In the spirit of Amy Poehler’s Yes Please, Lena Dunham’s Not That Kind of Girl, and Roxane Gay's Bad Feminist, a powerful collection of essays about gender, sexuality, race, beauty, Hollywood, and what it means to be a modern woman.

One month before the release of the highly anticipated film The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real."

In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.

The perfect match. Or so she thinks. Her warmth and empathy. His charisma and ambition. Yet, Cathy feels safer teaching battle-scarred gangsters in a prison classroom than at home with her own partner.

By day she walks on eggshells. At night she sleeps on the backseat of her car. Her safe place is an all-night roadhouse; her best friend, her journal. The slow boil intensifies until, one day, Cathy finds her grandmother’s armoire smashed to pieces in her bedroom, a hammer on the floor, her life in splinters beside it.

Part memoir, part inspiration, Boiling A Frog Slowly is unflinching in its confrontation of abuse and utterly courageous in its portrayal of redemption.

When Chris Hani, leader of the South African Communist Party and heir apparent to Nelson Mandela, was brutally slain in his driveway in April 1993, he left a shocked and grieving South Africa on the precipice of civil war. But to 12-year-old Lindiwe, it was the love of her life, her daddy, who had been shockingly ripped from her life. In this intimate and brutally honest memoir, 36-year-old Lindiwe remembers the years she shared with her loving father, and the toll that his untimely death took on the Hani family. She lays family skeletons bare and brings to the fore her own downward spiral into cocaine and alcohol addiction, a desperate attempt to avoid the pain of his brutal parting.

While the nation continued to revere and honour her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear.

"For as long as I can remember, I’d grown up feeling that I was the daughter of Chris Hani and that I was useless. My father was such a huge figure, such an icon to so many people, it felt like I could never be anything close to what he achieved – so why even try? Of course my addiction to booze and cocaine just made me feel my worthlessness even more".

In a stunning turnaround, she faces her demons, not just those that haunted her through her addiction, but, with the courage that comes with sobriety, she comes face to face with her father’s two killers – Janus Walus, still incarcerated, and Clive Derby Lewis, released in 2015 on medical parole. In a breathtaking twist of humanity, while searching for the truth behind her father’s assassination, Lindiwe Hani ultimately makes peace with herself and honours her father’s gigantic spirit.

Wat dryf ’n beeldskone jong ma van drie daartoe om haar man wreed te laat vermoor? Waarom wou Suretha Brits só graag van haar Leon ontslae raak?

Danksy inligting uit die binnekring van vriende, familie en mense ná aan die polisie-ondersoek, sit die joernalis Charné Kemp die stukkies van die legkaart bymekaar en vertel die volle verhaal van die opspraakwekkende huurmoord op die geliefde Pofadder-hotelbaas.

’n Boeiende ware misdaadverhaal wat draai om geld, diamante, Krugerrande, seks en verraad.

Sixteen-year-old Engela flees to Bloemfontein because the leader of the Satanic Group 13 wishes to kill her. Her path crosses with Pieter, a friend of her brother’s, who turns her over to the owner of a brothel in return for money he owes him.

After a desperate and impoverished childhood Engela, as a rebellious teenager, becomes mixed up with Satanism, alcohol and drugs and is eventually kept as a sex slave. Her only wish is to escape, but how? Every night the club’s doors are shuttered. Her final shot at freedom is the young student Jacques who works in the club’s reception area. But then he also disappears from the scene following a mysterious accident in the Drakensberg . . .

In the second part of the book Elanie shares with the reader her awful experiences. She relates how she learned to cope with her feelings of despair, loneliness, pain and humiliation from a Christian perspective. She reaches out to other former victims of sex trafficking and encourages them to open their hearts in order to achieve emotional healing. She talks about the power of forgiveness and acceptance, and also offers essential practical advice for parents and their children.

Why...

I know, why would anybody name their first book, Why? Let me quickly tell you.

Exposure to pornography at a very young age and sexual abuse as a child, made my life hell. Quite frankly it ruined my whole life. I lived with daily battles that created a war within my soul. This torment lasted until I was 40 years old. I could no longer live with the trauma, the pain and suffering, emanating from my childhood events, I needed help. Just like many adults and children do too.

Don’t we all have a story? Some stories are more attractive than others. This is my story. It is real, authentic, and raw. So many ask the question, Why? Not all our why’s have clear answers. And often, we never get an answer.

Why adults stay stuck in early childhood trauma?
Why pornography will ruin your child’s life?
Why do children need early intervention from trauma?
Why are parents blind to see the warning signs from trauma?
Why is a safe environment so important for a child to develop?
Why can the trauma of sexual abuse last a lifetime?
Why does Jesus care?

Many of your why’s will be answered through reading my life story mirrored with those of the Israelites. A story that is used multiple times in history to display Slavery and Freedom. It is a story that would help people to find true freedom, a story that will point you to the Truth. It is a story of wandering through the wilderness as a slave, with addictions, pain, and suffering. Addictions that are not easily spoken about, addictions that is not easily resolved. Addictions that many survivors don't want to have in the first place.

Freedom that I so desperately longed for. Freedom I found. Freedom that can be yours too.

Herman Lategan word wyd gerespekteer as joernalis, en is beide berug én beroemd vir sy uitgesprokenheid en kwinkslae oor alles onder die son. In Hoerkind vertel hy sy lewensverhaal uit die hart uit, sonder doekies omdraai. Hy is een warm Februarienag in 1964 in ’n losieshuis in Kaapstad verwek – buite die eg. Van jongs af het hy soos ’n weggooimens gevoel, want hy is deur grootmense wat die lewe op onvaste voet betree het, van die een stel hande na die ander aangegee.

Op 13 beland hy in die kloue van ’n geslepe pedofiel, ’n bekende Afrikaanse koerantman in daardie jare. Pas na sy 18de verjaarsdag, wanneer sy molesteerder met hom klaar is, word Herman sonder seremonie voor die deur van sy vervreemde alkoholis-pa afgelaai. In sy tienerjare bevriend hy Afrikaanse digters soos Sheila Cussons, Ina Rousseau, Barend J. Toerien en Casper Schmidt. Ná skool doen hy sy diensplig, maar word oneervol ontslaan en kom hy in New York aan, waar hy vir Andy Warhol op straat agtervolg en met ’n “smorgasbord van eendagsvlinders” kattemaai.

Terug in Suid-Afrika maak Herman opgang as joernalis wat na die wydste hoeke van die wêreld reis. As volwassene voer hy ’n stryd met drank en dwelms en is ’n ruk lank haweloos. En vir menige werkgewer word hy die nagmerrie wat hulle die ergste vrees.

Hoerkind is ’n aangrypende relaas oor verlies én oorwinning wat jou sal laat lag, en jou hart ’n paar keer breek. Jy sal jou kop skud oor die wreedheid van ’n wêreld waar mense aan mekaar uitgelewer is, maar jy sal verwonderd staan oor die omvang van goedheid, juis omdat mense op mekaar aangewese is.

A searing investigation that challenges everything you thought you knew about domestic abuse.

Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it?

Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today.

Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes.

Every day, thousands of South African children go to school filled with terror because they know they’re going to be bullied. Children who are targeted by bullies are at enormous risk, yet many parents don’t know why it is happening to their child, or what to do about it.

Bully Proof looks at every aspect of bullying, from name-calling, taunting and rumour-mongering to physical assault, and examines why and how bullies behave the way they do, and what can be done to help them and their victims. The more we understand bullying behaviour, the better we can address the underlying causes and put effective controls in place.

Studies have shown that the 'whole school' approach, involving pupils, teachers and parents, is by far the most effective method of reducing incidents of bullying, as well as limiting the potential for future incidents. Implementing an effective anti-bullying campaign is not just about changing the behaviour of a few maladjusted children; it is about changing the philosophy of the entire school.Using a step-by-step approach, this book provides educators, parents, counsellors and children with the tools they need to develop a successful anti-bullying programme.

After a string of police botches, Captain Ben "Bliksem" Booysen was assigned the Krugersdorp Killers' case in 2016.

Eleven people had already been brutally murdered by a group calling themselves Electus Per Deus. Booysen made headlines when he arrested the mastermind Cecilia Steyn, and her accomplices.

South Africa's own "Chuck Norris" takes the reader behind the scenes of the satanic killings, divulging new and shocking details of the crimes that have kept the nation on edge for almost a decade.

In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered.

In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death.

He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.

This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?

The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.

Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.

A propulsive and moving memoir about a brother’s decades-long investigation into the circumstances surrounding his sister’s tragic death—and his own journey to forgiveness and closure.

On a summer evening in 1974, Jim Thomson arrived home from a baseball game to the news that his younger sister, Eileen, had taken her own life. To Jim, his parents, and his brother, Keith, the loss was unexpected and devastating. Only twenty-seven years old, Eileen had been living in California with her high school sweetheart, Vic, a cop, surrounded by a circle of close friends and working at a job she loved. It seemed unfathomable that she would kill herself, but as the family gathered in Pittsburgh to say goodbye, more details emerged that seemed to explain the tragedy: Eileen had confided in her parents that she had been suffering from depression, and her storybook marriage had been plagued by bitter fights, infidelity, and guilt. When Jim eventually sat down with his brother-in-law to talk about the final hours of Eileen’s life, Vic looked him in the eye and explained that he had stormed out of the room in the midst of a volatile argument. Moments later, a gunshot went off. Sensing no lies or evasion, Jim believed him. He recounted the story to the rest of the family, and they got on with their lives as best they could.

Twenty-seven years later, with all of his family passed away, Eileen’s death began to nag at Jim. Now a writer, he wanted to fill in the blanks of her story and answer the questions that were plaguing him. What had the final months of Eileen’s life been like? Why had she not told him about her troubles? How had the infidelity in her marriage brought her and Vic to that fateful day, and who else had been a part of it? What other demons had she been battling?

Determined to uncover the truth, Jim hired a private investigator to help him. Together, they tracked down Eileen’s old friends and clandestinely obtained copies of police reports, which revealed that Vic and Eileen’s relationship—and the sheriff’s investigation that followed her death—was much darker and more complicated than they had imagined. Torn by doubt, Jim began a two-decade journey that took him from the streets of Pittsburgh to the hills of San Bernardino, leading him into a tangled web of secrecy, deception, and shifting stories that forced him to reconsider everything he thought he knew about Vic, Eileen, and himself—and to confront the chilling question of whether his sister had really taken her own life.

Told with the precision and pace of a whodunit and the searing emotion of a family saga, A Better Ending is an unforgettable tale about the love between siblings, the murkiness of truth and memory, and the path to acceptance.

First published in 1967, Ernest Cole’s House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe.

Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time.

Cole, a Black South African man, photographed the underbelly of apartheid in the 1950s and ’60s, often at great personal risk. He methodically captured the myriad forms of violence embedded in everyday life for the Black majority under the apartheid system—picturing its miners, its police, its hospitals, its schools. In 1966, Cole fled South Africa and smuggled out his negatives; House of Bondage was published the following year with his writings and first-person account.

This edition retains the powerful story of the original while adding new perspectives on Cole’s life and the legacy of House of Bondage. It also features an added chapter—compiled and titled “Black Ingenuity” by Cole—of never-before-seen photographs of Black creative expression and cultural activity taking place under apartheid.

Made available again nearly fifty-five years later, House of Bondage remains a visually powerful and politically incisive document of the apartheid era.

Why do so many South Africans prefer taking the law into their own hands to relying on the police? Why are those who do so often cheered or sympathised with?

Of the unprecedented 27 000 recorded murders in South Africa in 2022, at least 1 894 – or 7 per cent – were attributed to mob justice and vigilantism, more than double the number from five years before. In the first nine months of 2023, a further 1 472 mob justice deaths had already been registered.

Mob justice is nothing new, but in recent years it has taken on an undeniably desperate, furious edge. From the breathtakingly violent Zandspruit massacre in May 2021, to the killings during the July unrest two months later, to the march of Operation Dudula across the nation in 2022, vigilantism – and the condoning of it – has never before captured the zeitgeist of South Africa so sharply. What has changed in the past few years, and what does it augur for the future?

Following three recent cases of mob justice, from the hellish metropolitan townships of Gauteng to the far-flung bushveld of northern Limpopo, and drawing on extensive research and interviews, Why We Kill explores the roots, realities and consequences of South Africa’s current crisis of vigilantism.

"Warm, honest and true--A Woman Makes A Plan is full of insight as well as a good dose of humor, offering readers a lifetime of hard-won advice." --Diane Von Furstenberg The international supermodel shares personal stories and lessons learned from a life of "living dangerously--carefully"

Maye Musk is a fashionable, charming, jet-setting supermodel with a fascinating and tight-knit circle of family and friends--and is 71 years old. But things were not always so easy or glamorous--she became a single mom at 31, struggling through poverty to provide for her three children; dealt with weight issues as a plus-size model and overcame ageism in the modeling industry; and established a lifelong career as a respected dietitian, all the while starting over in eight different cities across three countries and two continents. But she made her way through it all with an indomitable spirit and a no-nonsense attitude to become a global success at what she calls the "prime of her life."

As everyone who follows her obsessively on social media knows, Maye is a fount of frank and practical advice on how the choices you make in every decade can pay off in surprising, exciting ways throughout your life. In A Woman Makes a Plan, Maye shares experiences from her life conveying hard-earned wisdom on career (the harder you work, the luckier you get), family (let the people you love go their own way), health (there is no magic pill), and adventure (make room for discovery, but always be ready for anything). You can't control all that happens in life, but you can have the life you want at any age. All you have to do is make a plan.

So lyk ’n vrou, Ilse Verster se hartroerende verhaal oor Esli se lewe van mishandeling deur ’n gewelddadige eggenoot, het lesers in 2022 geskok en aangegryp. ’n Vrou staan op is die vervolg op die blitsverkoper en vertel van die nuwe hoofstuk in Esli se lewe.

Ná ’n uitmergelende egskeiding wat haar finansieel byna ruïneer, reis Esli Kaap toe om perspektief te kry op ’n lewe waar sy nie meer ’n slagoffer is nie. Dan gebeur daar ’n wonderwerk. Sy ontmoet iemand en hulle besluit om te trou. Uiteindelik is die geluk, vrede en veiligheid waarna sy haar lewe lank gehunker het, vir Esli beskore.

Máár haar stryd is nog lank nie verby nie. Post-traumatiese stres, ’n vreemde omgewing en nuwe verhoudings bring onverwagse uitdagings. Ook baie vrae, soos: Hoe kan ’n mens gelukkig wees, maar steeds huil? Die ongekende blootstelling wat tydens boekbekendstellings, praatjies en mediaonderhoude volg op die sukses van So lyk ’n vrou, maak dinge ook nie makliker nie. Esli kan haar nie volledig losmaak van die verlede nie, want almal stel moeilike vrae. Terselfdertyd moet sy ander slagoffers van narsisme moed inpraat.

In ’n Vrou staan op deel die skrywer haar ervarings van die moets en moenies in die proses na heelwording. Want om ’n oorwinnaar te wees, verg ook moed, deursettingsvermoë en ’n sekure instink vir oplossings wat wérk.

Cadre deployment means that the ANC and the state are inextricably intertwined. In KwaZulu-Natal, which has long been the powder keg of South Africa, it’s a monster that means people of competing patronage networks are killing each other for a place at the trough –  for jobs and tenders –  and the taxi industry provides the hitmen, guns and the transport.

Travel with journalist Greg Ardé across KwaZulu-Natal into the dark heart of South Africa and the ANC’s ‘culture of blood’.  

A fusion of conversations, observations, and personal reflections on his own experiences, work with men, and scholarship, Why Men Hurt Women and Other Reflections on Love, Violence and Masculinity is Kopano Ratele’s meditation on love, violence and masculinity.

This book seeks to imagine the possibility of a more loving masculinity in a society where structural violence, failures of government and economic inequality underpin much of the violent behaviour that men display. Enriched with personal reflections on his own experiences as a partner, father, psychologist and researcher in the field of men and masculinities, Why Men Hurt Women and Other Reflections on Love, Violence and Masculinity is Kopano Ratele’s meditation on love and violence, and the way these forces shape the emotional lives of boys and men.

Blending academic substance and rigour in a readable narrative style, Ratele illuminates the complex nuances of gender, intimacy and power in the context of the human need for love and care. While unsparing in its analysis of men’s inner lives, Ratele lays out a path for addressing the hunger for love in boys and men. He argues that just as the beliefs and practices relating to gender, sexuality and the nature of love are constantly being challenged and revised, so our ideas about masculinity, and men’s and boys’ capacity to show genuine loving care for each other and for women, can evolve.

If this book saves just one person’s life, Leo Prinsloo will be happy.

Leo became an internet sensation after footage of his reaction to an attempted high-value goods-in-transit heist went viral. Stunned by his cool attitude and focused action in a crisis situation, South Africans had an example of what can happen when good people take a stand. With decades of experience in security – first as a policeman, then in the South African Police Service’s Special Task Force, and now providing arms handling and security training in the private sector – Leo has a wealth of knowledge on how to manage life-threatening incidents.

Driven by a desire to empower South Africans and help them claim back their sense of safety, he offers advice for dealing with every risky situation, from how to handle hijackings and road rage, to how to keep your children safe, to the best way to secure your home and business. He also provides comprehensive information about handling firearms and basic first aid.

Leo’s Guide to Not Becoming a Statistic is a guide to living your safest life in South Africa – something which has become increasingly important as our crime statistics continue to rise. Straight-talking and honest – much like Leo himself – it is an easy to use manual that makes keeping safe accessible, with relatable information and easy to implement tips.

Leo says that taking the first step towards securing your safety is the most important, and his book will help you take that step.

Rose West was, on the face of it, a mother living with her family in a semi in Gloucester. But behind closed doors, she was a monstrous killer who, with husband Fred, killed at least a dozen women and girls, including her own daughter Heather, sixteen, and stepdaughter, Charmaine, eight.

Rose was sadistic as both a mother and killer, and all her victims as well as her own children were subjected to horrific sexual violence and torture. Rose did paid sex work in the family home with husband Fred peeping through the holes he had made in the wall and listening on an intercom. They modified the house to take in lodgers and then preyed on them, as well as other young women hitching a lift or waiting for a bus.

In 1972, aged seventeen, Caroline Owens, who had been hired as a nanny, was drugged, attacked and raped, but managed to escape. But she could not bring herself to testify, so the Wests remained free.

Two decades would pass before Rose’s dark secrets were discovered when nine of the victims’ bodies were dug up in the garden and beneath the cellar at the West’s home at 25 Cromwell Street. And now, three decades after this grim discovery, the workings of Rose West’s twisted mind remain as mysterious as who played what role in this husband-and-wife folie à deux.

Every day more than three women in South Africa, on average, are murdered by their male intimate partners. This book looks at the stories of South African women who were subjected to unimaginable periods of fear and terror, who endured sustained physical, emotional and psychological attacks, all at the hands of men.

Dr Nechama Brodie explores decades of brutal domestic violence and coercive control and she examines women’s changing rights and current legal protections.

Environmental devastation. Local militancy. Smuggling. Violence. All of these describe the Niger Delta, the crude-oil extraction center of Nigeria.

Philip Aghoghovwia offers a unique interpretation of the region's petroviolence, examining the cultural aspects of the extraction industry in the societies within which it operates.

As he considers the charged and often clashing contexts of the industry vs. the ecologies of directly affected peoples/places, Aghoghovwia essentially reframes the environmental challenges that carbon-based civilization poses to local landscapes.

Gender based violence is widely prevalent in South African society, but male rape is often a neglected area. According to The Conversation, in an article by Prof Louise Du Toit, men make up around 10% of victims of sexual violence.

The group South African Male Survivors of Sexual Abuse says one in six adult males in the country have been victims of sexual offences in their lifetimes and, in 2012, almost 20% of all sexual abuse victims were male. But men are up to 10 times less likely than women to report sexual violence against them. Frequently men who report sexual assault are accused of being gay. In addition, according to Prof Du Toit, “Some feminist activists are reluctant to focus on the male victims because they think it will undermine long-fought-for attention for female victims.”

Silent Scream is a refreshing acknowledgement of this disturbing picture, told firsthand by a survivor of multiple instances of sexual violence, including gang rape and other forms of physical and sexual violence.

The author is a man in his fifties, intelligent and multifaceted, who carried the weight of the ages on his tattooed shoulders. Following a childhood marred by distant parents, he was assaulted in his late teens.

This is a book filled with hurt, with anger, with events that should never occur, but that the author has been able to rise above. It’s also a book about recovery, redemption, and the power of healing. No punches are pulled. It’s a very necessary book for our country and our time.

Child abuse is a problem we face in all our communities. Over the last few years people have been encouraged to speak out about abuse. Many schools have had to come to grips with dealing with this painful and complicated issue. This title will not turn you into an expert counsellor, but rather provide you with some basic tools to deal with abuse in schools. Educators have a duty to protect children from danger and make sure that schools are safe places for learning. Schools need to create environments for children that are safe and caring. Children are more likely to be open about their troubles in an atmosphere of trust and respect.