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Mediatization in Popular Music Recorded Artifacts - Performance on Record and on Screen (Hardcover)
Loot Price: R2,690
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Mediatization in Popular Music Recorded Artifacts - Performance on Record and on Screen (Hardcover)
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In Performance and Technological Mediation in Popular Music, the
relationship between performance, technological mediation, and the
sense of live presence is investigated through a series of case
studies related to popular music products. Alessandro Bratus
explores technological mediation as a process of authentication
that involves a chain of interconnected instances that have their
roots in the cultural context in which the media products are
designed to be marketed, and that also shape its recording
technique and post-production. The book analyzes posthumous
records, a peculiar case of the organization of recorded tracks
made in absentia of their original performers that puts forward the
possibility of an “otherworldly” collaboration between the
living and the dead. Bratus also argues that the crucial
significance of live performance for the construction of a
personal, intimate relationship between performers and audiences
reverberates in the audiovisual construction of the filmed concert,
in which the spectator is put in the position of a witness rather
than an active participant.
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