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Rewatching on the Point of the Cinematic Index (Hardcover) Loot Price: R3,141
Discovery Miles 31 410
Rewatching on the Point of the Cinematic Index (Hardcover): Allen H. Redmon

Rewatching on the Point of the Cinematic Index (Hardcover)

Allen H. Redmon

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Loot Price R3,141 Discovery Miles 31 410 | Repayment Terms: R294 pm x 12*

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Rewatching on the Point of the Cinematic Index offers a reassessment of the cinematic index as it sits at the intersection of film studies, trauma studies, and adaptation studies. Author Allen H. Redmon argues that far too often scholars imagine the cinematic index to be nothing more than an acknowledgment that the lens-based camera captures and brings to the screen a reality that existed before the camera. When cinema's indexicality is so narrowly defined, the entire nature of film is called into question the moment film no longer relies on a lens-based camera. The presence of digital technologies seemingly strips cinema of its indexical standing. This volume pushes for a broader understanding of the cinematic index by returning to the early discussions of the index in film studies and the more recent discussions of the index in other digital arts. Bolstered by the insights these discussions can offer, the volume looks to replace what might be best deemed a diminished concept of the cinematic index with a series of more complex cinematic indices, the impoverished index, the indefinite index, the intertextual index, and the imaginative index. The central argument of this book is that these more complex indices encourage spectators to enter a process of ongoing adaptation of the reality they see on the screen, and that it is on the point of these indices that the most significant instances of rewatching movies occur. Examining such films as John Lee Hancock's Saving Mr. Banks (2013); Richard Linklater's oeuvre; Paul Greengrass's United 93 (2006); Oliver Stone's World Trade Center (2006); Stephen Daldry's Extremely Loud and Incredibly Close (2011); and Christopher Nolan's Dunkirk (2017), Inception (2010), and Memento (2000), Redmon demonstrates that the cinematic index invites spectators to enter a process of ongoing adaptation.

General

Imprint: University Press Of Mississippi
Country of origin: United States
Release date: September 2022
Authors: Allen H. Redmon
Dimensions: 229 x 152mm (L x W)
Format: Hardcover
Pages: 216
ISBN-13: 978-1-4968-4181-0
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Language & Literature > Literature: history & criticism > Literary studies > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
Books > Social sciences > Sociology, social studies > Social issues > Violence in society > General
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LSN: 1-4968-4181-6
Barcode: 9781496841810

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