CONTRIBUTORS
John Charles, Farah Jasmine Griffin, Bill V. Mullen, Rachel
Peterson, Paula Rabinowitz, Rachel Rubin, James Smethurst, Melina
Vizcaino-Aleman
The essayists in "Revising the Blueprint: Ann Petry and the
Literary Left" examine Ann Petry's relationship to left-wing
political circles in the years following World War II. Anthologies
dedicated to African American writing, even those that consider the
African American literary left, often exclude Petry (1908-1997).
These essayists demonstrate how Petry's literary art, as well as
her engagement in various community struggles, landed her squarely
in a variety of progressive communities.
Through analyses of Petry's three novels, her short fiction, and
her nonfiction, scholars identify her literary forms and
aesthetics, including pulp fiction, Marxist analysis, literary
naturalism, and the realism Petry used to explore early Cold War
racial, sexual, and class politics. Although Petry is not readily
placed in leftist circles, the essays collected here show her
engagement in a number of events centered in post-WWII Harlem, such
as the Bronx Slave Market protest concerning treatment of African
American female domestic workers and her role as contributor to
Harlem's radical periodical, the "People's Voice." Essays show that
Petry's writing provides an important link between the Popular
Front of the 1930s and the Black Arts Movement of the 1960s.
Alex Lubin, assistant professor of American studies at the
University of New Mexico, is the author of "Romance and Rights: The
Politics of Interracial Intimacy, 1945-1954," published by
University Press of Mississippi.
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