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Art and the Historical Film - Between Realism and the Sublime (Hardcover)
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Art and the Historical Film - Between Realism and the Sublime (Hardcover)
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From Eugene Delacroix's interpretation of the 1830 French
revolution to Uli Edel's version of the Baader-Meinhof Gang,
artistic representations of historical subjects are appealing and
pervasive. Movies often adapt imagery from art history, including
paintings of historical events. Films and art shape the past for us
and continue to affect our interpretation of history. While
historical films are often argued over for their adherence to "the
facts," their real problem is realism: how can the past be
convincingly depicted? Realism in the historical film genre is
often nourished and given credibility by its use of painterly
references. This book examines how art-historical images affect
historical films by going beyond period detail and surface design
to look at how profound ideas about history are communicated
through pictures. Art and the Historical Film: Between Realism and
the Sublime is based on case studies that explore the links between
art and cinema, including American independent Western Meek's
Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma
Asante, 2013), and Dutch national epic Admiral (Roel Reine, 2014).
The chapters create immersive worlds that communicate distinct
ideas about the past through cinematography, production design, and
direction, as the films adapt, reference, and transpose paintings
by artists such as Rubens, Albert Bierstadt, and Jacques-Louis
David.
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