D. W. Griffith (1875-1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause.

Collected together here are virtually all of the "interviews" given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, Intolerance, and, most substantially, Hearts of the World, while others provide the director with an opportunity to expound on topics of personal interest, including the importance of proper exhibition of his and other's films, and his search for truth and beauty on screen.

The interviews are taken from many sources, including leading newspapers, trade papers, and fan magazines. They are often marked by humor and by a desire to please the interviewer and thus the reader. Griffith may not have been particularly enthusiastic about giving interviews, but he seems always determined to put on a good show.

Ultimately, D. W. Griffith: Interviews provides the reader with a unique insight into the mind and filmmaking techniques of a director whose work and philosophy is as relevant today as it was when he was at the height of his fame in the 1910s and 1920s.

Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address 'intellectual' cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women's mainstream filmmaking for feminism through a recalibration of genre theory itself.

Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli's dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime's local and global genres: from the less-considered niches like nichijo-kei (everyday style anime) through to the global popularity of science fiction anime, this book tackles the tensions between the markets and audiences for anime texts. Anime is consequently understood in this book as a complex cultural phenomenon: not simply a "genre," but as an always shifting and changing set of texts. Its inherent changeability makes anime an ideal contender for global dissemination, as it can be easily re-edited, translated and then newly understood as it moves through the world's animation markets. As such, Anime: A Critical Introduction explores anime through a range of debates that have emerged around its key film texts, through discussions of animation and violence, through debates about the cyborg and through the differences between local and global understandings of anime products. Anime: A Critical Introduction uses these debates to frame a different kind of understanding of anime, one rooted in contexts, rather than just texts. In this way, Anime: A Critical Introduction works to create a space in which we can rethink the meanings of anime as it travels around the world.

(Applause Books). Now in paperback, the complete story of the actor's career, including his secret gay life. Raymond Burr (1917-1993) was an enigma. A film noir regular known for his villainous roles in movies like Rear Window, he eventually became one of the most popular stars in television history as the lead actor on two top-rated dramas, Perry Mason and Ironside, which between them ran virtually uninterrupted for 20 years. But Raymond Burr was leading a secret gay life at a time in Hollywood when exposure would have been career suicide. To protect his secret, Burr fabricated a tragic past for himself as a grieving husband and father. He claimed to have been twice widowed he said his first wife had died in a plane crash, and his second marriage had ended with his wife's early death from cancer. And there was also a dead son 10-year-old Michael, who lost his battle with leukemia. Neither of the wives nor Michael ever existed. But that didn't stop these lies from being perpetuated again and again, even in Burr's New York Times obituary. Hiding in Plain Sight examines the totality of Raymond Burr's career and his personal life, including his 35 years with partner Robert Benevides. The author interviewed over 30 people who knew or worked with Burr, including Angela Lansbury, Barbara Hale, Robert Wagner, Gale Storm, and more.

During the 2010s in Turkey, LGBTQ activists, groups, and individuals persisted against social, political, and legal adversity. Erasure during the Gezi Park Protests in 2013, a Pride parade ban in Istanbul in 2016, and indefinite ban on all LGBTQ events in Ankara in 2017 directly aimed at ending the activities, visibility, and existence of LGBTQ organization in the two biggest cities in Turkey. This work examines the ways in which LGBTQ activists engaged in talkback against these restrictions that impacted the lives of LGBTQ individuals and how said individuals endured such adversity. Focusing on the elements of discourse used by LGBTQ activists, this work argues oppositional discourses need to address as well as remedy the various elements of normative discourses-constructions of space, time, and affect-in order to be deemed a talkback, instead of merely perpetuating the normativities of oppressive discourses.

Pursuing an acting career is not easy. It takes hard work, dedication, and the ability to shrug off rejection. It also requires an ability to navigate the pitfalls of an often precarious profession. While there are many books that attempt to teach people how to act, there are few books that show individuals what it takes to succeed as a working professional. The Professional Actor's Handbook: From Casting Call to Curtain Call provides individuals with strategies that will help them successfully negotiate every stage of their careers. From recent college graduates to seasoned professionals looking to transition their careers to the next level, this book is a much needed guide. Among the many topics covered in this book, the authors demonstrate how to: *Create a Captivating Resume *Take a "Perfect" Headshot *Compile a Complete Rep Book *Conquer Audition Nerves *Establish an Online Presence *Finance a Developing Career Other strategies address how to network, how to survive while building a performing arts career, and even how to organize your home office. Featuring sample resumes and business cards, insights from industry experts-including agents and casting directors-and a list of resources, this book offers invaluable guidance-including advice on how to negotiate a contract. Along with audition manuals and repertoire binders, The Professional Actor's Handbook is a vital reference that belongs on every aspiring performer's bookshelf.

Volume 1 of 3. Learn from the feature players of Hollywood what it was like to work on films during its Golden Era. Enjoy their often humorous and exciting stories as they lived out their lives and careers behind and in front of the camera.