Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline's place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium. More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship. In doing so, they invite recognition - and appreciation - of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance. Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

The lengths to which the underworld will go for a legendary prize is unparalleled. What started as a simple logbook with a piece of valuable information was soon stolen, traded, and smuggled around the outer rim and shady ports. With each pirate, thief, gambler, and criminal who took possession of the book, new insight and details were added, creating the Smuggler's Guide - a coveted collection of hidden treasure locations, advice, and hard-earned data. Recovered from a strong box on the Millenium Falcon, the Smuggler's Guide traces its own extraordinary journey through such notorious characters as Maz Kanata, Hondo Ohnaka, Drydon Vos, Lando Calrissian, and Han Solo. Explore previously unknown details about the underhanded dealings of the galaxy's underworld.

This open access study of the film Grendel Grendel Grendel, directed by Alexander Stitt, presents it as a masterpiece of animation and design which has attained a national and international cult status since its release in 1981. The film, based on the novel, Grendel, by John Gardner, is a loose adaptation of the Beowulf legend, but told from the point of view of the monster, Grendel. Grendel Grendel Grendel is a mature, intelligent, irreverent and quite unique animated film - it is a movie, both in terms of content and of an aesthetic that was well ahead of its time. Along with a brief overview of Australian animation and a contextualization of where this animated feature fits within the broader continuum of Australian (and global) film history, Dan Torre and Lienors Torre provide an intriguing analysis of this significant Australian animated feature. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Producing for Film and Television offers a comprehensive overview of the different stages of film production, from development of an idea to delivery, distribution and festival entry. Written from the producer's point of view, the book guides the reader through each stage of the process, offering helpful tips, industry guidance and example paperwork. Supported with over fifty illustrations and photographs, this new book includes advice on copyright and working with writers; pitching your idea; the roles within production teams; post-production work and marketing and distribution. With helpful information on industry terms and timeframes, this essential guide is aimed at film students and aspiring producers who want a greater understanding of the role of the independent producer or is planning their own production, whether feature length, short film or drama series.