight Club"), Steven Soderbergh ("Traffic"), Spike Jonze ("Being John Malkovich"), and David O. Russell ("Three Kings"). The book uses the development, writing, shooting, editing, and release of each director's major film to explore the lives and struggles each of them faced. It will dip in and out of each filming experience, drawing in the stories of other figures along the way, creating a chronological portrait of contemporary Hollywood, and the rebel generation of the 1990s. This is also a story of an emerging community of talented artists - directors, writers, actors of young Hollywood - who supported each other, burn with envy at one another's success, swap girlfriends and boyfriends, and ultimately spur each other to greater accomplishments.

1000-PIECE PUZZLE: Piece together the world of James Bond in this exciting jigsaw inspired by the iconic films. The perfect challenge for dedicated James Bond fans, lovers of cinema - or anyone who enjoys a good puzzle. FIND THE CHARACTERS: Featuring a cast of original Bonds, villains and supporting characters to spot as you race through shuttle launches and underwater lairs to island retreats and casinos. INCLUDES A PULL-OUT POSTER: With information about the featured characters, gadgets, locations and scenes on an illustrated poster bursting with 007 facts. SCREEN-FREE FUN: From one of the world's leading publishers of books and gifts on the creative arts. Laurence King works with the world's best illustrators, designers, artists and photographers to create beautiful books and gifts which are acclaimed for their inventiveness, beautiful design and authoritative texts. SUBSTANTIAL JIGSAW: Completed puzzle measures 48.5 x 68 cm (19 x 27 in.). "THE WORLD OF..." JIGSAWS are a fun way of celebrating the works of creative greats. Also available in the series: The World of Shakespeare, The World of Sherlock Holmes, The World of Jane Austen Welcome to The World of James Bond, MI6's most famous Secret Service agent. As you piece together this action-packed puzzle, spot some of the ground-breaking gadgets, breath-taking stunts and eccentric adversaries that make Bond films so iconic. Find your way through the scene with the help of a poster bursting with 007 knowledge.

There is something weird and eerie going on in the oneiric Iranian ghost-town Bad City. A mysterious female vampire, clad in a long-black veil, imbued with occult and erotic power, has newly arrived in town and is summarily dispensing with its unsavory characters. Through a chance encounter in a night of luminal darkness, an eternally dark romance begins - baptized in love's blood. Shot in dazzling anamorphic black and white cinematography and accompanied with an intoxicating and mesmeric soundtrack, Ana Lily Amirpour's debut feature film A Girl Walks Home Alone At Night (2014), was an instant popular and critical success. Dubbed 'the first Iranian vampire western' the genre-bending film is a pastiche of genres such as vampire cinema, gothic and horror films, spaghetti westerns, graphic novels, and Iranian cinema; yet the film stands as a new vampire fairy-tale with a unique style all its own. The first full-length study dedicated to the film since its release, this book in the Devil's Advocate series provides a unique approach to the film situated within three theoretical coordinates: the vampire genre, psychoanalytic (film) theory and German Idealism.

A retelling of Disney Alice in Wonderland, accompanied by art from the original Disney Studio artists. Collect the whole Animated Classics series! A family favourite for seventy years, Disney Alice in Wonderland is one of the best-loved films of all time. Relive the magic through this retelling of the classic animated film, accompanied by paintings, sketches and concept art from the original Disney Studio artists. Turn to the back of the book to learn more about the artists who worked on this iconic animated film. This beautiful hardback features premium cloth binding, a ribbon marker to match the cover, foil stamping and illustrated endpapers, making this the perfect gift for all those who have been enchanted by the magic of Alice in Wonderland and a book to be treasured by all. Disney Alice in Wonderland is now available to view on Disney+ Also available in the Disney Animated Classics series: Aladdin Cinderella The Nightmare Before Christmas Dumbo Frozen Mulan Pinocchio Sleeping Beauty The Lion King Snow White and the Seven Dwarfs The Little Mermaid One Hundred and One Dalmatians Coming soon: Beauty and the Beast Lady and the Tramp

To date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations. Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.

Spy-Fi Culture with a License to Kill From Sean Connery to Daniel Craig, James Bond is the highest-grossing movie franchise of all time. Out-grossing Star Wars, Harry Potter, and the Marvel Cinematic Universe, the world's most iconic and international secret agent has a shelf life of almost six decades, from Dr. No to Spectre. As nuclear missile threats are replaced by a series of subtler threats in a globalized and digital world, Bond is with us still. In The Science of James Bond, we recognize the Bond franchise as a unique genre: spy-fi. A genre of film and fiction that fuses spy fiction with science fiction. We look at Bond's obsessions with super-villains, the future, and world domination or destruction. And we take a peek under the hood of trends in science and tech, often in the form of gadgets and spy devices in chapters such as: Goldfinger: Man Has Achieved Miracles in All Fields but Crime! You Only Live Twice: The Race to Conquer Space Live and Let Die: Full Throttle: Bond and the Car Skyfall: The Science of Cyberterrorism And more! This is the only James Bond companion that looks at the film and fiction in such a spy-fi way, taking in weapon wizards, the chemistry of death, threads of nuclear paranoia, and Bond baddies' obsession with the master race!

A NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS 'The perfect introduction to the iconic writer' STYLIST INCLUDING: * Nora's much-loved essays on everything from friendship to feminism to journalism * Extracts from her bestselling novel Heartburn * Scenes from her hilarious screenplay for When Harry Met Sally * Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters 'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE *PRAISE FOR NORA EPHRON* 'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON 'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON 'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM

A full-colour illustrated compendium chronicling the magical twenty-year journey of acclaimed art and design studio, MinaLima, the creative genius behind the graphics for the Harry Potter film series. "It all started with a letter . . ." Miraphora Mina and Eduardo Lima began their extraordinary partnership in 2001 when Warner Bros. invited them to realize the imaginative visual universe of the Harry Potter film series. The two artists would never have guessed that the graphic props they designed for the films - including the Hogwarts acceptance letter, Marauder's Map, Daily Prophet newspaper, The Quibbler and Weasleys' Wizard Wheezes - would become cultural icons loved by Wizarding World fans around the world. Eight years later, the pair formed their own design studio, MinaLima, and expanded their work to include the graphics for the Wizarding World of Harry Potter - Diagon Alley and Hogsmeade at Universal Orlando Resort and the Fantastic Beasts film series. To showcase their treasury of designs, the studio has opened House of MinaLima, its immersive art galleries and shops in London and across the world. The Magic of MinaLima is an illustrated history and celebration of Mina and Lima's twenty-year evolution and groundbreaking vision. Their wondrous creations illuminate the Wizarding World as never before, and their commentary offers insights into the imaginative thinking that shaped their designs. This collection showcases the very best works from the award-winning studio's two decades and includes interactive elements such as the Marauder's Map, the Black Family Tapestry, and Weasleys' Wizard Wheezes. Designed to delight and enchant, The Magic of MinaLima will be an invaluable resource for Wizarding World and graphic art fans alike.

India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.

Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism.

The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

A fully revised, updated and expanded edition of the seminal text on film

A new edition of the most accessible and compelling history of the cinema yet published, which is now updated with extra chapters. The Story of Film explores cinema from around the world and shows how cinematic ideas and techniques cross national boundaries. Divided into three main epochs--Silent (1885-1928), Sound (1928-1990), and Digital (1990-Present)--the movies are discussed within chapters reflecting both the stylistic concerns of the moviemakers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and the general moviegoer.

This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, designers and fencing masters, as well as of the stars themselves, and devotes several chapters to the principal subjects if the swashbucklers - pirates, highwaymen, cavaliers and knights. The result is to recall, however fleetingly, the golden days of the silver screen. Reviews of the original edition: 'An intelligent, scholarly, well-written account of adventure films, this work is sensitive both to cinema history and to the literary origins of the "swashbuckler"....Essential for any library with books on film, it may very well be the definitive book on its subject.' - Library Journal

Reissuing works originally published between 1968 and 1993, Routledge Library Editions: Film and Literature offers a selection of scholarship covering the crossover of novels and the movies. Volumes on Shakespearean and Greek Tragedy films among others round this out to be an interesting compact collection of previously out-of-print works.

Documentary filmmaker Peter Pepe and historical archaeologist Joseph W. Zarzynski provide a concise guide to filmmaking designed to help archaeologists navigate the unfamiliar world of documentary film. They offer a step-by-step description of the process of making a documentary, everything from initial pitches to production companies to final cuts in the editing. Using examples from their own award-winning documentaries, they focus on the needs of the archaeologist: Where do you fit in the project? What is expected of you? How can you help your documentarian partner? The authors provide guidance on finding funding, establishing budgets, writing scripts, interviewing, and numerous other tasks required to produce and distribute a film. Whether you intend to sell a special to National Geographic or churn out a brief clip to run at the local museum, read this book before you start.

This volume examines Mary Poppins as a 1960s film reflecting and invested in its radically changing times, a largely but not unmitigatedly antiestablishment musical resonant with conditions and issues powerfully affecting baby boomers. Among the explosion of baby boomer films that rocked the 1960s, the most stirring early work was likely Mary Poppins. This 1964 film captivated young audiences, earning top-grossing ticket sales, multiple Oscars, and landmark status as a cultural phenomenon. The book illuminates Mary Poppins as a musical teeming with preoccupations of American youth in the early-to-mid-1960s, including antiestablishment desires, anxieties, and pleasures. Reading against the dominant grain, this book deciphers Mary Poppins as a mid-century reflection that spans the generation gap, dysfunctional nuclear family, youth unrest, activism including feminist advocacy, counterculturalism, capitalist imperialism, race relations, socially conscious music, and hallucinogenic consciousness expansion. Conjunctively, the book explores tensions inherent in this studio production as a mainstream Disney release evoking imperatives of 1960s American youth while sanitizing figures and values representing radical change. Further, examining the film's collective authorship, this volume traces Mary Poppins' origins in the writings and life of nonconformist author P.L. Travers as well as in Disney cinema and the studio's adaptation processes. Analysis extends to diverse facets of Mary Poppins' reception, including the shifting image of its star, Julie Andrews, the film's influence on popular culture and controversy among some as an adaptation, its appropriation by drug culture, association with the teenpic, and status as cinema of social consciousness. This book is ideal for students, researchers, and scholars of cinema studies and youth culture.

The official companion for the new Man of Steel movie featuring Superman. Man of Steel: Inside the Legendary World of Superman offers an intimate look at the reinvention of the world's most iconic superhero through the eyes of acclaimed director Zack Snyder (300, Watchmen) and producer Christopher Nolan (The Dark Knight Trilogy). This unique companion book offers a rich selection of materials, from concept art and behind-the-scenes set photography to director commentary and interviews with key creatives, unlocking the secrets behind giving new life to an immortal hero. Man of Steel stars Henry Cavill as Superman. Also appearing are three-time Oscar(R) nominee Amy Adams (The Fighter) as Daily Planet journalist Lois Lane, and Oscar(R) nominee Laurence Fishburne (What's Love Got to Do with It) as her editor-in-chief, Perry White. Starring as Clark Kent's adoptive parents, Martha and Jonathan Kent, are Oscar(R) nominee Diane Lane (Unfaithful) and Academy Award(R) winner Kevin Costner (Dances with Wolves). Squaring off against the superhero are two other surviving Kryptonians, the villainous General Zod, played by Oscar(R) nominee Michael Shannon (Revolutionary Road), and Faora, Zod's evil partner, played by Antje Traue. Also from Superman's native Krypton are Lara Lor-Van, Superman's mother, played by Ayelet Zurer, and Superman's father, Jor-El, portrayed by Academy Award(R) winner Russell Crowe (Gladiator). Rounding out the cast are Harry Lennix as U.S. military man General Swanwick, as well as Christopher Meloni as Colonel Hardy. MAN OF STEEL and all related characters and elements are trademarks of and A(c) DC Comics.

In order to be able to protect human rights, it is first necessary to see the denial of those rights. Aside from experiencing human rights violations directly, either as a victim or as an eyewitness, more than any other medium film is able to bring us closer to this aspect of the human experience. Yet, notwithstanding its importance to human rights, film has received virtually no scholarly attention and thus one of the primary goals of this book is to begin to fill this gap. From an historical perspective, human rights were not at all self-evident by reason alone, but had to gain standing through an appeal to human emotions found in novels as well as in works of moral philosophy and legal theory. Although literature continues to play an important role in the human rights project, film is able to take us that much further, by universalizing the particular experience of others different from ourselves, the viewers. "Watching Human Rights" analyzes more than 100 of the finest human rights films ever made documentaries, feature films, faux documentaries, animations, and even cartoons. It will introduce the reader to a wealth of films that might otherwise remain unknown, but it also shows the human rights themes in films that all of us are familiar with.Features of the text: "

A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film - the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media

A great movie's first few minutes are the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in and set up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique. From Joe Gillis's voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from a stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler's List, Cinematic Overtures analyzes opening shots from a range of Hollywood and international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. As she looks at the strategies of opening scenes, Insdorf also examines how films critique and explore the power of the camera's gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films and the works of some of the leading directors of the past seventy-five years.Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments.

The architectural imagery that you create is most effective when it examines your project in an abstract manner. Most students and practitioners understand linear perspective and cinema to be examples of architectural presentation tools. This book asks you to consider drawings and movies to be analytical tools that give you the capacity to engage all phases of the design process, from parti to presentation.

The ways in which spaces relate to each other and how materials connect to each other in your projects are as important as your building s appearance. As digital tools increasingly allow you to simulate the experience of built and unbuilt environments, it is essential that you scrutinize the nature of architectural imagery and resist the lure of virtual reality. Though pure simulation may be appropriate for your clients, your design process requires abstraction and analysis.

Author Thomas Forget demonstrates how to construct analytical drawings and movies that challenge the alleged realism of linear perspective and cinema. These demonstrations expose you to underlying principles that will allow you to understand the broader implications of these methods. In addition, historical surveys of drawings and movies provide you with insight into how architects and architectural historians have understood the role of linear perspective and cinema in their fields. Finally, examples of drawing and moviemaking strategies illustrate how you can apply the lessons of the book to precedent analyses and design projects.

"New Jews'?" is the first comprehensive study of American Jewish identity in Hollywood movies of the new millennium. Despite the argument that we live in a "post-racial" society with supposedly "new" Jewish characters emerging on the big screen, this book details how traditional racial stereotypes of American Jews persist in popular films from the first decade of this century. In clear and readable prose, the book offers an innovative and penetrating look at dozens of American Jewish "meddling matriarchs," "neurotic nebbishes," "pampered princesses," and "scheming scumbags" from 21st century film, whether Hollywood blockbusters like Meet the Fockers and Sex and the City or indie favorites like Garden State and Kissing Jessica Stein. Throughout the book, famous American Jewish characters played by the likes of Jim Carrey, Tom Cruise, Anne Hathaway, Kate Hudson, Scarlett Johansson, Sarah Jessica Parker, Adam Sandler, and Ben Stiller are discussed, with the ultimate conclusion that movies today are marked less by the emergence of "new Jews" than by the continued - but dynamic and transformed -- presence of the same old stereotypes.