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We'll Meet Again - Musical Design in the Films of Stanley Kubrick (Hardcover)
Loot Price: R3,790
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We'll Meet Again - Musical Design in the Films of Stanley Kubrick (Hardcover)
Series: Oxford Music/Media Series
Expected to ship within 12 - 17 working days
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Famous for his painstaking attention to detail and for the
craftsmanship and artistry he brought to his work, filmmaker
Stanley Kubrick is by now long established as both the subject of
an entire sub-field of scholarly inquiry, and as the object of all
levels of cinema studies pedagogy. His oeuvre, developed over
nearly 50 years, traverses an immensely broad variety of film
genres and subjects and has long been studied and understood in
terms of its narrative, thematic, and striking visual elements.
However, unique and often startling encounters between music and
the moving image are central trademarks of Kubrick's style; witness
the powerful effects of Strauss's "Also Sprach Zarathustra" in
2001: A Space Odyssey and of Beethoven's 9th Symphony in A
Clockwork Orange, each excerpt hand-picked by Kubrick himself.
We'll Meet Again argues that some of the most compelling and
understudied aspects of Stanley Kubrick's films are musically
conceived. Author Kate McQuiston illustrates that, for Kubrick,
music is neither post-production afterthought nor background nor
incidental, but rather core to films' themes and meanings. The book
is divided into three sections, the first of which identifies the
building blocks in Kubrick's sonic world and illuminates the ways
in which Kubrick uses them to substantiate his characters and to
define character relationships. The second section delves into the
effects of Kubrick's signature musical techniques, including the
use of texture, recurrence, and inscription to render and reinforce
psychological ideas and particular spectator responses. The third
and final section presents case studies in which the history of the
music Kubrick chooses plays a vital and dynamic role. Throughout
the author's arguments, the book locates Kubrick as a force in
music reception history by examining the relationship between his
musical choices and popular culture.
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