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Indigenous societies that are steeped in patriarchy have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not normally be able to say. This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on a variety of discourses of gender and power to examine the content and purposes of the songs.
Restricted by the custom of hlonipha, women resort to allusive language, such as is found in ukushoza, a song genre that includes poetic elements and solo dance songs. Other contexts include women’s social events, such as ilima, which refers to the collective activity that takes place when a group of women come together to assist another woman to complete a task that is typically carried out by women. During umgcagco (traditional weddings) and umemulo (girls’ coming-of-age ceremonies), songs befitting the occasion are performed. And neighbouring communities come together at amacece to perform according to izigodi (districts), where local maskandi women groups may be found performing for a goat or cow stake.
The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their own commentary on what it means to be a woman in this society.
" feel as if I have been holding onto myself and holding my breath; as if I have had a bomb strapped around my body and have had to watch my every step and move - just in case it exploded. Slowly, I'm gaining the confidence to breathe deeply and exhale longer. Slowly, I'm reclaiming the freedom to move my body, to dance as I sing."
Dealing with the topical issue of trauma and mental health, Nompumelelo's inspirational story resonates deeply.
News24’s top journalists who were on the ground give a riveting firsthand account of what went down when South Africa was set alight shortly after Jacob Zuma’s imprisonment.
Dramatic and violent scenes unfolded in KwaZulu-Natal and Gauteng during the eight-day period of unrest and looting – the worst of its kind since apartheid ended. The violence claimed more than 300 lives and caused damage of R50 billion.
The three authors were on the scene covering all aspects of the violence from its inception which began as protests against Zuma's incarceration before it spiraled into widespread looting and violence which was later labelled an insurrection.
Includes dramatic detail of what went down in hotspot areas, as well as what happened behind the scenes politically, and how all the pieces of the puzzle fit together.
Hierdie is Ina Bonnette se eie weergawe van die wrede aanval en marteling deur die Modimolle Monster wat opslae gemaak het toe hy en drie handlangers haar ontvoer het.
Ina: Verhaal Van Genade En Genesing is die merkwaardige verhaal van ’n oorwinnaar, ’n vrou wat wreed oorval en gemartel is deur haar eksman en sy handlangers. Ina moes nie net die onmenslike trauma, pyn en lewensveranderende gevolge van daardie dag verduur nie, sy het ook haar seun aan die dood afgestaan toe hy deur haar aanvaller vermoor is.
Hierdie is haar verhaal van oorlewing, genade en uiteindelike genesing.
If this book saves just one person’s life, Leo Prinsloo will be happy.
Leo became an internet sensation after footage of his reaction to an attempted high-value goods-in-transit heist went viral. Stunned by his cool attitude and focused action in a crisis situation, South Africans had an example of what can happen when good people take a stand. With decades of experience in security – first as a policeman, then in the South African Police Service’s Special Task Force, and now providing arms handling and security training in the private sector – Leo has a wealth of knowledge on how to manage life-threatening incidents.
Driven by a desire to empower South Africans and help them claim back their sense of safety, he offers advice for dealing with every risky situation, from how to handle hijackings and road rage, to how to keep your children safe, to the best way to secure your home and business. He also provides comprehensive information about handling firearms and basic first aid.
Leo’s Guide to Not Becoming a Statistic is a guide to living your safest life in South Africa – something which has become increasingly important as our crime statistics continue to rise. Straight-talking and honest – much like Leo himself – it is an easy to use manual that makes keeping safe accessible, with relatable information and easy to implement tips.
Leo says that taking the first step towards securing your safety is the most important, and his book will help you take that step.
When we say we want to be safe, what do we mean? Is the state capable of achieving this for us? These are important questions for anyone envisioning and building a future anywhere, but especially in South Africa. This book explores contemporary South African society through the lens of law and order, and with the goal of understanding what reform must look like going forward, in a way that is accessible to ordinary citizens who need this most.
In South Africa, both ‘crime’ and ‘safety’ are loaded terms. Ziyanda Stuurman unpacks the complex and fraught history of policing, courts and prisons in South Africa. In her analysis of the problems nationally and in putting those problems in context with the rest of the world, she concludes that more resources won’t necessarily lead to more safety. What then, will?
Ziyanda unpacks this complex question deftly with a view of a better future for us all.
Forgiveness Redefined is Candice Mama’s honest and healing story. It tells how she found ways to deal with the death of her father, Glenack Masilo Mama, and to forgive the notorious apartheid assassin Eugene de Kock, the man responsible for his brutal murder. We follow Candice’s journey of discovering how her father died, how this affected her and how she battled the demons of depression before the age of sixteen. But most importantly, we follow her journey towards beating the odds and rising above her heartbreaks.
Candice Mama is today still under the age of 30, but has been named as one of Vogue Paris’ most inspiring women alongside glittering names such as Michelle Obama. She has taken backstage selfies with music crooner Seal and travels all over the world to talk about her journey. This bubbly, inspiring young author tells how she shed some of the worst layers of grief and became an inspiration for others. We learn about her perplexing, unconventional childhood, her search for identity, and the beautiful bond she formed, posthumously, with a father she never had the opportunity to get to know in person. She also tells, in her own words, about the life-changing encounter between her family and her father’s killer.
Candice tenderly opens up about the result of the trauma of her father’s death on her entire family, and meeting her mother for the first time at the age of four. She tells about the confusing, yet fascinating, dynamics that later unfolded as she discovered pieces of herself, rediscovered relationships with her own family and came to forgiveness and understanding.
This book serves as inspiration for other young – and older – people to look at their own stories through different lenses. Candice’s experiences are not unique, and she offers healing thoughts to others who suffered similar trauma by sharing the details of her own story. Forgiveness Redefined is a touching, personal story by a young woman who learned too early about pain, loss and rejection – but who also learned how to overcome those burdens and live joyfully.
Heist is an in-depth look at 10 of South Africa’s most audacious heists.
From the 1996 ‘burning man’ case, where four security guards were burnt alive in their armoured vehicle after a ferocious fight-back against highly trained mercenaries, to the 2016 robbery of a cash centre in Witbank, where a gang made off with almost R107 million after impersonating police officers, this is an impeccably researched reconstruction of an endemic crime phenomenon that some analysts warn could bring South Africa to its knees. Using the information gleaned from thousands of pages of court documents and press reports, as well as interviews with scores of police officers, crime-intelligence agents, prosecutors, defence lawyers, researchers, journalists, security guards and the criminals themselves, Heist gives unprecedented insight into a type of crime that increased by a staggering 49 per cent in the first eight months of 2017 alone.
As informative and thought-provoking as it is distressing, this is a book by an investigative journalist at the top of her game.
Die motiewe agter gesinsmoorde is dikwels vreemder as fiksie. Tergende vrae kan deur psigiaters beantwoord word ... of dalk nie. Deur na verskeie gevalle van gesinsmoord te kyk gooi hierdie boek ’n bietjie lig in 'n baie donker plek. Met onder meer die stories van die Lotters wat gebreinspoel was tot moord op hul ouers en die Van Breda bylmoorde.
Vaya the film is based on the lives of four young men from the Homeless Writer’s Project: David Majoka, Anthony Mafela, Madoda Ntuli and Tshabalira Lebakeng, and rooted in their experiences of coming to Johannesburg. Vaya the book brings you the people and stories that inspired the award-winning film.
The book provides a rare lens into life on the margins of Johannesburg. The stories are intimate and hard hitting, funny and heartbreaking, full of courage and humanity in a world that is both capricious and unforgiving. Stories of living on the street, of finding family and friendship in unusual places, and coming to the city full of hope and promise only to be betrayed by the very people one trusts most.
Mark Lewis’s haunting photographs bring into sharp focus life in the underbelly of the city.
Here is the Cape Town underworld laid bare, explored through the characters who control the protection industry, the bouncers and security at nightclubs and strip clubs.
At the centre of this turf war is Nafiz Modack, the latest kingpin to have seized control of the industry, a man often in court on various charges, including extortion. Investigative journalist Caryn Dolley has followed Modack and his predecessors for six years as power has shifted in the nightclub security industry, and she focuses on how closely connected the criminal underworld is with the police services. In this suspenseful page turner of an investigation, she writes about the overlapping of the state with the underworld, the underworld with the upperworld, and how the associated violence is not confined to specific areas of Cape Town, but is happening inside hospitals, airports, clubs and restaurants and putting residents at risk.
A book that lays bare the myth that violence and gangsterism in Cape Town is confined to the ganglands of the Cape Flats, wherever you find yourself, you’re only a hair’s breadth away from the enforcers.
In 1993 South Africa state president F.W. de Klerk and African National Congress (ANC) leader Nelson Mandela were awarded the Nobel Peace Prize ‘for their work for the peaceful termination of the apartheid regime’. Yet, while both deserved the plaudits they received for entering the negotiations that led to the end of apartheid, the four years of negotiations preceding the April 1994 elections, known as the transition era, were not ‘peaceful’: they were the bloodiest of the entire apartheid era, with an estimated 14,000 deaths attributed to politically related violence.
This book studies, for the first time, the conflicts between the ANC and the Inkatha Freedom Party that took place in South Africa’s industrial heartland surrounding Johannesburg. Exploring these events through the perceptions and memories of combatants and non-combatants from war-torn areas, along with security force members, politicians and violence monitors, offers new possibilities for understanding South Africa’s turbulent transition.
Challenging the prevailing narrative which attributes the bulk of the violence to a joint state security force and IFP assault against ANC supporters, the author argues for a more expansive approach that incorporates the aggression of ANC militants, the intersection between criminal and political violence, and especially clashes between groups aligned with the ANC.
In 2012 Angy Peter was bringing up her young children with her husband, Isaac Mbadu, in Bardale, Mfuleni, on the Cape Flats.
Angy and Isaac were activists, leading the charge for a commission of inquiry into policing in Khayelitsha. Angy was vocally against vigilante violence and a go-to-person when demanding better services from the police.
But when the commission started its hearings Angy found herself instead on trial for murdering – necklacing – a young neighbourhood troublemaker, Rowan du Preez. The State’s case would centre on the accusation Rowan du Preez allegedly made with his dying breath – that Angy and her husband Isaac set the tyre alight around his neck.
Simone Haysom takes us into the heart of a mystery: was Angy Peter framed by the police for a murder she did not commit? Or was she, as the State argued, ‘a wolf in sheep’s clothing’, who won a young man’s trust then turned against him, in the most brutal way?
Simone Haysom spent four years meticulously researching this case and the result is a court-room drama interwoven with expert opinion and research into crime and the state of policing in the townships of South Africa.
In hierdie opvolg op Daniël Lötter se eerste bundel moordverhale, 17 Maal Moord, wat einde 2020 verskyn het, vertel hy nog van Suid-Afrika se mees opspraakwekkende ware moordverhale in sy gemaklike en dikwels humoristies styl.
Nuwe lewe word geblaas in die slagoffers sowel as oortreders wat Suid-Afrikaners destyds na hul asem laat snak en dié verhale laat verslind het.
Lê hy dood iewers in ’n mynskag? Of het hy die hasepad gekies terwyl aanklagte van bedrog en diefstal teen hom opgehoop het? Dié vrae hang in die lug nadat Ralph Haynes, die “mafiabaas” van die Wes-Rand, op 21 Januarie 2011 spoorloos verdwyn het. Nadat hy op daardie dag in ’n helikopter geklim het, is hy nooit weer gesien nie.
Haynes se vriende, wat berugte karakters soos Ferdi Barnard en Corrie Goosen insluit, onthou hom as ’n vrygewige Robin Hood wat armes van groente en geld voorsien het. Sy slagoffers, daarenteen, onthou hom as die meedoënlose skelm wat hulle uit groot bedrae geld en besittings geswendel het. Vandag wonder sy eksvrou wat met haar sal gebeur as Haynes onverwags sy opwagting sou maak.
Joernalis Izak du Plessis stel ondersoek in na die lewe en verdwyning van dié enigmatiese grootkop van die onderwêreld.
Brutally dragged 780 metres beneath a taxi – a young woman’s inspiring story of survival, courage, and the will to live.
13 September 2011. The story would shock thousands and be remembered by many for years to come. It would be plastered all over the papers and continue to attract interest well after the shock factor of what happened had passed. Reports and articles would be written, and “facts”, as given to reporters by some of those involved and willing to be interviewed, would be recounted and repeated in all forms of public media over the months and even years that followed. And although these versions would generate widespread outrage, none was entirely accurate.
"The stories were about me. I was there. I am Kim McCusker - the girl who was dragged by a taxi. This, as I experienced it, is the true version of events."
Once an enemy of the apartheid police, Andrew Brown has worked as a police reservist for almost twenty years. In this book he takes the reader on patrol with him – into the ganglands of the Cape Flats, the townships of Masiphumelele and Nyanga, and the high-walled Southern Suburbs.
Good Cop, Bad Cop is a personal account of the perilous and often conflicting work of a SAPS officer. Brown describes being shot at, arresting suspects in a drug bust, chasing down leads in a homicide investigation and keeping the peace during the UCT student protests. Brown illustrates how difficult the job of the police is, and how easy it is to react with undue force. Yet he argues passionately that the role of the police is to be a service to communities and not a force to suppress social discontent.
Gripping and thought-provoking, this is a fascinating insight into the social fabric of current South Africa.
From two students of Marjory Stoneman Douglas High School comes a declaration for our times, and an in-depth look at the making of the #NeverAgain movement that arose after the Parkland, Florida, shooting.
On February 14, 2018, seventeen-year-old David Hogg and his fourteen-year-old sister, Lauren, went to school at Marjory Stoneman Douglas High School, like any normal Wednesday. That day, of course, the world changed. By the next morning, with seventeen classmates and faculty dead, they had joined the leadership of a movement to save their own lives, and the lives of all other young people in America. It's a leadership position they did not seek, and did not want--but events gave them no choice.
The morning after the massacre, David Hogg told CNN: "We're children. You guys are the adults. You need to take some action and play a role. Work together. Get over your politics and get something done."
This book is a manifesto for the movement begun that day, one that has already changed America--with voices of a new generation that are speaking truth to power, and are determined to succeed where their elders have failed. With moral force and clarity, a new generation has made it clear that problems previously deemed unsolvable due to powerful lobbies and political cowardice will be theirs to solve. Born just after Columbine and raised amid seemingly endless war and routine active shooter drills, this generation now says, "Enough!". This book is their statement of purpose, and the story of their lives. It is the essential guide to the #NeverAgain movement.
There are no villains here. Award-winning journalist Paul McNally finds corrupt cops, drug dealers, vigilante residents, addicts, torturers, murderers and cops partnered with drug dealers. But no villains.
Raymond is a shop owner on Ontdekkers Road, in Johannesburg, who takes a baseball bat to the dealers when they break his rules. He systematically records in his notebook the police officers who come – all day, every day – to collect their bribe money from the dealers, and is looking for someone to trust. Khaba is a middle-aged police officer who wants a quiet life but whose demons will not leave him in peace. He is trying to regain his trust in what he once regarded as an honourable profession. Wendy is a petite, ageing police reservist who can handle an R5 rifle with confidence, but not the sadness that accompanies her in her daily life – the loss of her police officer husband, brutally murdered by a drug lord, and the addiction that has her adult son in its grip. She is looking for respect and affirmation and for her own life to have meaning.
Through different paths, the lives of Raymond, Khaba and Wendy intersect on the street as their attention is focused on the current power couple – a drug dealer named Obi and Lerato, a police officer. Seemingly untouchable, Obi and Lerato terrorise Ontdekkers, and in the process upset the balance of this already lawless world.
These `interventions' are spurred by what in South Africa today is a buzz-phrase: social cohesion. The term, or concept, is bandied about with little reflection by leaders or spokespeople in politics, business, labour, education, sport, entertainment and the media. Yet, who would not wish to live in a socially cohesive society? How, then, do we apply the ideal in the daily round when diversity of language, religion, culture, race and the economy too often supersedes our commitment to a common citizenry? How do we live together rather than live apart? Such questions provoke the purpose of these interventions. The interventions - essays, which are short, incisive, at times provocative - tackle issues that are pertinent to both living together and living apart: equality/inequality, public pronouncement, xenophobia, safety, chieftaincy in modernity, gender-based abuse, healing, the law, education, identity, sport, new `national' projects, the role of the arts, South Africa in the world. In focusing on such issues, the essays point towards the making of a future, in which a critical citizenry is key to a healthy society. Contributors include leading academics and public figures in South Africa today: Christopher Ballantine, Ahmed Bawa, Michael Chapman, Jacob Dlamini, Jackie Dugard, Kira Erwin, Nicole Fritz, Michael Gardiner, Gerhard Mare, Monique Marks, Rajend Mesthrie, Bonita Meyersfeld, Leigh-Ann Naidoo, Njabulo S. Ndebele, Kathryn Pillay, Faye Reagon, Brenda Schmahmann, Himla Soodyall, David Spurrett and Thuto Thipe.
In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered.
In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death.
He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.
This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?
The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.
Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.
Cadre deployment means that the ANC and the state are inextricably intertwined. In KwaZulu-Natal, which has long been the powder keg of South Africa, it’s a monster that means people of competing patronage networks are killing each other for a place at the trough – for jobs and tenders – and the taxi industry provides the hitmen, guns and the transport.
Travel with journalist Greg Ardé across KwaZulu-Natal into the dark heart of South Africa and the ANC’s ‘culture of blood’.
Twaalf ongelooflike vroue wat ’n verskil maak tussen die bendes, die werkloosheid en die koeëls. Atlantis is steeds die verlore stad, maar hierdie twaalf vroue se verhale inspireer.
Hulle het besluit om nie moed op te gee nie. Hulle stories is dié van moed, optimisme en inspirasie. Dit is ’n moetlees vir almal wat glo dat liefde en geloof ’n verskil kán maak.
Atlantis aan die Weskus was die breinkind van ’n vorige regering se “desentralisasiebeleid” – maar is tans die toonvenster van ontheemding. Uit hierdie wanhoop, brand dié twaalf vroue se stories soos fakkelligte in ’n lang, donker nag.
Hulle is: Francis Brown, Mary-Ann Cedras, Chrissie Cloete, Mandy Jonker, Christine Lewis, Sylvia Losper, Lenie Maya, Carol Muller, Sillene Oppel, Olivia Pharo, Mary Tenggren en Rachael Watson.
When Chris Hani, leader of the South African Communist Party and heir apparent to Nelson Mandela, was brutally slain in his driveway in April 1993, he left a shocked and grieving South Africa on the precipice of civil war. But to 12-year-old Lindiwe, it was the love of her life, her daddy, who had been shockingly ripped from her life. In this intimate and brutally honest memoir, 36-year-old Lindiwe remembers the years she shared with her loving father, and the toll that his untimely death took on the Hani family. She lays family skeletons bare and brings to the fore her own downward spiral into cocaine and alcohol addiction, a desperate attempt to avoid the pain of his brutal parting.
While the nation continued to revere and honour her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear.
"For as long as I can remember, I’d grown up feeling that I was the daughter of Chris Hani and that I was useless. My father was such a huge figure, such an icon to so many people, it felt like I could never be anything close to what he achieved – so why even try? Of course my addiction to booze and cocaine just made me feel my worthlessness even more".
In a stunning turnaround, she faces her demons, not just those that haunted her through her addiction, but, with the courage that comes with sobriety, she comes face to face with her father’s two killers – Janus Walus, still incarcerated, and Clive Derby Lewis, released in 2015 on medical parole. In a breathtaking twist of humanity, while searching for the truth behind her father’s assassination, Lindiwe Hani ultimately makes peace with herself and honours her father’s gigantic spirit.
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