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Books > Arts & Architecture > Performing arts > Films, cinema
This comprehensive and in-depth study delves into the life and
works of one of modern films most celebrated, successful and
intriguing auteurs, Christopher Nolan. 'What is the most resilient
parasite? Bacteria? A virus? An intestinal worm? An idea.
Resilient...highly contagious. Once an idea has taken hold of the
brain it's almost impossible to eradicate.' - Cobb, Inception How
has Nolan become this leading director? Is he the new Kubrick? What
do audiences get out of his games? Visually, he offers a steely
science-fiction noir with the highlights of big stars and a
magician's flourishes, whether he is tackling Victorian London or
the far reaches of outer space. In narrative terms, his films twist
and turn, provoking as many questions as they answer. This book
will look to crack open the magic box of Nolan's twisting universe.
As a character, he eludes easy answers. Veteran film author Ian
Nathan's research will lean into deciphering his cryptic
pronouncements and motivations alongside the history and making of
his films. Examining both the making of and the inspiration behind
his many, many hit films, from The Prestige (2006) to the hugely
successful Batman films, through to his mind-bending science
fiction works such as Inception (2014) and Tenet (2020). Filled
with fascinating insights and illustrated throughout with
cinematography from his visually stunning ouvre, this book offers a
unique, important and unmissable insight into the mind of this most
brilliant of directors.
This intriguing volume sheds light on the diverse world of
collecting film- and media-related materials. Lucy Fischer's
introduction explores theories of collecting and representations of
collecting and collections in film, while arguing that collections
of film ephemera and other media-related collections are an
important way in to understanding the relationship between material
culture and film and media studies; she notes that the collectors
have various motivations and types of collections. In the eleven
chapters that follow, media studies scholars analyze a variety of
fascinating collected materials, from Doris Day magazines to
Godzilla action figures and LEGOs. While most contributors discuss
their personal collections, some also offer valuable insight into
specific collections of others. In many cases, collections that
began as informal and personal have been built up, accessioned, and
reorganized to create teaching and research materials which have
significantly contributed to the field of film and media studies.
Readers are offered glimpses into diverse collections comprised of
films, fan magazines, records, comics, action figures, design
artifacts, costumes, props- including Buffy the Vampire Slayer
costumes, Planet of the Apes publicity materials, and Amazing
Spider Man comics. Recollecting Collecting interrogates and
illustrates the meaning and practical nature of film and media
collections while also considering the vast array of personal and
professional motivations behind their assemblage.
When we bury our secrets, they always come back to haunt us...Their
rise was meteoric. Only a few years before, they had been three
friends from Glasgow, just trying to survive tough lives of danger
and dysfunction. But on one Hollywood evening in 1993, they were on
the world's biggest stage, accepting their Oscar in front of the
watching world. That night was the beginning of their careers. But
it was also the end of their friendship. Over the next twenty
years, Mirren McLean would become one of the most powerful writers
in the movie industry. Zander Leith would break box-office records
as cinema's most in-demand action hero. And Davie Johnson would
rake in millions as producer of some of the biggest shows on TV.
For two decades they didn't speak, driven apart by a horrific
secret. Until now... Their past is coming back to bite them, and
they have to decide whether to run, hide, or fight. Because when
you rise to the top, there's always someone who wants to see you
fall. An exciting new glam thriller for the fans of Taylor Jenkins
Reid, Liane Moriarty and Jo Spain Previously published in the UK as
TAKING HOLLYWOOD by Shari King. 'Brilliant, a white-knuckle ride of
a novel. Gripping and wildly glamorous' Tilly Bagshawe 'It's a real
slice of Hollywood and a brilliant read' Gerard Butler 'A glam,
edgy thriller, just the way I like them' Martina Cole 'Sex, scandal
and secrets galore' Jackie Collins 'A high-stakes thriller with a
dark, moving story at its core. Page-turning entertainment at its
very best' - TJ Emerson 'It's a thriller that's gritty, sexy and a
sensational page turner. You won't be able to put it down. I loved
it!' Lorraine Kelly 'I loved this Hollywood tale with deep Scottish
roots. It's dark, sinful, glittering and thrilling. An absolute
adventure from the very first page' Carmen Reid 'The mean streets
of Glasgow meet the glitz of Hollywood. A riveting read!' - Evie
Hunter
Delmer Daves (1904-1977) was an American screenwriter, director,
and producer known for his dramas and Western adventures, most
notably Broken Arrow and 3:10 to Yuma. Despite the popularity of
his films, there has been little serious examination of Daves's
work. Filmmaker Bertrand Tavernier has called Daves the most
forgotten of American directors, and to date no scholarly monograph
has focused on his work. In The Films of Delmer Daves: Visions of
Progress in Mid-Twentieth-Century America, author Douglas Horlock
contends that the director's work warrants sustained scholarly
attention. Examining all of Daves's films, as well as his
screenplays, scripts that were not filmed, and personal papers,
Horlock argues that Daves was a serious, distinctive, and
enlightened filmmaker whose work confronts the general conservatism
of Hollywood in the mid-twentieth century. Horlock considers
Daves's films through the lenses of political and social values,
race and civil rights, and gender and sexuality. Ultimately,
Horlock suggests that Daves's work-through its examination of
bigotry and irrational fear and depiction of institutional and
personal morality and freedom-presents a consistent, innovative,
and progressive vision of America.
Go under the hood of Batman's iconic vehicle in this user's manual
for the Batmobile. Ever since its first appearance in the pages of
Detective Comics back in 1939, the Batmobile has captured the
imaginations of fans around the world, becoming an essential
component of the Dark Knight's crime-fighting arsenal. This user's
manual reveals the secrets behind the most iconic versions of the
Batmobile across decades of comics and films, giving readers a
never-before-seen look at the most beloved vehicle in pop culture.
Featuring detailed cutaways, schematics, blueprints, and more, this
book is full of original art, giving fans the most detailed
exploration of the Batmobile to date. A definitive volume,
Batmobile Owner's Manual examines the vehicle's many iterations
throughout Batman's history, from films such as Batman (1989), The
Dark Knight Trilogy, and Batman v. Superman: Dawn of Justice, to
graphic novels including The Dark Knight Returns and the most
current run of Batman comics. An immersive, must-have collectible,
Batmobile Owner's Manual will reveal the technological wonders
behind the most awe-inspiring, powerful, and feared vehicle in
Gotham City.
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