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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism

Feel Free - Essays (Paperback): Zadie Smith Feel Free - Essays (Paperback)
Zadie Smith 1
R240 R192 Discovery Miles 1 920 Save R48 (20%) Ships in 5 - 10 working days

The one and only Zadie Smith, prize-winning, bestselling author of Swing Time and White Teeth, is back with a second unmissable collection of essays.

No subject is too fringe or too mainstream for Zadie Smith's insatiable curiosity. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has endless enthusiasmand the boundless wit, insight and wisdom to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion.

This electrifying new collection showcases its author as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.

I Was a Cold War Monster - Horror Films, Eroticism, and the Cold War Imagination (Paperback): I Was a Cold War Monster - Horror Films, Eroticism, and the Cold War Imagination (Paperback)
R457 R375 Discovery Miles 3 750 Save R82 (18%) Ships in 7 - 11 working days

Horror films provide a guide to many of the sociological fears of the Cold War era. In an age when warning audiences of impending death was the order of the day for popular nonfiction, horror films provided an area where this fear could be lived out to its ghastly conclusion. Because enemies and potential situations of fear lurked everywhere, within the home, the government, the family, and the very self, horror films could speak to the invasive fears of the cold war era. "I Was a Cold War Monster" examines cold war anxieties as they were reflected in British and American films from the fifties through the early sixties. This study examines how cold war horror films combined anxiety over social change with the erotic in such films as "Psycho," "The Tingler," "The Horror of Dracula," and "House of Wax."

Faster, Higher, Stronger, Comrades! - Sports, Art, and Ideology in Late Russian and Early Soviet Culture (Hardcover): Tim Harte Faster, Higher, Stronger, Comrades! - Sports, Art, and Ideology in Late Russian and Early Soviet Culture (Hardcover)
Tim Harte
R1,954 Discovery Miles 19 540 Ships in 7 - 11 working days

The revival of the Olympic games in 1896 and the subsequent rise of modern athletics prompted a new, energetic movement away from more sedentary habits. In Russia, this ethos soon became a key facet of the Bolsheviks' shared vision for the future. In the aftermath of the revolution, glorification of exercise persevered, pointing the way toward a stronger, healthier populace and a vibrant Socialist society. With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.

She Damn Near Ran the Studio - The Extraordinary Lives of Ida R. Koverman (Hardcover): Jacqueline R. Braitman She Damn Near Ran the Studio - The Extraordinary Lives of Ida R. Koverman (Hardcover)
Jacqueline R. Braitman
R754 R603 Discovery Miles 6 030 Save R151 (20%) Ships in 7 - 11 working days

Best known as the woman who "ran MGM," Ida R. Koverman (1876-1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman's life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood's Golden Era. For nearly a century, Koverman's legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery - until now. This story begins with Koverman's early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state's progressive impulse. During the Roaring Twenties, she was a key architect of the Southland's conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As ""the political boss of Los Angeles County,"" she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer's executive secretary, was epitomized by her third incarnation as ""one of the most formidable women in Hollywood,"" whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM's catalog of stars and her own influence on American popular culture. Recognized as ""one of the invisible power centers in both MGM and the city of Los Angeles,"" she nurtured the city's burgeoning performing arts by fostering music and musicians and the public financing of them. As the ""lioness"" of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she ""damn near ran the studio.

The Archive of Magic: the Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald (Hardcover): Signe Bergstrom The Archive of Magic: the Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald (Hardcover)
Signe Bergstrom; Introduction by Jude Law 1
R938 R616 Discovery Miles 6 160 Save R322 (34%) Ships in 10 - 15 working days

Go behind the scenes of J. K. Rowling's magical universe of creatures and wizards in this exciting full-colour companion volume to Fantastic Beasts: The Crimes of Grindelwald. Newt, Tina, Queenie, and Jacob, the beloved heroes of Fantastic Beasts and Where to Find Them, are back! In this second adventure, they're joined by fan favourites from the Harry Potter universe, including Albus Dumbledore, Nicolas Flamel, and the villainous Gellert Grindelwald. Officially licensed by Warner Bros. Consumer Products and designed by MinaLima - the creative force behind the graphics and many of the props for the first Fantastic Beasts and Where to Find Them as well as the Harry Potter films - this authorised tie-in compendium delivers a rich and unique `making of' experience for fans of all ages. This keepsake treasury offers an imaginative, close-up look at Newt Scamander and his colourful trove of cohorts - beasts and wizards alike - as they face off against the evil forces of Gellert Grindelwald, one of the world's most powerful dark wizards, in a story that travels from New York City to London and onto Paris. Brimming with film-making secrets, full-colour artwork, and stories from the cast and crew, this magnificent book is modelled after a special item from the movie, and features removable facsimile reproductions of props and other materials from the movie, along with some very special effects. A tribute to moviemaking magic, it is an essential for every Wizarding World fan, aspiring concept artists and designers, and cinema buffs.

In Search of the True Russia - The Provinces in Contemporary Nationalist Discourse (Paperback): Lyudmila Parts In Search of the True Russia - The Provinces in Contemporary Nationalist Discourse (Paperback)
Lyudmila Parts
R594 Discovery Miles 5 940 Ships in 7 - 11 working days

Russia's provinces have long held a prominent place in the nation's cultural imagination. Popular culture has increasingly turned from the newly prosperous, multiethnic, and westernized Moscow to celebrate the hinterlands as repositories of national traditions and moral strength. Lyudmila Parts argues that this change has directed debate about Russia's identity away from its loss of imperial might and global prestige and toward a hermetic national identity based on the opposition of "us vs. us" rather than "us vs. them." In Search of the True Russia offers an intriguing analysis of the contemporary debate over what it means to be Russian.

As You Wish - Inconceivable Tales from the Making of The Princess Bride (Paperback, Export): Cary Elwes, Joe Layden As You Wish - Inconceivable Tales from the Making of The Princess Bride (Paperback, Export)
Cary Elwes, Joe Layden; Foreword by Rob Reiner 2
R238 R167 Discovery Miles 1 670 Save R71 (30%) Ships in 10 - 15 working days

From actor Cary Elwes, who played the iconic role of Westley in The Princess Bride, comes the New York Times bestselling account and behind-the-scenes look at the making of the cult classic film filled with never-before-told stories, exclusive photographs, and interviews with the cast and crew. The Princess Bride has been a family favourite for close to three decades. Ranked by the American Film Institute as one of the top 100 Greatest Love Stories and by the Writers Guild of America as one of the top 100 screenplays of all time, The Princess Bride will continue to resonate with audiences for years to come. Cary Elwes was inspired to share his memories and give fans an unprecedented look into the creation of the film while participating in the twenty-fifth anniversary cast reunion. In As You Wish he has created an enchanting experience; in addition to never-before seen photos and interviews with his fellow cast mates, there are plenty of set secrets and backstage stories. With a foreword by Rob Reiner and limited edition original artwork by acclaimed artist Shepard Fairey, As You Wish is a must-have for all fans of this beloved film.

In Search of the True Russia - The Provinces in Contemporary Nationalist Discourse (Hardcover): Lyudmila Parts In Search of the True Russia - The Provinces in Contemporary Nationalist Discourse (Hardcover)
Lyudmila Parts
R1,664 Discovery Miles 16 640 Ships in 7 - 11 working days

Russia's provinces have long held a prominent place in the nation's cultural imagination. Lyudmila Parts looks at the contested place of the provinces in twenty-first-century Russian literature and popular culture, addressing notions of nationalism, authenticity, Orientalism, Occidentalism, and postimperial identity. Surveying a largely unexplored body of Russian journalism, literature, and film from the late twentieth and early twenty-first centuries, Parts finds that the harshest portrayals of the provinces arise within ""high"" culture. Popular culture, however, has increasingly turned from the newly prosperous, multiethnic, and westernized Moscow to celebrate the hinterlands as repositories of national traditions and moral strength. This change, she argues, has directed debate about Russia's identity away from its loss of imperial might and global prestige and toward a hermetic national identity based on the opposition of ""us vs. us"" rather than ""us vs. them."" She offers an intriguing analysis of the contemporary debate over what it means to be Russian and where ""true"" Russians reside.

Everybody Sing! - Community Singing in the American Picture Palace (Hardcover): Esther M Morgan-Ellis Everybody Sing! - Community Singing in the American Picture Palace (Hardcover)
Esther M Morgan-Ellis
R1,135 Discovery Miles 11 350 Ships in 7 - 11 working days

During the 1920s, a visit to the movie theater almost always included a sing-along. Patrons joined together to render old favorites and recent hits, usually accompanied by the strains of a mighty Wurlitzer organ. The organist was responsible for choosing the repertoire and presentation style that would appeal to his or her patrons, so each theater offered a unique experience. When sound technology drove both musicians and participatory culture out of the theater in the early 1930s, the practice faded and was eventually forgotten. Despite the popularity and ubiquity of community singing it was practiced in every state, in theaters large and small there has been scant research on the topic. This volume is the first dedicated account of community singing in the picture palace and includes nearly one hundred images, such as photographs of the movie houses' opulent interiors, reproductions of sing-along slides, and stills from the original Screen Songs "follow the bouncing ball" cartoons. Esther M. Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the basic components of a sing-along, explores the unique presentation styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children's matinees of the 1930s.

The Wrong Kind of Women - Inside Our Revolution to Dismantle the Gods of Hollywood (Paperback): Naomi McDougall Jones The Wrong Kind of Women - Inside Our Revolution to Dismantle the Gods of Hollywood (Paperback)
Naomi McDougall Jones
R386 R325 Discovery Miles 3 250 Save R61 (16%) Ships in 7 - 11 working days
Film Worlds - A Philosophical Aesthetics of Cinema (Paperback): Daniel Yacavone Film Worlds - A Philosophical Aesthetics of Cinema (Paperback)
Daniel Yacavone
R723 R599 Discovery Miles 5 990 Save R124 (17%) In stock

"Film Worlds" unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions.

Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, "Film Worlds" extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

Bitter Tastes - Literary Naturalism and Early Cinema in American Women's Writing (Hardcover): Donna M Campbell Bitter Tastes - Literary Naturalism and Early Cinema in American Women's Writing (Hardcover)
Donna M Campbell
R1,480 Discovery Miles 14 800 Ships in 7 - 11 working days

Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.

Myth of An Irish Cinema - Approaching Irish-Themed Films (Paperback, New): Michael Patrick Gillespie Myth of An Irish Cinema - Approaching Irish-Themed Films (Paperback, New)
Michael Patrick Gillespie
R514 Discovery Miles 5 140 Ships in 7 - 11 working days

For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In ""The Myth of an Irish Cinema"", Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity.The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford's ""The Quiet Man"" and Kirk Jones' ""Waking Ned Devine"" to Bob Quinn's controversial ""Budawanny"" and ""The Bishop's Story"", ""The Myth of an Irish Cinema"" signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.

How the Soviet Man Was Unmade - Cultural Fantasy and Male Subjectivity Under Stalin (Paperback): Lilya Kaganovsky How the Soviet Man Was Unmade - Cultural Fantasy and Male Subjectivity Under Stalin (Paperback)
Lilya Kaganovsky
R814 Discovery Miles 8 140 Ships in 7 - 11 working days

In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, an inversion of Stalin's New Man.In ""How the Soviet Man Was Unmade"", Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was ""full of heroes,"" a man could only truly distinguish himself and attain hero status through bodily sacrifice - yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (""How Steel Was Tempered"") and Boris Polevoi (""A Story About a Real Man""), and films such as Ivan Pyr'ev's ""The Party Card"", Eduard Pentslin's ""The Fighter Pilots"", and Mikhail Chiaureli's ""The Fall of Berlin"", among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

Screening Genders (Paperback): Krin Gabbard, William G. Luhr Screening Genders (Paperback)
Krin Gabbard, William G. Luhr
R754 Discovery Miles 7 540 Ships in 7 - 11 working days

Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between." The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large. The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike. Krin Gabbard is a professor of comparative literature and English at SUNY Stony Brook and the author of Hotter than That: The Trumpet, Jazz, and American Culture. William Luhr is a professor of English and film at Saint Peter's College in New Jersey and the coauthor of Thinking About Movies: Watching, Questioning, Enjoying (Third Edition). A volume in the Rutgers Depth of Field series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons

African Americans and the Culture of Pain (Paperback): Debra Walker King African Americans and the Culture of Pain (Paperback)
Debra Walker King
R597 Discovery Miles 5 970 Ships in 7 - 11 working days

In this compelling new study, Debra Walker King considers fragments of experience recorded in oral histories and newspapers as well as those produced in twentieth-century novels, films, and television that reveal how the black body in pain functions as a rhetorical device and as political strategy. King's primary hypothesis is that, in the United States, black experience of the body in pain is as much a construction of social, ethical, and economic politics as it is a physiological phenomenon.

As an essential element defining black experience in America, pain plays many roles. It is used to promote racial stereotypes, increase the sale of movies and other pop culture products, and encourage advocacy for various social causes. Pain is employed as a tool of resistance against racism, but it also functions as a sign of racism's insidious ability to exert power over and maintain control of those it claims--regardless of race. With these dichotomous uses of pain in mind, King considers and questions the effects of the manipulation of an unspoken but long-standing belief that pain, suffering, and the hope for freedom and communal subsistence will merge to uplift those who are oppressed, especially during periods of social and political upheaval. This belief has become a ritualized philosophy fueling the multiple constructions of black bodies in pain, a belief that has even come to function as an identity and community stabilizer.

In her attempt to interpret the constant manipulation and abuse of this philosophy, King explores the redemptive and visionary power of pain as perceived historically in black culture, the aesthetic value of black pain as presented in a variety of cultural artifacts, and the socioeconomic politics of suffering surrounding the experiences and representations of blacks in the United States. The book introduces the term Blackpain, defining it as a tool of national mythmaking and as a source of cultural and symbolic capital that normalizes individual suffering until the individual--the real person--disappears. Ultimately, the book investigates America's love-hate relationship with black bodies in pain.

American Independent Cinema - An Introduction (Paperback): Yannis Tzioumakis American Independent Cinema - An Introduction (Paperback)
Yannis Tzioumakis
R829 Discovery Miles 8 290 Ships in 7 - 11 working days

From the prestige films of Cagney Productions to recent, ultra-low budget cult hits, such as "Clerks" and "The Blair Witch Project," American independent cinema has produced some of the most distinctive films ever made. This comprehensive introduction draws on key films, filmmakers, and film companies from the early twentieth century to the present to examine the factors that shaped this vital and evolving mode of filmmaking.Specifically, it explores the complex and dynamic relations between independent and mainstream Hollywood cinema, showing how institutional, industrial, and economic changes in the latter have shaped and informed the former. Ordered chronologically, the book begins with Independent Filmmaking in the Studio Era (examining both top-rank and low-end film production), moves to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking), and finishes with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalization of independent cinema in the 1990s). Each chapter includes case studies which focus on specific films, filmmakers, and production and distribution companies.

American Cinema of the 1940s - Themes and Variations (Paperback): Wheeler Winston Dixon American Cinema of the 1940s - Themes and Variations (Paperback)
Wheeler Winston Dixon
R763 Discovery Miles 7 630 Ships in 7 - 11 working days

The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. In 1942, Hollywood joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. With the end of the war, returning GIs faced a new America, in which the country had been transformed overnight. Film noir reflected a new public mood of pessimism and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of Evil, Caught, and Apology for Murder, depicting a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians. With the threat of the atom bomb lurking in the background and the beginnings of the Hollywood Blacklist, the 1940s was a decade of crisis and change. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century. Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies at the University of Nebraska, Lincoln, and editor of the Quarterly Review of Film and Video.

Fiction, Film, And Faulkner - The Art Of Adaptation (Paperback): Gene D. Phillips Fiction, Film, And Faulkner - The Art Of Adaptation (Paperback)
Gene D. Phillips
R557 Discovery Miles 5 570 Ships in 7 - 11 working days
Black Magic - White Hollywood and African American Culture (Paperback, New): Krin Gabbard Black Magic - White Hollywood and African American Culture (Paperback, New)
Krin Gabbard
R787 Discovery Miles 7 870 Ships in 7 - 11 working days

Why do many African American film characters seem to have magical powers? And why do they use them only to help white people. When the actors are white, why is the soundtrack so commonly performed by African Americans? And why do so many white actors imitate black people when they wish to express strong emotion? As Krin Gabbard reveals in this book, we duly recognize the cultural heritage of African Americans in literature, music and art, but there is a disturbing pattern in the roles that blacks are asked to play - particularly in the movies. Whites have long admired blacks for their perceived spontaneity, earthiness and joie de vivre, while still refusing to grant them the full weight of their humanity. Many recent films, including ""The Matrix"", ""Fargo"", ""The Green Mile"", ""Ghost"", ""The Talented Mr. Ripley"", ""Pleasantville"", ""The Bridges of Madison County"" and ""Crumb"" reveal a fascination with black music and sexuality even as they preserve the old racial hierarchies. Quite often the dependence on African American culture remains hidden - although it is almost perversely pervasive. In the final chapters of ""Black Magic"", Gabbard looks at films by Robert Altman and Spike Lee that attempt to reverse many of these widespread trends.

The Big Sleep (Paperback, 2nd edition): David Thomson The Big Sleep (Paperback, 2nd edition)
David Thomson
R337 R278 Discovery Miles 2 780 Save R59 (18%) Ships in 7 - 11 working days

The Big Sleep: Marlowe and Vivian practising kissing; General Sternwood shivering in a hothouse full of orchids; a screenplay, co-written by Faulkner, famously mysterious and difficult to solve. Released in 1946, Howard Hawks' adaptation of Raymond Chandler reunited Bogart and Bacall and gave them two of their most famous roles. The mercurial but ever-manipulative Hawks dredged humour and happiness out of film noir. 'Give him a story about more murders than anyone can keep up with, or explain,' David Thomson writes in his compelling study of the film, 'and somehow he made a paradise.' When it was first shown to a military audience The Big Sleep was coldly received. So, as Thomson reveals, Hawks shot extra scenes, 'fun' scenes, to replace one in which the film's murders had been explained, and in so doing left the plot unresolved. Thomson argues that, if this was accidental, it also signalled a change in the nature of Hollywood cinema: 'The Big Sleep inaugurates a post-modern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction.'

To Pixar and Beyond - My Unlikely Journey with Steve Jobs to Make Entertainment History (Paperback): Lawrence Levy To Pixar and Beyond - My Unlikely Journey with Steve Jobs to Make Entertainment History (Paperback)
Lawrence Levy
R362 R298 Discovery Miles 2 980 Save R64 (18%) Ships in 7 - 11 working days

The revelatory saga of Pixar's rocky start and improbable success

After Steve Jobs was dismissed from Apple in the early 1990s, he turned his attention to a little-known graphics company he owned called Pixar. One day, out of the blue, Jobs called Lawrence Levy, a Harvard-trained lawyer and executive to whom he had never spoken before. He hoped to persuade Levy to help him pull Pixar back from the brink of failure.

This is the extraordinary story of what happened next: how Jobs and Levy concocted and pulled off a highly improbable plan that transformed Pixar into one of Hollywood's greatest success stories. Levy offers a masterful, firsthand account of how Pixar rose from humble beginnings, what it was like to work so closely with Jobs, and how Pixar's story offers profound lessons that can apply to many aspects of our lives.

Arab Americans in Film - From Hollywood and Egyptian Stereotypes to Self-Representation (Paperback): Waleed F. Mahdi Arab Americans in Film - From Hollywood and Egyptian Stereotypes to Self-Representation (Paperback)
Waleed F. Mahdi
R733 Discovery Miles 7 330 Ships in 7 - 11 working days

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.

The Art of the Film: Fantastic Beasts and Where to Find Them (Hardcover): Dermot Power The Art of the Film: Fantastic Beasts and Where to Find Them (Hardcover)
Dermot Power; Foreword by Stuart Craig 1
R1,098 R716 Discovery Miles 7 160 Save R382 (35%) Ships in 10 - 15 working days

Step inside the world of the talented art departments who, led by Academy Award (R)-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowling's Fantastic Beasts and Where to Find Them. The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamander's adventure in the wizarding world. Bursting with hundreds of production paintings, concept sketches, storyboards, and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this sumptuous volume presents a visual feast for readers, and welcomes fans of the Harry Potter films into the world of the Academy Award (R)-nominated Fantastic Beasts and Where to Find Them.

Movies made easy - A practical guide to film analysis (Paperback, 2nd ed): Leon van Nierop Movies made easy - A practical guide to film analysis (Paperback, 2nd ed)
Leon van Nierop
R435 R401 Discovery Miles 4 010 Save R34 (8%) Ships in 7 - 10 working days

The introduction of film study or analysis into the school curriculum along with the presentation of courses on the art of cinema at several universities and universities of technology, has led to more and more students becoming cinema literate. Movies made easy is a guideline for students who want to discover or rediscover the joys of cinema, while focusing on important elements such as editing, subtext, directing and irony in a film. This is an update of Seeing sense - on film analysis, but provides greater balance between classic and contemporary films, and South African films and Hollywood blockbusters.

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Scott Eyman CD R1,335 R944 Discovery Miles 9 440
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Leon van Nierop Paperback R190 R176 Discovery Miles 1 760
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