In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.

One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."

In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.

So lyk ’n vrou, Ilse Verster se hartroerende verhaal oor Esli se lewe van mishandeling deur ’n gewelddadige eggenoot, het lesers in 2022 geskok en aangegryp. ’n Vrou staan op is die vervolg op die blitsverkoper en vertel van die nuwe hoofstuk in Esli se lewe.

Ná ’n uitmergelende egskeiding wat haar finansieel byna ruïneer, reis Esli Kaap toe om perspektief te kry op ’n lewe waar sy nie meer ’n slagoffer is nie. Dan gebeur daar ’n wonderwerk. Sy ontmoet iemand en hulle besluit om te trou. Uiteindelik is die geluk, vrede en veiligheid waarna sy haar lewe lank gehunker het, vir Esli beskore.

Máár haar stryd is nog lank nie verby nie. Post-traumatiese stres, ’n vreemde omgewing en nuwe verhoudings bring onverwagse uitdagings. Ook baie vrae, soos: Hoe kan ’n mens gelukkig wees, maar steeds huil? Die ongekende blootstelling wat tydens boekbekendstellings, praatjies en mediaonderhoude volg op die sukses van So lyk ’n vrou, maak dinge ook nie makliker nie. Esli kan haar nie volledig losmaak van die verlede nie, want almal stel moeilike vrae. Terselfdertyd moet sy ander slagoffers van narsisme moed inpraat.

In ’n Vrou staan op deel die skrywer haar ervarings van die moets en moenies in die proses na heelwording. Want om ’n oorwinnaar te wees, verg ook moed, deursettingsvermoë en ’n sekure instink vir oplossings wat wérk.

The perfect match. Or so she thinks. Her warmth and empathy. His charisma and ambition. Yet, Cathy feels safer teaching battle-scarred gangsters in a prison classroom than at home with her own partner.

By day she walks on eggshells. At night she sleeps on the backseat of her car. Her safe place is an all-night roadhouse; her best friend, her journal. The slow boil intensifies until, one day, Cathy finds her grandmother’s armoire smashed to pieces in her bedroom, a hammer on the floor, her life in splinters beside it.

Part memoir, part inspiration, Boiling A Frog Slowly is unflinching in its confrontation of abuse and utterly courageous in its portrayal of redemption.

When Chris Hani, leader of the South African Communist Party and heir apparent to Nelson Mandela, was brutally slain in his driveway in April 1993, he left a shocked and grieving South Africa on the precipice of civil war. But to 12-year-old Lindiwe, it was the love of her life, her daddy, who had been shockingly ripped from her life. In this intimate and brutally honest memoir, 36-year-old Lindiwe remembers the years she shared with her loving father, and the toll that his untimely death took on the Hani family. She lays family skeletons bare and brings to the fore her own downward spiral into cocaine and alcohol addiction, a desperate attempt to avoid the pain of his brutal parting.

While the nation continued to revere and honour her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear.

"For as long as I can remember, I’d grown up feeling that I was the daughter of Chris Hani and that I was useless. My father was such a huge figure, such an icon to so many people, it felt like I could never be anything close to what he achieved – so why even try? Of course my addiction to booze and cocaine just made me feel my worthlessness even more".

In a stunning turnaround, she faces her demons, not just those that haunted her through her addiction, but, with the courage that comes with sobriety, she comes face to face with her father’s two killers – Janus Walus, still incarcerated, and Clive Derby Lewis, released in 2015 on medical parole. In a breathtaking twist of humanity, while searching for the truth behind her father’s assassination, Lindiwe Hani ultimately makes peace with herself and honours her father’s gigantic spirit.

Wat dryf ’n beeldskone jong ma van drie daartoe om haar man wreed te laat vermoor? Waarom wou Suretha Brits só graag van haar Leon ontslae raak?

Danksy inligting uit die binnekring van vriende, familie en mense ná aan die polisie-ondersoek, sit die joernalis Charné Kemp die stukkies van die legkaart bymekaar en vertel die volle verhaal van die opspraakwekkende huurmoord op die geliefde Pofadder-hotelbaas.

’n Boeiende ware misdaadverhaal wat draai om geld, diamante, Krugerrande, seks en verraad.

Why...

I know, why would anybody name their first book, Why? Let me quickly tell you.

Exposure to pornography at a very young age and sexual abuse as a child, made my life hell. Quite frankly it ruined my whole life. I lived with daily battles that created a war within my soul. This torment lasted until I was 40 years old. I could no longer live with the trauma, the pain and suffering, emanating from my childhood events, I needed help. Just like many adults and children do too.

Don’t we all have a story? Some stories are more attractive than others. This is my story. It is real, authentic, and raw. So many ask the question, Why? Not all our why’s have clear answers. And often, we never get an answer.

Why adults stay stuck in early childhood trauma?
Why pornography will ruin your child’s life?
Why do children need early intervention from trauma?
Why are parents blind to see the warning signs from trauma?
Why is a safe environment so important for a child to develop?
Why can the trauma of sexual abuse last a lifetime?
Why does Jesus care?

Many of your why’s will be answered through reading my life story mirrored with those of the Israelites. A story that is used multiple times in history to display Slavery and Freedom. It is a story that would help people to find true freedom, a story that will point you to the Truth. It is a story of wandering through the wilderness as a slave, with addictions, pain, and suffering. Addictions that are not easily spoken about, addictions that is not easily resolved. Addictions that many survivors don't want to have in the first place.

Freedom that I so desperately longed for. Freedom I found. Freedom that can be yours too.

Herman Lategan word wyd gerespekteer as joernalis, en is beide berug én beroemd vir sy uitgesprokenheid en kwinkslae oor alles onder die son. In Hoerkind vertel hy sy lewensverhaal uit die hart uit, sonder doekies omdraai. Hy is een warm Februarienag in 1964 in ’n losieshuis in Kaapstad verwek – buite die eg. Van jongs af het hy soos ’n weggooimens gevoel, want hy is deur grootmense wat die lewe op onvaste voet betree het, van die een stel hande na die ander aangegee.

Op 13 beland hy in die kloue van ’n geslepe pedofiel, ’n bekende Afrikaanse koerantman in daardie jare. Pas na sy 18de verjaarsdag, wanneer sy molesteerder met hom klaar is, word Herman sonder seremonie voor die deur van sy vervreemde alkoholis-pa afgelaai. In sy tienerjare bevriend hy Afrikaanse digters soos Sheila Cussons, Ina Rousseau, Barend J. Toerien en Casper Schmidt. Ná skool doen hy sy diensplig, maar word oneervol ontslaan en kom hy in New York aan, waar hy vir Andy Warhol op straat agtervolg en met ’n “smorgasbord van eendagsvlinders” kattemaai.

Terug in Suid-Afrika maak Herman opgang as joernalis wat na die wydste hoeke van die wêreld reis. As volwassene voer hy ’n stryd met drank en dwelms en is ’n ruk lank haweloos. En vir menige werkgewer word hy die nagmerrie wat hulle die ergste vrees.

Hoerkind is ’n aangrypende relaas oor verlies én oorwinning wat jou sal laat lag, en jou hart ’n paar keer breek. Jy sal jou kop skud oor die wreedheid van ’n wêreld waar mense aan mekaar uitgelewer is, maar jy sal verwonderd staan oor die omvang van goedheid, juis omdat mense op mekaar aangewese is.

A hard-hitting, character-driven investigative narrative following a group of South African mothers who uncovered a pattern of medical abuse at the hands of a celebrated midwife and the investigative journalist who never stopped telling their story.

It started with one mom who asked too many questions. Then another, and another. More and more babies turned up either injured or dead. And all the evidence pointed to one midwife. Separately, they were grieving moms, lost in the system, but together they became a collective that the system couldn’t ignore.

Through deeply personal testimonies and a first-hand investigation, the book exposes how one midwife allegedly drugged her patients without their consent, ignored the warning signs, and refused to transfer them to hospital when their babies were clearly in distress. It also exposes the system that failed every single one of these babies and allowed the midwife to thrive from province to province.

Told through the voices of the mothers, the narrative moves from grief and isolation to unity and justice. As the women begin to connect the dots, they form an unlikely alliance, one that ultimately pushes the case into the public eye and towards criminal accountability. This is a story about loss, but more importantly, it is a story about refusing to stay silent.

A searing investigation that challenges everything you thought you knew about domestic abuse.

Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it?

Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today.

Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes.

The book behind the headlines. The story the powerful hoped would disappear.

Written by the world's bestselling storyteller James Patterson, this is the original and definitive account of how Epstein built his fortune, abused his power, and evaded justice for years - hiding in plain sight among the global elite.

Drawing on original police interviews, court documents and victims' testimonies, the book traces the earliest investigations, Epstein's guilty plea and the shockingly lenient sentence that allowed his crimes to continue. Filthy Rich is also a chilling examination of how power protects itself - and how institutions failed those most vulnerable.

An instant New York Times bestseller and the basis of the hit Netflix documentary series, this updated edition includes a new introduction covering Epstein's final arrest and death in custody.

A chilling exploration into the psyche of one of Britain's most reviled criminals.

This book meticulously dissects the motivations and twisted thought processes that fuelled Myra Hindley's horrific involvement in the Moors Murders, also examining the persistent question of whether she was, in some capacity, a victim of Ian Brady's manipulation.

True crime writers Tanya Farber and Jeremy Daniel unpick the complex interplay of sadism and calculated control that defined their partnership, revealing why Hindley remains a figure of enduring fascination and revulsion in true crime history.

In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered.

In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death.

He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.

First published in 1967, Ernest Cole’s House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe.

Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time.

Cole, a Black South African man, photographed the underbelly of apartheid in the 1950s and ’60s, often at great personal risk. He methodically captured the myriad forms of violence embedded in everyday life for the Black majority under the apartheid system—picturing its miners, its police, its hospitals, its schools. In 1966, Cole fled South Africa and smuggled out his negatives; House of Bondage was published the following year with his writings and first-person account.

This edition retains the powerful story of the original while adding new perspectives on Cole’s life and the legacy of House of Bondage. It also features an added chapter—compiled and titled “Black Ingenuity” by Cole—of never-before-seen photographs of Black creative expression and cultural activity taking place under apartheid.

Made available again nearly fifty-five years later, House of Bondage remains a visually powerful and politically incisive document of the apartheid era.

This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?

The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.

Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.

After a string of police botches, Captain Ben "Bliksem" Booysen was assigned the Krugersdorp Killers' case in 2016.

Eleven people had already been brutally murdered by a group calling themselves Electus Per Deus. Booysen made headlines when he arrested the mastermind Cecilia Steyn, and her accomplices.

South Africa's own "Chuck Norris" takes the reader behind the scenes of the satanic killings, divulging new and shocking details of the crimes that have kept the nation on edge for almost a decade.

Why do so many South Africans prefer taking the law into their own hands to relying on the police? Why are those who do so often cheered or sympathised with?

Of the unprecedented 27 000 recorded murders in South Africa in 2022, at least 1 894 – or 7 per cent – were attributed to mob justice and vigilantism, more than double the number from five years before. In the first nine months of 2023, a further 1 472 mob justice deaths had already been registered.

Mob justice is nothing new, but in recent years it has taken on an undeniably desperate, furious edge. From the breathtakingly violent Zandspruit massacre in May 2021, to the killings during the July unrest two months later, to the march of Operation Dudula across the nation in 2022, vigilantism – and the condoning of it – has never before captured the zeitgeist of South Africa so sharply. What has changed in the past few years, and what does it augur for the future?

Following three recent cases of mob justice, from the hellish metropolitan townships of Gauteng to the far-flung bushveld of northern Limpopo, and drawing on extensive research and interviews, Why We Kill explores the roots, realities and consequences of South Africa’s current crisis of vigilantism.