When we bury our secrets, they always come back to haunt us...Their rise was meteoric. Only a few years before, they had been three friends from Glasgow, just trying to survive tough lives of danger and dysfunction. But on one Hollywood evening in 1993, they were on the world's biggest stage, accepting their Oscar in front of the watching world. That night was the beginning of their careers. But it was also the end of their friendship. Over the next twenty years, Mirren McLean would become one of the most powerful writers in the movie industry. Zander Leith would break box-office records as cinema's most in-demand action hero. And Davie Johnson would rake in millions as producer of some of the biggest shows on TV. For two decades they didn't speak, driven apart by a horrific secret. Until now... Their past is coming back to bite them, and they have to decide whether to run, hide, or fight. Because when you rise to the top, there's always someone who wants to see you fall. An exciting new glam thriller for the fans of Taylor Jenkins Reid, Liane Moriarty and Jo Spain Previously published in the UK as TAKING HOLLYWOOD by Shari King. 'Brilliant, a white-knuckle ride of a novel. Gripping and wildly glamorous' Tilly Bagshawe 'It's a real slice of Hollywood and a brilliant read' Gerard Butler 'A glam, edgy thriller, just the way I like them' Martina Cole 'Sex, scandal and secrets galore' Jackie Collins 'A high-stakes thriller with a dark, moving story at its core. Page-turning entertainment at its very best' - TJ Emerson 'It's a thriller that's gritty, sexy and a sensational page turner. You won't be able to put it down. I loved it!' Lorraine Kelly 'I loved this Hollywood tale with deep Scottish roots. It's dark, sinful, glittering and thrilling. An absolute adventure from the very first page' Carmen Reid 'The mean streets of Glasgow meet the glitz of Hollywood. A riveting read!' - Evie Hunter

Grief is all around us. At the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss - of innocence, of love, of the connection to our world and of that world itself. Now Go enters these emotional waters to interrogate not only how Studio Ghibli navigates grief so well, but how that informs our own understanding of grief's manifold faces.

Featuring case studies, essays, and conversation pieces by scholars and practitioners, this volume explores how Indian cinematic adaptations outside the geopolitical and cultural boundaries of India are revitalizing the broader landscape of Shakespeare research, performance, and pedagogy. Chapters in this volume address practical and thematic concerns and opportunities that are specific to studying Indian cinematic Shakespeares in the West. For instance, how have intercultural encounters between Indian Shakespeare films and American students inspired new pedagogic methodologies? How has the presence and popularity of Indian Shakespeare films affected policy change at British cultural institutions? How can disagreement between eastern and western perspectives on the politics of a Shakespeare film become the site for productive cross-cultural dialogue? This is the first book to explore such complex interactions between Indian Shakespeare films and Western audiences to contribute to the assessment of the new networks that have emerged as a result of Global Shakespeare studies and practices. The volume argues that by tracking critical currents from India towards the West new insights are afforded on the wider field of Shakespeare Studies - including feminist Shakespeares, translation in Shakespeare, or the study of music in Shakespeare - and are shaping debates on the ownership and meaning of Shakespeare itself. Contributing to the current studies in Global Shakespeare, this book marks a discursive shift in the way Shakespeare on Indian screen is predominantly theorised and offers an alternative methodology for examining non-Anglophone cinematic Shakespeares as a whole.

Explore over eighty years of Batman history in this updated edition that features a wealth of new content, including a new chapter on acclaimed feature film The Batman. Featuring two new chapters and exclusive content from the new feature film The Batman, this updated volume tells the complete story of Batman across comics, TV, animation, film, video games, and beyond. Covering the complete history of Batman in vivid detail, this deluxe edition features exclusive commentary from the key creatives who have been instrumental in building the Dark Knight's ongoing legacy, including Neal Adams, Tim Burton, Paul Dini, Steve Englehart, Mark Hamill, Grant Morrison, Julie Newmar, Christopher Nolan, Denny O'Neil, Joel Schumacher, Scott Snyder, and Zack Snyder. Along with taking readers on an unparalleled journey into the creation of the most memorable Batman moments in the character's eighty-year history-from the "Knightfall" comics arc to Tim Burton's films and the Arkham video game series the book busts open the DC Comics and Warner Bros. archives to deliver an avalanche of never-before-seen visual treasures that are guaranteed to blow the minds of Batman fans everywhere. Filled with exclusive insert items that further deepen the reading experience, this updated edition of Batman: The Definitive History of the Dark Knight in Comics, Film, and Beyond, is the ultimate exploration of a true legend whose impact on our culture has no limits.

Written by a knowledgeable film critic and Korean War scholar, this is the only guide exclusively devoted to the study of Hollywood and television films based on the Korean War, 1950-1953. It opens with eight short essays, discussing the appeal of the war film genre, government and filmmaker cooperation, the isolation of Korean War films from other war films, why John Wayne didn't make a Korean War film, the other actors who did, the plots of Korean War films, television and Korean War films, and the myths resulting from films. Eighty-four films are then discussed in alphabetically arranged entries. The entries include production unit, color status, producer, director, screenwriter, actors and actresses, movie length, and the author's numerical rating of the film. The commentary places each film within the context of other war films, the Korean War, trends in Hollywood, and the social and political realities of the United States. The films also are listed chronologically. Producers, directors, screenwriters, actors, and actresses are indexed by responsibility and are included in the general index. The book also provides a list of 109 documentary films available for public viewing.