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Books > Arts & Architecture > Performing arts > Films, cinema
The story of an immortal Scottish warrior battling evil down
through the centuries, Highlander fused a high-concept idea with
the kinetic energy of a pop promo pioneer and Queen's explosive
soundtrack to become a cult classic. When two American producers
took a chance on a college student's script, they set in motion a
chain of events involving an imploding British film studio, an
experimental music video director still finding his filmmaking
feet, a former James Bond with a spiralling salary, and the
unexpected arrival of low-budget production company, Cannon Films.
Author Jonathan Melville looks back at the creation of Highlander
with the help of more than 60 cast and crew, as they talk candidly
about the gruelling shoot that took them from the back alleys of
London, to the far reaches of the Scottish Highlands, and onto the
mean streets of 1980s New York City. With insights from Queen's
Brian May and Roger Taylor on the film's iconic music, exclusive
screenwriter commentary on unmade scripts, never-before-seen photos
from private collections, and a glimpse into the promotional
campaign that never was. If there can be only one book on
Highlander then this is it!
An officially licensed collectible replica of the unforgettable
mandrake root from Hogwarts School of Witchcraft and Wizardry's
herbology class. Complete with sound of the plant's cry, this is a
perfect gift for fans of the Wizarding World. * SPECIFICATIONS:
Mini replica of the mandrake potted plant; Plays audio of mandrake
cry when pulled up from the pot; Measures 3 inches * AUTHENTIC
AUDIO: Includes mandrake cry as heard in Harry Potter and the
Chamber of Secrets * IDENTIFICATION CARD INCLUDED: An illustrated
description card provides essential information on the mandrake *
PERFECT GIFT: A unique gift for fans of the wizarding world *
OFFICIALLY LICENSED: Authentic collectible
Go under the hood of Batman's iconic vehicle in this user's manual
for the Batmobile. Ever since its first appearance in the pages of
Detective Comics back in 1939, the Batmobile has captured the
imaginations of fans around the world, becoming an essential
component of the Dark Knight's crime-fighting arsenal. This user's
manual reveals the secrets behind the most iconic versions of the
Batmobile across decades of comics and films, giving readers a
never-before-seen look at the most beloved vehicle in pop culture.
Featuring detailed cutaways, schematics, blueprints, and more, this
book is full of original art, giving fans the most detailed
exploration of the Batmobile to date. A definitive volume,
Batmobile Owner's Manual examines the vehicle's many iterations
throughout Batman's history, from films such as Batman (1989), The
Dark Knight Trilogy, and Batman v. Superman: Dawn of Justice, to
graphic novels including The Dark Knight Returns and the most
current run of Batman comics. An immersive, must-have collectible,
Batmobile Owner's Manual will reveal the technological wonders
behind the most awe-inspiring, powerful, and feared vehicle in
Gotham City.
Let the spooky citizens of Halloween Town guide your tarot practice
with this sumptuously illustrated tarot deck inspired by Tim
Burton's classic animated film, The Nightmare Before Christmas.
Disney's iconic holiday film The Nightmare Before Christmas is now
an enchanting tarot set, offering a frightful-but-friendly take on
the traditional 78-card deck. This set features all your favorite
characters from Jack Skellington to Mr. Oogie Boogie to Sandy Claws
himself in gorgeous original illustrations based on classic tarot
iconography. Featuring both major and minor arcana, the set also
comes with a helpful guidebook explaining each card's meaning, as
well as simple spreads for easy readings. Packaged in a sturdy,
decorative gift box, this hauntingly charming tarot deck is the
perfect gift for the The Nightmare Before Christmas fan or tarot
enthusiast in your life.
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Strangers Within
- Documentary as Encounter
(Paperback)
Therese Henningsen & Juliette Joffe; Contributions by Khalik Allah, Ruth Beckermann, Jon Bang Carlsen, Adam Christensen, Annie Ernaux, Gareth Evans, Jane Fawcett, Xiaolu Guo, Umama Hamido, Therese Henningsen, Marc Isaacs, Mary Jimenez Freeman-Morris, Juliette Joffe, Andrew and Eden Koetting, David MacDougall, Trinh T. Minh-ha, Toni Morrison, Bruno de Wachter and Andrea Luka Zimmerman.
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Since the publication of his foundational work, Visionary Film, P.
Adams Sitney has been considered one of our most eloquent and
insightful interlocutors on the relationship between American film
and poetry. His latest study, The Cinema of Poetry, emphasizes the
vibrant world of European cinema in addition to incorporating the
author's long abiding concerns on American avant-garde cinema. The
work is divided into two principal parts, the first dealing with
poetry and a trio of films by Dimitri Kirsanoff, Ingmar Bergman,
and Andrei Tarkovsky; the second part explores selected American
verse with American avant-garde films by Stan Brakhage, Ken Jacobs,
and others. Both parts are linked by Pier Paolo Pasolini's
theoretical 1965 essay "Il cinema di poesia" where the
writer/director describes the use of the literary device of "free
indirect discourse," which accentuates the subjective point-of view
as well as the illusion of functioning as if without a camera. In
other words, the camera is absent, and the experience of the
spectator is to plunge into the dreams and consciousness of the
characters and images presented in film. Amplifying and applying
the concepts advanced by Pasolini, Sitney offers extended readings
of works by T. S. Eliot, Wallace Stevens, and Charles Olson to
demonstrate how modernist verse strives for the "camera-less"
illusion achieved in a range of films that includes Fanny and
Alexander, Stalker, Lawrence Jordan's Magic, and several short
works by Joseph Cornell.
The introduction of film study or analysis into the school
curriculum along with the presentation of courses on the art of
cinema at several universities and universities of technology, has
led to more and more students becoming cinema literate. Movies made
easy is a guideline for students who want to discover or rediscover
the joys of cinema, while focusing on important elements such as
editing, subtext, directing and irony in a film. This is an update
of Seeing sense - on film analysis, but provides greater balance
between classic and contemporary films, and South African films and
Hollywood blockbusters.
Tarot cards have been around since the Renaissance and have become
increasingly popular in recent years, often due to their prevalence
in popular culture. While Tarot means many different things to many
different people, the cards somehow strike universal chords that
can resonate through popular culture in the contexts of art,
television, movies, even comic books. The symbolism within the
cards, and the cards as symbols themselves, make Tarot an excellent
device for the media of popular culture in numerous ways. They make
horror movies scarier. They make paintings more provocative. They
provide illustrative structure to comics and can establish the
traits of television characters. The Cards: The Evolution and Power
of Tarot begins with an extensive review of the history of Tarot
from its roots as a game to its supposed connection to ancient
Egyptian magic, through its place in secret societies, and to its
current use in meditation and psychology. This section ends with an
examination of the people who make up today's tarot community.
Then, specific areas of popular culture-art, television, movies,
and comics-are each given a chapter in which to survey the use of
Tarot. In this section, author Patrick Maille analyzes such works
as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted
Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show,
Buffy the Vampire Slayer, and King of the Hill. The cards are
evocative images in their own right, but the mystical fascination
they inspire makes them a fantastic tool to be used in our favorite
shows and stories.
This officially licensed, finely detailed light-up collectible
replica of the crystal ball from Hogwarts School of Witchcraft and
Wizardry's divination class is a perfect gift for fans of the
Wizarding World. * SPECIFICATIONS: Mini crystal ball set on an
intricately designed elephant base; ball and base are approximately
3 inches tall * LIGHTS UP: Ball illuminates when light switch is
turned on * BOOK INCLUDED: Set includes mini book of quotes and
behind-the-scenes information from the Harry Potter films,
featuring full-color photography throughout * PERFECT GIFT: A
unique gift for fans of the wizarding world * OFFICIALLY LICENSED:
Authentic collectible
Exam Board: AQA, Edexcel & Eduqas Level: AS/A-level Subject:
Modern Languages First Teaching: September 2017 First Exam: June
2018 Film analysis made easy. Build your students' confidence in
their language abilities and help them develop the skills needed to
critique their chosen work: putting it into context, understanding
the themes and director's technique, as well as specialist
terminology. Breaking down each scene, character and theme in El
laberinto del fauno (Pan's Labyrinth), this accessible guide will
enable your students to understand the historical and social
context of the film and give them the critical and language skills
needed to write a successful essay. - Strengthen language skills
with relevant grammar, vocab and writing exercises throughout - Aim
for top marks by building a bank of textual examples and quotes to
enhance exam response - Build confidence with knowledge-check
questions at the end of every chapter - Revise effectively with
pages of essential vocabulary and key mind maps throughout - Feel
prepared for exams with advice on how to write an essay, plus
sample essay questions, two levels of model answers and examiner
commentary
This book tells the story of German-language literature on film,
beginning with pioneering motion picture adaptations of Faust in
1897 and early debates focused on high art as mass culture. It
explores, analyzes and contextualizes the so-called 'golden age' of
silent cinema in the 1920s, the impact of sound on adaptation
practices, the abuse of literary heritage by Nazi filmmakers, and
traces the role of German-language literature in exile and postwar
films, across ideological boundaries in divided Germany, in New
German Cinema, and in remakes and movies for cinema as well as
television and streaming services in the 21st century. Having
provided the narrative core to thousands of films since the late
19th century, many of German cinema's most influential masterpieces
were inspired by canonical texts, popular plays, and even
children's literature. Not being restricted to German adaptations,
however, this book also traces the role of literature originally
written in German in international film productions, which sheds
light on the interrelation between cinema and key historical
events. It outlines how processes of adaptation are shaped by
global catastrophes and the emergence of nations, by materialist
conditions, liberal economies and capitalist imperatives, political
agendas, the mobility of individuals, and sometimes by the desire
to create reflective surfaces and, perhaps, even art. Commercial
cinema's adaptation practices have foregrounded economic interest,
but numerous filmmakers throughout cinema history have turned to
German-language literature not simply to entertain, but as a
creative contribution to the public sphere, marking adaptation
practice, at least potentially, as a form of active citizenship.
Exploring the multiple aesthetic and cultural links between French
and Japanese cinema, The Cinematic Influence is packed with vivid
examples and case studies of films by Akira Kurosawa, Jean-Luc
Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel
Gondry and many others. It illustrates the vast array of cinematic
connections that mark a long history of mutual influence and
reverence between filmmakers in France and Japan. The book provides
new insights into the ways that national cinemas resist Hollywood
to maintain and strengthen their own cultural practices and how
these national cinemas perform the task of informing and
enlightening other cultures about what it means to be French or
Japanese. This book also deepens our understandings of film's role
as a viable cultural and economic player in individual nations.
Importantly, the reader will see that film operates as a form of
cultural exchange between France and Japan, and more broadly,
Europe and Asia. This is the first major book to investigate the
crossover between these two diverse national cinemas by tracking
their history of shared narrative and stylistic techniques.
Star Wars: Luke Skywalker and The Secrets of the Jedi is the
ultimate in-universe guide to the world of the Jedi, transporting
young readers to a galaxy far, far away through interactive
features, fascinating facts, and captivating insights. With
thrilling original illustrations and amazing special features
including lift-the-flaps, textures, and more, Star Wars: Luke
Skywalker and The Secrets of the Jedi is guaranteed to thrill the
saga's legions of young fans.
The rare woman director working in second-wave exploitation,
Stephanie Rothman (b. 1936) directed seven successful feature
films, served as the vice president of an independent film company,
and was the first woman to win the Directors Guild of America's
student filmmaking prize. Despite these career accomplishments,
Rothman retired into relative obscurity. In The Cinema of Stephanie
Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses
Rothman's career as an in-depth case study, intertwining
historical, archival, industrial, and filmic analysis to grapple
with the past, present, and future of women's filmmaking labor in
Hollywood. Understanding second wave exploitation filmmaking as a
transitory space for the industrial development of contemporary
Hollywood that also opened up opportunities for women
practitioners, Kozma argues that understudied film production
cycles provide untapped spaces for discovering women's directorial
work. The professional career and filmography of Rothman exemplify
this claim. Rothman also serves as an apt example for connecting
the structure of film histories to the persistent strictures of
rhetorical language used to mark women filmmakers and their labor.
Kozma traces these imbrications across historical archives.
Adopting a diverse methodological approach, The Cinema of Stephanie
Rothman shines a needed spotlight on the problems and successes of
the memorialization of women's directorial labor, connecting
historical and contemporary patterns of gendered labor disparity in
the film industry. This book is simultaneously the first in-depth
scholarly consideration of Rothman, the debut of the most
substantive archival materials collected on Rothman, and a feminist
political intervention into the construction of film histories.
The cinephile community knows Abbas Kiarostami (1940-2016) as one
of the most important filmmakers of the previous decades. This
volume illustrates why the Iranian filmmaker achieved critical
acclaim around the globe and details his many contributions to the
art of filmmaking. Kiarostami began his illustrious career in his
native Iran in the 1970s, although European and American audiences
did not begin to take notice until he released his 1987 feature
Where's the Friend's House? His films defy established conventions,
placing audiences as active viewers who must make decisions about
actions and characters while watching the narratives unfold. He
asks viewers to question the genre construct (Close-Up) and
challenges them to determine how to watch and imagine a narrative
(Ten and Shirin). In recognition for his approach to the craft,
Kiarostami was awarded many honors during his lifetime, including
the top prize at the Cannes Film Festival in 1997 for Taste of
Cherry. In Abbas Kiarostami: Interviews, editor Monika Raesch
collects eighteen interviews (several translated into English for
the first time), lectures, and other materials that span
Kiarostami's career in the film industry. In addition to exploring
his expertise, the texts provide insight into his life philosophy.
This volume offers a well-rounded picture of the filmmaker through
his conversations with journalists, film scholars, critics,
students, and audience members.
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