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Mike Nichols - Sex, Language, and the Reinvention of Psychological Realism (Hardcover)
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Mike Nichols - Sex, Language, and the Reinvention of Psychological Realism (Hardcover)
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During the late 1960s and 1970s, as Film Studies crystallized into
an academic discipline, psychological realism became linked to both
classical Hollywood and continuity editing. The style was derided
as theatrical, or worse, bourgeois, a product of a capitalism that
valorized individual personality. This view persists, though often
tacitly. However, we must attribute some degree of mindedness to
any figure that we might call a character, even if that psyche is
established not by a performer but by another aspect of the film,
such as editing. Through the study of performer and director Mike
Nichols, Kyle Stevens questions the aesthetic-ideological stance
against psychological realism. He argues that characters' actions
are not just filmed concepts but can be film concepts whose forms
resonate politically. Nichols' oeuvre centers on moments when words
and gestures cease to mean, or to mean in typical ways. In doing
so, he exposes the pretense of tropes that constitute
conventionally realist characters, and participates in changes in
U.S. cultural attitudes toward language, subjectivity, embodiment,
and the social, particularly with regard to sexual politics. This
book thus sheds light on Hollywood history, historicizes Film
Studies' turn away from humanism, and reassesses paradigms that
hold psychological realism to be "transparent"-thereby blinding us
to potentially subtle and subversive uses of this aesthetic choice.
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