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In April 1981, Landa Mabenge enters this world, trapped in a girl’s body. From an early age, Landa is aware that he does not relate to his female form, despite being socialised as a girl. In this groundbreaking and brutally honest memoir, Landa Mabenge establishes himself as a resounding and inspirational voice for anyone fighting to define themselves on their own terms. In mesmerising detail, Becoming Him lays bare Landa’s tortured world, growing up trapped in the wrong body, while unflinchingly tracing his transition from female to male.
His childhood in Umtata is brutally shattered, when at age 11 an angry woman and her zombie-like husband unexpectedly arrive to force him to accompany them to Port Elizabeth. Life in PE with ‘The Parents’ soon morphs into a Dickensian nightmare. Landa is subjected to horrific physical, emotional and psychological abuse as he descends into a world of isolation and shame. He recalls his prison of powerlessness: “I count the years I will have to remain a slave. There are seven before my redemption: 7 x 365 = 2555 days. Today is nearly at an end. By the end of tomorrow there will be 2554. By the end of the week, 2548. And so I will myself on. Eventually the day will come when I will be free.”
At 18 Landa is finally able to escape PE to study at UCT, where he tries to embrace life as a butch lesbian, but he remains tortured by his female body. After a close-to-death break down, Landa finally finds strength to embark on an arduous four-year-long journey to physically and legally become “him”, relentlessly researching what it will entail to embark on gender alignment. In 2014, Landa makes history by becoming the first known transgender man in South Africa to successfully motivate a medical aid to pay for his surgeries through the Groote Schuur Transgender Clinic.
Both heartbreaking and uplifting, Becoming Him is a unique story of torture and triumph, bravely opening the lid on cultural shame and abuse against those who choose a path less travelled.
Die motiewe agter gesinsmoorde is dikwels vreemder as fiksie. Tergende vrae kan deur psigiaters beantwoord word ... of dalk nie. Deur na verskeie gevalle van gesinsmoord te kyk gooi hierdie boek ’n bietjie lig in 'n baie donker plek. Met onder meer die stories van die Lotters wat gebreinspoel was tot moord op hul ouers en die Van Breda bylmoorde.
Heist is an in-depth look at 10 of South Africa’s most audacious heists.
From the 1996 ‘burning man’ case, where four security guards were burnt alive in their armoured vehicle after a ferocious fight-back against highly trained mercenaries, to the 2016 robbery of a cash centre in Witbank, where a gang made off with almost R107 million after impersonating police officers, this is an impeccably researched reconstruction of an endemic crime phenomenon that some analysts warn could bring South Africa to its knees. Using the information gleaned from thousands of pages of court documents and press reports, as well as interviews with scores of police officers, crime-intelligence agents, prosecutors, defence lawyers, researchers, journalists, security guards and the criminals themselves, Heist gives unprecedented insight into a type of crime that increased by a staggering 49 per cent in the first eight months of 2017 alone.
As informative and thought-provoking as it is distressing, this is a book by an investigative journalist at the top of her game.
At the height of her journalism career, more than one million households across the country knew her name and her face. Her reportage on human suffering and triumph captivated viewers, and with it Vanessa Govender shot to fame as one of the first female Indian television news reporters in South Africa. Always chasing the human angle of any news story, Govender made a name for herself by highlighting stories that included the grief of a mother clutching a packet filled with the fragments of the broken bones of her children after they’d been hacked to death by their own father, and another story where she celebrated the feisty spirit of a little girl who was dying of old age, while holding onto dreams that would never be realised. Yet Govender, a champion for society’s downtrodden, was hiding a shocking story of her own. In Beaten But Not Broken, she finally opens up about her deepest secret – one that so nearly ended her career in broadcast journalism before it had barely kicked off.
She was a rookie reporter at the SABC in 1999. He was a popular radio disc jockey, the darling of the SABC’s Lotus FM, a radio station catering to nearly half a million Indian people across South Africa. They were the perfect pair, or so it seemed. And if anyone suspected the nature of the abusive relationship, Govender says, she doesn’t believe they knew the full extent of the horror that the popular DJ was inflicting on this intrepid journalist. The bruising punches, the cracking slaps, and the relentless episodes filled with beatings, kicking and strangling were as ferocious as the emotional and verbal abuse he hurled at her. No one would know the brutal and graphic details of Govender’s story … until now.
In Beaten But Not Broken, this Indian woman does the unthinkable, maybe even the unforgiveable, in breaking the ranks of a close-knit conservative community to speak out about her five-year-long hell in this abusive relationship. Her story also lays bare her heart-breaking experiences as a victim of childhood bullying and being ostracised by some in her community for being a dark-skinned Indian girl. Govender tells a graphic story of extreme abuse, living with the pain, and ultimately of how she was saved by her own relentless fighting spirit to find purpose and love. This is a story of possibilities and hope; it is a story of a true survivor.
'I was made in Coffee Bay. Right there on the beach, in the sand.'
From the opening lines, we are drawn in and engrossed by this startling memoir of a singular childhood. Suzan is adopted as a newborn in the late 1960s into a seemingly loving and welcoming family living in Pietermaritzburg. But Suzan is set on a collision course with, most particularly, her adoptive mother, and society, from her very beginning. Suzan's relationship with her mother is fraught with drama, which veers over into a level of emotional abuse and needless cruelty that is shocking.
At the age of thirteen, Suzan is sent to a place of safety as a ward of the state, effectively 'orphaning' her. From there, she spirals out of control – fighting to survive in a world of other neglected, abandoned and abused children. She becomes a 'runner', escaping at every opportunity from her various places of confinement, grabbing her schooling in snatches, living on the edges of a drug and prostitution underworld, finding love wherever she can.
Suzan’s young life was the stuff of movies, but it is her writing, in a voice that is unforgettable and true, that transforms her memories into something magical rarely matched in South African literature. A new classic.
Vaya the film is based on the lives of four young men from the Homeless Writer’s Project: David Majoka, Anthony Mafela, Madoda Ntuli and Tshabalira Lebakeng, and rooted in their experiences of coming to Johannesburg. Vaya the book brings you the people and stories that inspired the award-winning film.
The book provides a rare lens into life on the margins of Johannesburg. The stories are intimate and hard hitting, funny and heartbreaking, full of courage and humanity in a world that is both capricious and unforgiving. Stories of living on the street, of finding family and friendship in unusual places, and coming to the city full of hope and promise only to be betrayed by the very people one trusts most.
Mark Lewis’s haunting photographs bring into sharp focus life in the underbelly of the city.
Pedofilie. Ontvoering. Moord? In Suid-Afrikaners se koppe het hierdie begrippe sinoniem geword met die name van Gert van Rooyen en Joey Haarhoff. In die dertig jaar sedert die tragiese verdwyning van ses jong skoolmeisies en die dramatiese skietdood van die land se berugste paartjie, hang onbeantwoorde vrae steeds in die lug. Die makabere raaisels wat hulle agtergelaat het, het nie saam met hulle gesterf nie.
Joernalis Pieter van Zyl gee in hierdie boek, waarvoor hy eksklusiewe toegang tot Huisgenoot se uitgebreide argief gehad het, ’n volledige oorsig oor dié sage. Die jongste insigte en ervarings van rolspelers wat direk by die saak betrokke is en was, word ook betrek – nie net aan die kant van die slagoffers nie, maar ook aan die kant van die vermeende “monsters”. Kenners, waaronder sielkundiges, kriminoloë, baasspeurders, handskrifontleders en selfs sieners, verskaf ’n sonderlinge blik op die gebeure w at by Suid-Afrikaners bly spook.
Die tragedie verkry ’n nuwe dimensie wanneer dit gekaats word teen die agtergrond van Suid-Afrika drie dekades gelede. Dit blyk ook dat Van Rooyen en Haarhoff nie in isolasie kon optree nie, maar waarskynlik deel was van ’n uitgebreide misdaad-netwerk. Hierdie boek sal niemand koud laat nie.
In 1980’s apartheid Cape Town, five-year-old Desiree-Anne is grappling with how she’s going to turn her tar baby doll’s skin into sweet, soft lily-white. What she has learnt is that Whites are better than "everyone else". She doesn’t know how to force her father to stop drinking or gambling or make her mother love her or get the boys and men to stop touching her in secret. She learns how to soothe the pain: through secret masturbation and lying.
As she grows up, she begins to understand the rules of living in her depressed family as well as in her fractured community.
In her teens, laden with the awkwardness of bushy, unruly hair, braces, and a body shorter and rounder than a Womble – and now firmly planted in a 'White School', Desiree-Anne is forced to confront her ‘Coloured identity crisis’. She turns to self-harm, disordered eating, the thrill of petty theft and escapism through books and acting. Although she wins a place to study drama at UCT, sensing her parents cannot afford the tuition, she opts to go to the UK where she gets lost in bars, clubs and pills. On her return to South Africa she embraces the “free love” Ecstasy trance club scene but when she meets Darren, a heroin addict, she turns to needles. Her search for love and acceptance descends into a self-destructive spiral as an intravenous smack addict.
This is a harrowing memoir on the darkness of addiction, but it is also a touching and sometimes humorous account of a little-girl-turned-woman’s deep need and reckless pursuit for love. When Desiree-Anne finally finds recovery years later, she uncovers her real voice to talk and write about things that were previously left unspoken.
A deeply moving and powerful biography of Fezekile Kuzwayo – better known as Khwezi – the woman the ANC tried to forget.
In August 2016, following the announcement of the results of South Africa’s heated municipal election, four courageous young women interrupted Jacob Zuma’s victory address, bearing placards asking us to ‘Remember Khwezi’. Before being dragged away by security guards, their powerful message had hit home and the public was reminded of the tragic events of 2006, when Zuma was on trial for the rape of Fezekile Ntsukela Kuzwayo, better known as Khwezi. In the aftermath of the trial, which saw Zuma acquitted, Khwezi was vilified by his many supporters and forced to take refuge outside of South Africa.
Ten years later, just two months after this protest had put Khwezi’s struggle back into the minds and hearts of South Africans, Khwezi passed away … But not before she had slipped back into South Africa and started work with Redi Tlhabi on a book about her life. How as a young girl living in ANC camps in exile she was raped by the very men who were supposed to protect her; how as an adult she was driven once again into exile, suffering not only at the hands of Zuma’s devotees but under the harsh eye of the media.
In sensitive and considered prose, journalist Redi Tlhabi breathes life into a woman for so long forced to live in the shadows. In giving agency back to Khwezi, Tlhabi is able to focus a broader lens on the sexual abuse that abounded during the ‘struggle’ years, abuse which continues to plague women and children in South Africa today.
When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray.
What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.
“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”
The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.
“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”
Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.
In 1993 South Africa state president F.W. de Klerk and African National Congress (ANC) leader Nelson Mandela were awarded the Nobel Peace Prize ‘for their work for the peaceful termination of the apartheid regime’. Yet, while both deserved the plaudits they received for entering the negotiations that led to the end of apartheid, the four years of negotiations preceding the April 1994 elections, known as the transition era, were not ‘peaceful’: they were the bloodiest of the entire apartheid era, with an estimated 14,000 deaths attributed to politically related violence.
This book studies, for the first time, the conflicts between the ANC and the Inkatha Freedom Party that took place in South Africa’s industrial heartland surrounding Johannesburg. Exploring these events through the perceptions and memories of combatants and non-combatants from war-torn areas, along with security force members, politicians and violence monitors, offers new possibilities for understanding South Africa’s turbulent transition.
Challenging the prevailing narrative which attributes the bulk of the violence to a joint state security force and IFP assault against ANC supporters, the author argues for a more expansive approach that incorporates the aggression of ANC militants, the intersection between criminal and political violence, and especially clashes between groups aligned with the ANC.
In 2012 Angy Peter was bringing up her young children with her husband, Isaac Mbadu, in Bardale, Mfuleni, on the Cape Flats.
Angy and Isaac were activists, leading the charge for a commission of inquiry into policing in Khayelitsha. Angy was vocally against vigilante violence and a go-to-person when demanding better services from the police.
But when the commission started its hearings Angy found herself instead on trial for murdering – necklacing – a young neighbourhood troublemaker, Rowan du Preez. The State’s case would centre on the accusation Rowan du Preez allegedly made with his dying breath – that Angy and her husband Isaac set the tyre alight around his neck.
Simone Haysom takes us into the heart of a mystery: was Angy Peter framed by the police for a murder she did not commit? Or was she, as the State argued, ‘a wolf in sheep’s clothing’, who won a young man’s trust then turned against him, in the most brutal way?
Simone Haysom spent four years meticulously researching this case and the result is a court-room drama interwoven with expert opinion and research into crime and the state of policing in the townships of South Africa.
It is the late 1980s. Serious allegations surface against three prominent National Party cabinet ministers, one of them the second-most powerful man in the land. They are, it is said, regularly abusing young boys on an island just off the coast of Port Elizabeth.
From opposite ends of South Africa, a brave cop and a driven journalist investigate. Mark Minnie and Chris Steyn independently uncover evidence of a dark secret. But the case only surfaces briefly before it disappears completely.
Thirty years later, the two finally connect the dots to expose this shocking story of criminality, cover-ups and official complicity in the rape and possible murder of children, most of them vulnerable and black.
In 2016 South African film audiences were mesmerised by the film Noem My Skollie, which was written by - and based on the life of - John W. Fredericks. In this book Fredericks tells the full story on which the film was based.
Growing up in a dusty township on the Cape Flats, Fredericks formed a gang with his friends, and at the age of seventeen he was arrested for robbery and sentenced to two years in Pollsmoor prison. There the number gangs vied to initiate him into their ranks, but he resisted their advances, offering instead to help them push their time by telling stories. And so he became the prison ‘cinema’, drawing on his storytelling abilities and cementing his ambition to become a writer.
Life after prison became a nightmare when he was arrested for a murder he hadn’t committed, his childhood friends were sentenced to die on the gallows, and a gang boss tried to kill him. Slowly he turned his life around, getting a job and building a family, but society kept judging him as a gangster. Struggling to deal with his past, he turned to storytelling again, and painstakingly learnt the art of scriptwriting. The result was Noem My Skollie, which was watched by almost 90 000 people and won numerous awards.
Written in a powerful and authentic voice, Skollie is a gripping memoir of life on the Cape Flats, of prison and gangs, and of one man’s struggle to survive all this by telling stories.
Lê hy dood iewers in ’n mynskag? Of het hy die hasepad gekies terwyl aanklagte van bedrog en diefstal teen hom opgehoop het? Dié vrae hang in die lug nadat Ralph Haynes, die “mafiabaas” van die Wes-Rand, op 21 Januarie 2011 spoorloos verdwyn het. Nadat hy op daardie dag in ’n helikopter geklim het, is hy nooit weer gesien nie.
Haynes se vriende, wat berugte karakters soos Ferdi Barnard en Corrie Goosen insluit, onthou hom as ’n vrygewige Robin Hood wat armes van groente en geld voorsien het. Sy slagoffers, daarenteen, onthou hom as die meedoënlose skelm wat hulle uit groot bedrae geld en besittings geswendel het. Vandag wonder sy eksvrou wat met haar sal gebeur as Haynes onverwags sy opwagting sou maak.
Joernalis Izak du Plessis stel ondersoek in na die lewe en verdwyning van dié enigmatiese grootkop van die onderwêreld.
Brutally dragged 780 metres beneath a taxi – a young woman’s inspiring story of survival, courage, and the will to live.
13 September 2011. The story would shock thousands and be remembered by many for years to come. It would be plastered all over the papers and continue to attract interest well after the shock factor of what happened had passed. Reports and articles would be written, and “facts”, as given to reporters by some of those involved and willing to be interviewed, would be recounted and repeated in all forms of public media over the months and even years that followed. And although these versions would generate widespread outrage, none was entirely accurate.
"The stories were about me. I was there. I am Kim McCusker - the girl who was dragged by a taxi. This, as I experienced it, is the true version of events."
That morning, Michelle presented her Psychology honours thesis on men's perceptions of rape. She started her presentation like this, “A woman born in South Africa has a greater chance of being raped than learning how to read …” On that same evening, she goes to a party to celebrate attaining her degree. She and a friend go to the beach; the friend has something she wants to discuss. They are both robbed, assaulted and raped. Within minutes of getting help, Michelle realises she'll never be herself again. She's now "the girl who was raped."
This book is Michelle's fight to be herself again. Of the taint she feels, despite the support and resources at her disposal as the loved child of a successful middle-class family. Of the fall-out to friendships, job, identity.
It's Michelle's brave way of standing up for the women in South Africa who are raped every day.
From two students of Marjory Stoneman Douglas High School comes a declaration for our times, and an in-depth look at the making of the #NeverAgain movement that arose after the Parkland, Florida, shooting.
On February 14, 2018, seventeen-year-old David Hogg and his fourteen-year-old sister, Lauren, went to school at Marjory Stoneman Douglas High School, like any normal Wednesday. That day, of course, the world changed. By the next morning, with seventeen classmates and faculty dead, they had joined the leadership of a movement to save their own lives, and the lives of all other young people in America. It's a leadership position they did not seek, and did not want--but events gave them no choice.
The morning after the massacre, David Hogg told CNN: "We're children. You guys are the adults. You need to take some action and play a role. Work together. Get over your politics and get something done."
This book is a manifesto for the movement begun that day, one that has already changed America--with voices of a new generation that are speaking truth to power, and are determined to succeed where their elders have failed. With moral force and clarity, a new generation has made it clear that problems previously deemed unsolvable due to powerful lobbies and political cowardice will be theirs to solve. Born just after Columbine and raised amid seemingly endless war and routine active shooter drills, this generation now says, "Enough!". This book is their statement of purpose, and the story of their lives. It is the essential guide to the #NeverAgain movement.
Belly Of Fire is a metaphor for the anxiety and fear that we hold within ourselves; the voices of those who are disempowered by racism, poverty, war and gendered abuse, voices that remain silenced, are housed as fire in our bellies.
Themes of abuse, xenophobia, female genital mutilation, reawakening, are unpacked here in a collection of seven reflective, compelling stories intertwined with no more than thirteen contemporary poems that bring out the essence of the themes developed in the narratives.
Once an enemy of the apartheid police, Andrew Brown has worked as a police reservist for almost twenty years. In this book he takes the reader on patrol with him – into the ganglands of the Cape Flats, the townships of Masiphumelele and Nyanga, and the high-walled Southern Suburbs.
Good Cop, Bad Cop is a personal account of the perilous and often conflicting work of a SAPS officer. Brown describes being shot at, arresting suspects in a drug bust, chasing down leads in a homicide investigation and keeping the peace during the UCT student protests. Brown illustrates how difficult the job of the police is, and how easy it is to react with undue force. Yet he argues passionately that the role of the police is to be a service to communities and not a force to suppress social discontent.
Gripping and thought-provoking, this is a fascinating insight into the social fabric of current South Africa.
There are no villains here. Award-winning journalist Paul McNally finds corrupt cops, drug dealers, vigilante residents, addicts, torturers, murderers and cops partnered with drug dealers. But no villains.
Raymond is a shop owner on Ontdekkers Road, in Johannesburg, who takes a baseball bat to the dealers when they break his rules. He systematically records in his notebook the police officers who come – all day, every day – to collect their bribe money from the dealers, and is looking for someone to trust. Khaba is a middle-aged police officer who wants a quiet life but whose demons will not leave him in peace. He is trying to regain his trust in what he once regarded as an honourable profession. Wendy is a petite, ageing police reservist who can handle an R5 rifle with confidence, but not the sadness that accompanies her in her daily life – the loss of her police officer husband, brutally murdered by a drug lord, and the addiction that has her adult son in its grip. She is looking for respect and affirmation and for her own life to have meaning.
Through different paths, the lives of Raymond, Khaba and Wendy intersect on the street as their attention is focused on the current power couple – a drug dealer named Obi and Lerato, a police officer. Seemingly untouchable, Obi and Lerato terrorise Ontdekkers, and in the process upset the balance of this already lawless world.
In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.
One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."
In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.
The book which inspired Spotlight, 2016 winner of the Best Picture award at the Oscars!
This is the true story of how a small group of courageous journalists uncovered child abuse on a vast scale - and held the Catholic Church to account. Betrayal is the ground-breaking Pulitzer Prize-winning work of investigative journalism, now brought brilliantly to life on the screen.
On 31 January 2002, the Boston Globe published a report that sent shockwaves around the world. Their findings, based on a six-month campaign by the 'Spotlight' investigative team, showed that hundreds of children in Boston had been abused by Catholic priests, and that this horrific pattern of behaviour had been known - and ignored - by the Catholic Church. Instead of protecting the community it was meant to serve, the Church exploited its powerful influence to protect itself from scandal - and innocent children paid the price. This is the story from beginning to end: the predatory men who exploited the vulnerable, the cabal of senior Church officials who covered up their crimes, the 'hush money' used to buy the victims' silence, the survivors who found the strength to tell their story, and the Catholics across the world who were left shocked, angry, and betrayed. This is the story, too, of how they took power back, confronted their Church and called for sweeping change.
Updated for the release of the Oscar-winning film, this is a devastating and important exposure of the abuse of power at the highest levels in society.
Jenny-May Hudson grew up in Pretoria, South Africa, the third child of an Afrikaner father and a British mother. Her childhood was horribly marred by her domineering father, who beat her mother, showered blows and insults on his children, and micro-managed the household with weapons, mind-games, and violence. Ironically, his tactics would come back to haunt him. The years of pain would leave Jenny-May with grim memories. Yet through the power of Christ a transformation was in store.
Today Jenny-May is whole and happy. She and her husband Elmore, and their three children, have relocated to Perth, Australia. Jenny-May has developed a considerable speaking ministry, and her journey - from abuse to self-acceptance and joy - has become a source of inspiration to thousands.
This book demonstrates that nothing can hold you captive without your consent.
’n Omnibus met Dis ek, Anna en Die staat teen Anna Bruwer in om met die film gebaseer op die boeke saam te val. Die omnibus bevat albei boeke.
Sy het haarself Stom Anna genoem. Omdat sy aan niemand kon vertel van dit wat tussen haar en haar stiefpa plaasgevind het nie.
Hierdie is die verhaal oor hoe sy uiteindelik die stilte verbreek het en haar verhaal aan die wêreld en ook in die hof gaan vertel het. Dis ek, Anna is gebaseer op ’n ware verhaal.
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