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Rewatching on the Point of the Cinematic Index (Hardcover)
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Rewatching on the Point of the Cinematic Index (Hardcover)
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Rewatching on the Point of the Cinematic Index offers a
reassessment of the cinematic index as it sits at the intersection
of film studies, trauma studies, and adaptation studies. Author
Allen H. Redmon argues that far too often scholars imagine the
cinematic index to be nothing more than an acknowledgment that the
lens-based camera captures and brings to the screen a reality that
existed before the camera. When cinema's indexicality is so
narrowly defined, the entire nature of film is called into question
the moment film no longer relies on a lens-based camera. The
presence of digital technologies seemingly strips cinema of its
indexical standing. This volume pushes for a broader understanding
of the cinematic index by returning to the early discussions of the
index in film studies and the more recent discussions of the index
in other digital arts. Bolstered by the insights these discussions
can offer, the volume looks to replace what might be best deemed a
diminished concept of the cinematic index with a series of more
complex cinematic indices, the impoverished index, the indefinite
index, the intertextual index, and the imaginative index. The
central argument of this book is that these more complex indices
encourage spectators to enter a process of ongoing adaptation of
the reality they see on the screen, and that it is on the point of
these indices that the most significant instances of rewatching
movies occur. Examining such films as John Lee Hancock's Saving Mr.
Banks (2013); Richard Linklater's oeuvre; Paul Greengrass's United
93 (2006); Oliver Stone's World Trade Center (2006); Stephen
Daldry's Extremely Loud and Incredibly Close (2011); and
Christopher Nolan's Dunkirk (2017), Inception (2010), and Memento
(2000), Redmon demonstrates that the cinematic index invites
spectators to enter a process of ongoing adaptation.
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