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Godard and Sound - Acoustic Innovation in the Late Films of Jean-Luc Godard (Hardcover)
Loot Price: R3,939
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Godard and Sound - Acoustic Innovation in the Late Films of Jean-Luc Godard (Hardcover)
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What happens when we listen to a film? How can we describe the
relationship of sound to vision in cinema, and in turn our
relationship as spectators with the audio-visual? Jean-Luc Godard
understood the importance of the soundtrack in cinema and relied
heavily on the impact of carefully constructed sound to produce
innovative effects. For the first time, this book brings together
his post-1979 multimedia works, and an analysis of their rich
soundscapes.The book provides detailed critical discussions of
feature-length films, shorts and videos, delving into Godard's
inventive experiments with the cinematic soundtrack and offering
new insights into his latest 3D films. By detailing the production
contexts and philosophy behind Godard's idiosyncratic sound design,
it provides an accessible route to understanding his complex use of
music, speech and environmental sound, alongside the distorting
effects of speed alteration and auditory excess. The book is framed
by the concept of 'acoustic spectatorship': a way of cultivating
active listening in the viewer.It also draws on ideas by leading
sound theorists, philosophers, musicians, and poets, giving
particular emphasis to the pioneering thought of French sound
engineer and theorist, Pierre Schaeffer. Softening the boundaries
between film studies, sound studies and musicology, Godard and
Sound re-evaluates Godard's work from a sonic perspective, and will
prove essential reading for those wishing to rebalance the
importance of sound for the study of cinema.
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