Completely revised, expanded & updated, The Dead Walk is a highly informative and entertaining study of the diverse zombie film phenomenon. Included are a visual feast of wide-ranging and often shocking films - from the monochrome epics of the 1930's & 1940's, the science-fiction orientated zombie films of the 1950's, the graphic splatter films & so-called "video nasties" of the 1980's before coming bang up to date to reflect the re-emergence of the zombie genre again, only now racing rather than shuffling towards box office domination anew. The Dead Walk provides a fascinating insight into films from across the globe as well as devoting proper attention to individual filmmakers such as George A. Romero & Lucio Fulci who have made the zombie genre their own. As well as detailing the historical origins of zombie lore rooted within Haitian voodoo rites, films as diverse as Sam Raimi's The Evil Dead series to Stanley Kubrick's A Clockwork Orange are featured, together with a separate chap

This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars-and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

This officially licensed, finely detailed light-up collectible replica of the crystal ball from Hogwarts School of Witchcraft and Wizardry's divination class is a perfect gift for fans of the Wizarding World. * SPECIFICATIONS: Mini crystal ball set on an intricately designed elephant base; ball and base are approximately 3 inches tall * LIGHTS UP: Ball illuminates when light switch is turned on * BOOK INCLUDED: Set includes mini book of quotes and behind-the-scenes information from the Harry Potter films, featuring full-color photography throughout * PERFECT GIFT: A unique gift for fans of the wizarding world * OFFICIALLY LICENSED: Authentic collectible

Heavy metal and high-thrill cinema have been joined together like mutant twins since before the band Black Sabbath adopted the name of a chilling Italian horror film. The unadulterated journey of "Heavy Metal Movies" spans concert movies and trippy midnight flicks, inspirational depictions of ancient times and future apocalypses, and raw handheld digital video obsessions. As brash, irreverent, and visceral as both the music and the movies themselves, "Heavy Metal Movies" is the ultimate guidebook to the complete molten musical cinema experience.
Exploding with way over 666 true headbanger classics--raging with disturbing documentaries, bulging barbarians, Satanic shockers, spluttery slashers, post-nuke dystopias, carnivorous chunk-blowers, undead gut-munchers, midnight mind-benders, concert films, killer cameos--plus witches, werewolves, bikers, aliens, lesbian vampires, and vengeful vikings galore...the heaviest sin-ematic sensations of all time

This book documents the making of Christopher Nolan's Interstellar in fascinating detail. Featuring interviews with the acclaimed director, screenwriter Jonathan Nolan, and key cast, with candid pictures from the set, the book will also focus on scientist Kip Thorne, whose revelatory theories about the nature of time and space inspired the movie's narrative.INTERSTELLAR and all related characters and elements are trademarks of and (c) Warner Bros. Entertainment Inc (S14)

In the early twentieth century, female performers regularly appeared on the stages and screens of American cities. Though advertised as dancers, mimics, singers, or actresses, they often exceeded these categories. Instead, their performances adopted an aesthetic of intermediality, weaving together techniques and elements drawn from a wide variety of genres and media, including ballet, art music, photography, early modern dance, vaudeville traditions, film, and more. Onstage and onscreen, performers borrowed from existing musical scores and narratives, referred to contemporary shows, films, and events, and mimicked fellow performers, skating neatly across various media, art forms, and traditions. Behind the scenes, they experimented with cross-promotion, new advertising techniques, and various technologies to broadcast images and tales of their performances and lives well beyond the walls of American theaters, cabarets, and halls. The performances and conceptions of art that emerged were innovative, compelling, and deeply meaningful. Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century examines these performances and the performers behind them, highlighting the Ziegfeld Follies and The Passing Show revues, Salome dancers, Isadora Duncan's Wagner dances, Adeline Genee and Bessie Clayton's "photographic" danced histories, Hazel Mackaye and Ruth St. Denis's pageants, and Anna Pavlova's opera and film projects. By destabilizing the boundaries between various media, genres, and performance spaces, each of these women was able to create performances that negotiated turn-of-the-century American social and cultural issues: contemporary technological developments and the rise of mass reproduction, new modes of perception, the commodification of art and entertainment, the evolution of fan culture and stardom, changing understandings of the body and the self, and above all, shifting conceptions of gender, race, and sexual identity. Tracing the various modes of intermediality at work on- and offstage, Body Knowledge re-imagines early twentieth-century art and entertainment as both fluid and convergent.

Through a career that spanned decades and included dozens of films-among them such American masterpieces asThe Searchers, The Grapes of Wrath, The Quiet Man, Stagecoach, and How Green Was My Valley-John Ford managed to leave as his legacy a body of work that few filmmakers will ever equal. Yet as bold as the stamp of his personality was on each film, he was reticent about his personal life. Basically shy, and intensely private, he was known to enjoy making up stories about himself, some of them based loosely on fact but many of them pure fabrications. Ford preferred instead to let his films speak for him. What mattered to Ford was always what was up there on the screen. Now, in this definitive look at the life and career of one of America's true cinematic giants, noted biographer and critic Scott Eyman, working with the full participation of the Ford estate, has managed to document and delineate both aspects of John Ford's life-the human and the legend.

When we bury our secrets, they always come back to haunt us...Their rise was meteoric. Only a few years before, they had been three friends from Glasgow, just trying to survive tough lives of danger and dysfunction. But on one Hollywood evening in 1993, they were on the world's biggest stage, accepting their Oscar in front of the watching world. That night was the beginning of their careers. But it was also the end of their friendship. Over the next twenty years, Mirren McLean would become one of the most powerful writers in the movie industry. Zander Leith would break box-office records as cinema's most in-demand action hero. And Davie Johnson would rake in millions as producer of some of the biggest shows on TV. For two decades they didn't speak, driven apart by a horrific secret. Until now... Their past is coming back to bite them, and they have to decide whether to run, hide, or fight. Because when you rise to the top, there's always someone who wants to see you fall. An exciting new glam thriller for the fans of Taylor Jenkins Reid, Liane Moriarty and Jo Spain Previously published in the UK as TAKING HOLLYWOOD by Shari King. 'Brilliant, a white-knuckle ride of a novel. Gripping and wildly glamorous' Tilly Bagshawe 'It's a real slice of Hollywood and a brilliant read' Gerard Butler 'A glam, edgy thriller, just the way I like them' Martina Cole 'Sex, scandal and secrets galore' Jackie Collins 'A high-stakes thriller with a dark, moving story at its core. Page-turning entertainment at its very best' - TJ Emerson 'It's a thriller that's gritty, sexy and a sensational page turner. You won't be able to put it down. I loved it!' Lorraine Kelly 'I loved this Hollywood tale with deep Scottish roots. It's dark, sinful, glittering and thrilling. An absolute adventure from the very first page' Carmen Reid 'The mean streets of Glasgow meet the glitz of Hollywood. A riveting read!' - Evie Hunter

Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topo in 1970. He has been called a "cult" filmmaker, whose films are surreal, hallucinatory, and provocative. The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.

Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives - including but not limited to anti-racist, decolonial, disability, and feminist theorizing - renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres", addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales", shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel", "The Juniper Tree\2, and "Cinderella". The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies-which will be of interest to film and fairy-tale scholars and students-considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.