Rodney Trudgeon's Concert Notes is a collection of essays on famous classical, orchestral compositions. The pieces in this collection have appeared in concert programmes that have accompanied performances by the Cape Town and Johannesburg Philharmonic Orchestras.

Rodney Trudgeon is a well-known radio host and presenter on Fine Music Radio. He is an expert on the range of musical genres that broadly fall under the category "classical music". The text that comprises Rodney Trudgeon's Concert Notes is structured alphabetically according to composer and gives a broad overview of the development of classical music, starting with the Baroque period and ending with modern, atonal music. Each piece is dedicated to a particular musical composition, describing its highlights, its history, and what makes it unique.

Broadly, the pieces are grouped together according to the following three broad categories: ouvertures, concertos, and symphonies, mimicking the structure of concert programmes. Each entry also includes a short biography of its composer. Trudgeon's style is easy to read and accessible to all readers: from those who listen to classical music regularly to those who are unfamiliar with it. Overall, this collection is a useful and informative musical guide, making a case for listening to orchestral music.

The Love Diary of a Zulu Boy is a fable of lust, love, sex, obsession, loss, friendship, betrayal and fantasy. By turns erotic, romantic, tragic and comic, it is inspired by the real-life drama of a romantic relationship between a Zulu boy and an Englishwoman.

A series of diary entries takes us on a whirlwind tour of a relationship that has not only survived, but thrived for 17 years. As the author reflects on love across the colour line, it triggers memories of failed affairs and bizarre experiences: love spells, wet dreams, infidelity, sexually transmitted diseases, a phantom pregnancy, sexless relationships, threesomes and prostitution.

A unique book for the South African market, The Love Diary of a Zulu Boy is written with an honesty rarely encountered in autobiographical writing.

This collection brims with the imaginative, informative and comic personal narratives of Hedley Twidle. Twidle brings a sense of lightness, play and comedy to subjects that are often dealt with in predictable or self-righteous ways.

It chronicles South Africa during the ‘second transition’ – one in which the foundations of the post-apartheid settlement are being shaken and questioned in all kinds of ways.

Paul Kruger: Toesprake en korrespondensie van 1881–1900 probeer om die klem te plaas op minder bekende briefwisseling en optredes van Kruger om sodoende ’n verteenwoordigende beeld van staatspresident Kruger se werksaamhede en standpunte aan te bied. Die teks is deeglik toegelig met ophelderende voetnote. Verder is ’n algemene inleiding, agtergrondsinligting en -ontleding verskaf by elke toepaslike breër tydperk in Kruger se lewe tot 1900.

Die beeld wat van Kruger na vore kom uit ’n deeglike ontleding van veral sy minder bekende korrespondensie en toesprake, verskil dikwels ingrypend van dit wat oor ’n lang tydperk in publikasies oor hom aangebied is. Hierdie publikasie vervul daarom ’n belangrike behoefte: Dit stel die leser in staat om regstreeks deur die lees en bestudering van Kruger se standpunte tot eie en nuwe gevolgtrekkings te kom.

‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’

Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.

Arrested in 1962 as South Africa’s apartheid regime intensified its brutal campaign against political opponents, forty-four-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next twenty-seven years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and most memorably to his courageous wife, Winnie, and his five children.

Now, 255 of these letters, a majority of which were previously unseen, provide the most intimate portrait of Mandela since Long Walk to Freedom. Whether writing about the death of his son Thembi after a request to attend the funeral was ignored, providing unwavering support to his also-imprisoned wife, or outlining a human-rights philosophy that resonates today, The Prison Letters Of Nelson Mandela reveals the heroism of a man who refused to compromise his moral values in the face of extraordinary human punishment.

Ultimately, they position Mandela, along with Mahatma Gandhi and Martin Luther King Jr., among the most inspiring historical figures of the twentieth century.

Reflecting Rogue is the much anticipated and brilliant collection of experimental autobiographical essays on power, pleasure and South African culture by Professor Pumla Dineo Gqola, author of the bestelling Rape: A South African Nightmare.

In her most personal book to date, written from classic Gqola anti-racist, feminist perspectives, Reflecting Rogue delivers fourteen essays of deliciously incisive brain food, all extremely accessible to a general critical readership, without sacrificing intellectual rigour.

The remarkable, and often touching, friendship between Winston Churchill and Jan Smuts is a rich study in contrasts.

In youth they occupied very different worlds: Churchill, the rambunctious and thrusting young aristocrat; Smuts, the ascetic, philosophical Cape farm boy who would go on to Cambridge. Brought together first as enemies in the Anglo-Boer War, and later as allies in the First World War, the men forged a friendship which spanned the first half of the twentieth century and endured until Smuts’s death in 1950. Richard Steyn, author of Jan Smuts: Unafraid of Greatness, examines this close friendship through two world wars and the intervening years, drawing on a maze of archival and secondary sources including letters, telegrams and the voluminous books written about both men.

This is a fascinating account of two remarkable men in war and peace: one the leader of the Empire, the other the leader of a small fractious member of that Empire who nevertheless rose to global prominence.

Told with the immediacy of a diary, which is where the book began, Patrick takes us on a journey to the highest mountain in the world, where one of the greatest tragedies in climbing history was about to unfold. Filled with photographs and sketches from his notebooks we become part of the Radio 702 team sent to cover the South African Everest Expedition of 1996. It would turn out to be the deadliest climbing seasons in the peak’s history.

Twenty years later the controversy around what truly happened on the mountain continues to rage. Conroy kept a meticulous diary and recorded many hours of radio communications between the climbers. Now, two decades later, his memoirs reveal a remarkable and untold story of what happened on the mountain that fateful year. Everest Untold includes hidden insights and never before revealed transcripts that shed new light on the 1996 disaster, including the mysterious disappearance of one of the South African team members in the death zone.

Conroy’s hidden story reopens the debate on the risks of high-altitude mountaineering and what it meant to a young democratic South Africa unaware of the dangers that lay ahead.

Dead Zone takes the reader on a journey around the world, travelling from the rainforests of the Amazon to the Midwest plains of America; the palm plantations of Sumatra to the volcanic diversity of Galapagos; the grasslands of England to the Malaysian jungle. In a global safari focussing on some of the world’s most endangered species, it exposes a little known but key factor in their demise: the cheap meat on supermarket shelves. This sequel to Farmageddon lays bare the myths that prop up factory farming and shows what we can do to save the planet with healthy food.

Some may see intensive farming as a necessary evil. After all, we need to produce more food for a growing global population and are led to believe that squeezing animals into factory farms and growing crops in vast, chemical-soaked prairies, is efficient and leaves land free for wildlife – but this is far from the truth. With the limits of the planet’s resources now seemingly within touching distance, awareness is growing about how the well-being of society depends on a thriving natural world. Through the lens of a dozen iconic and endangered species, Dead Zone examines the role of industrial farming in their plight and meets the people doing something about it.

Philip Lymbery is the CEO of leading international farm animal welfare organisation, Compassion in World Farming, and a prominent commentator on the effects of industrial farming.

Ek blaai vinnig deur hierdie bladsye. Ouma se politieke spore is besaai met duwweltjies. ’n Deel van my wil-wil die swart dagboek toemaak. ’n Ander deel skop vas: Hoe eerlik is jy in jou poging om oupa Hendrik te verstaan?

Ná jare van versoeningswerk tussen eertydse vyande in Ierland keer Wilhelm Verwoerd terug na Suid-Afrika. Hy wil vrede maak met sy eie familie en sy geskiedenis. In die Verwoerd-strandhuis, Blaas ’n Bietjie, waar hy sit en skryf, hang ’n gesinsfoto waarop sy oupa, HF Verwoerd, hom as baba teer vashou. Hoe versoen hy dié menslike oupa met die gehate onderdrukker wat in die stories van sy swart bure en kennisse na vore kom, mense wat as kinders in die strate gedans het toe sy oupa vermoor is?

In sy soektog na begrip kom Wilhelm op ouma Betsie Verwoerd se private dagboeke af en voer hy soms ongemaklike gesprekke met mense wat sy van as vloekwoord onthou. So ontvou ’n geskakeerde blik op wat dit beteken om vandag met integriteit in Suid-Afrika te leef.

“Diepsinnig … Wilhelm Verwoerd ondersoek die veelkantigheid van verantwoording in families in hierdie belangrike en menslike memoir.” – Martie Retief Meiring

The stunning story of an Alabama serial killer and the true-crime book that Harper Lee worked on obsessively in the years after To Kill a Mockingbird

Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted – thanks to the same attorney who had previously defended the Reverend. As Alabama is consumed by these gripping events, it’s not long until news of the case reaches Alabama’s – and America’s – most famous writer. Intrigued by the story, Harper Lee makes a journey back to her home state to witness the Reverend’s killer face trial. Harper had the idea of writing her own In Cold Blood, the true-crime classic she had helped her friend Truman Capote research. Lee spent a year in town reporting on the Maxwell case and many more years trying to finish the book she called The Reverend.

Now Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South. At the same time, she offers a deeply moving portrait of one of the country’s most beloved writers and her struggle with fame, success, and the mystery of artistic creativity.

This is the story Harper Lee wanted to write. This is the story of why she couldn’t.

Novelist Andre Brink married Karina Szczurek when he was 71 and she was 29. They were together for 10 years before he died on a plane, beside her, high above Africa in February 2015.

Selected and edited by Karina M. Szczurek, the love letters between herself and the writer Andre Brink included in You Make Me Possible tell in detail the story of how they met in Austria in December 2004, fell in love, and decided to forge a future together. The intense correspondence which followed in the weeks after their fateful encounter recounts their courtship in words, revealing their initially unacknowledged attraction, their fears and longings, and writing a new world of recognition and togetherness into being.

The letters chronicle the time between their first meeting and Karina's decision to relocate to South Africa to be with Andre in 2005.

What is it like to be born dirt-poor in South Africa? Clinton Chauke knows, having been raised alongside his two sisters in a remote village bordering the Kruger National Park and a squatter camp outside Pretoria. Clinton is a young village boy when awareness dawns of how poor his family really is: there’s no theft in the village because there’s absolutely nothing to steal. But fire destroys the family hut, and they decide to move back to the city. There he is forced to confront the rough-and-tumble of urban life as a ‘bumpkin’.

He is Venda, whereas most of his classmates speak Zulu or Tswana and he has to face their ridicule while trying to pick up two or more languages as fast as possible. With great self-awareness, Clinton negotiates the pitfalls and lifelines of a young life: crime and drugs, football, religion, friendship, school, circumcision and, ultimately, becoming a man. Throughout it all, he displays determination as well as a self-deprecating humour that will keep you turning the pages till the end.

Clinton’s story is one that will give you hope that even in a sea of poverty there are those that refuse to give up and, ultimately, succeed.

The most significant nonfiction writings of Zoë Wicomb, one of South Africa’s leading authors and intellectuals, are collected here for the first time in a single volume.

This compilation features critical essays on the works of such prominent South African writers as Bessie Head, Nadine Gordimer, Njabulo Ndebele, and J.M. Coetzee, as well as writings on gender politics, race, identity, visual art, sexuality and a wide range of other cultural and political topics. Also included are a reflection on Nelson Mandela and a revealing interview with Wicomb.

In these essays, written between 1990 and 2013, Wicomb offers insight on her nation’s history, policies, and people. In a world in which nationalist rhetoric is on the rise and diversity and pluralism are the declared enemies of right-wing populist movements, her essays speak powerfully to a wide range of international issues.

A debut collection of fierce, funny essays about growing up the daughter of Indian immigrants in western culture, addressing sexism, stereotypes, and the universal miseries of life

In One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul deploys her razor-sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it’s a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming her fear of flying while vacationing halfway around the world; dealing with Internet trolls, or navigating the fears and anxieties of her parents. Alongside these personal stories are pointed observations about life as a woman of color: where every aspect of her appearance is open for critique, derision, or outright scorn; where strict gender rules bind in both Western and Indian cultures, leaving little room for a woman not solely focused on marriage and children to have a career (and a life) for herself.

With a sharp eye and biting wit, incomparable rising star and cultural observer Scaachi Koul offers a hilarious, scathing, and honest look at modern life.

Ter viering van Dolf van Niekerk se negentigste verjaarsdag verskyn hier ’n versameling filosofiese, bepeinsende en besinnende essays uit die pen van een van Afrikaans se meesterskrywers.

Vanaf sy vroegste gewaarwordinge tot sy kennismaking met groot filosowe soos Nietzsche, Kant en Hegel op universiteit en in sy daaglikse handel en wandel daarna: altyd maar bly die bewustheid van ’n onsigbare “iets” by hierdie aristokratiese gees – en ’n soeke na ’n beter verstaan van dít wat “die sterretyd en die menstyd aan mekaar verbind”.

In 48 essays wat die biografiese tydperk tussen ongeveer sy vyfde en twintigste lewensjaar dek, skryf ’n deurleefde, wyse Van Niekerk oor sy vroegste herinnerings aan sy geboortedorp, sy gesin en sy helderste herinnerings aan die plekke en mense wat hom gevorm het tot die mens wat hy geword het. Want, soos wat hy in die verhaal “Die skinkbord” skryf: Jy kan net wees wie jy is, en jy is wat jy word.

From a carcass competition in the Karoo to a shambolic murder trial in Cape Town, William Dicey’s essays freewheel across an open terrain of interests. Dicey is curious and inventive, weaving strands of essay, journalism, fiction and self-reportage into something uniquely his own. Mongrel investigates a range of topics – radical environmentalism, the fault lines between farmer and farm worker, the joys and sorrows of reading – yet drifts of concern and sensibility draw the collection together. Several essays touch on how books can move, and sometimes maul, their readers. Mongrel is idiosyncratic, witty, potent.

In a telegram dated 29 April 1963, thirty-year-old Afrikaans poet Ingrid Jonker thanks André Brink, a young novelist of twenty-eight, for flowers and a letter he sent her. In the more than two hundred letters that followed this telegram, one of South African literature’s most famous love affairs unfolds. Jonker’s final letter to Brink is dated 18 April 1965. She drowned herself in the ocean at Three Anchor Bay three months later.

More than fifty years on, this poignant, often stormy relationship still grips readers’ imaginations.

In December 2014, three months before his death on 6 February 2015, André Brink offered these never-before-seen letters, as well as personal photographs, for publication.

As a young boy growing up in Port Elizabeth in the 1960s and 1970s, Steven Robins was haunted by an old postcard-size photograph of three unknown women on a table in the dining room. Only later did he learn that the women were his father’s mother and sisters, photographed in Berlin in 1937, before they were killed in the Holocaust. Steven’s father, who had fled Nazi Germany before it was too late, never spoke about the fate of his family who remained there. Steven became obsessed with finding out what happened to the women, but had little to go on. In time he stumbled on bare facts in museums in Washington DC and Berlin, and later he discovered over a hundred letters sent to his father and uncle from the family in Berlin between 1936 and 1943. The women who before had been unnamed faces in a photograph could now tell their story to future generations.

Letters of Stone tracks Steven’s journey of discovery about the lives and fates of the Robinski family. It is also a book about geographical journeys: to the Karoo town of Williston, where his father’s uncle settled in the late nineteenth century and became mayor; to Berlin, where Steven laid ‘stumbling stones’ (Stolpersteine) in commemoration of his family and other Jewish victims of the Holocaust; to Auschwitz, where his father’s siblings perished.

Most of all, this book is a poignant reconstruction of a family trapped in an increasingly terrifying and deadly Nazi state, and of the immense pressure on Steven’s father in faraway South Africa, which forced him to retreat into silence.

In hierdie versamelbundel is daar ‘n groep uiteenlopende mense gevra om elk ‘n onafhanklike essay te skryf na aanleiding van ‘n Bybelteks.

Daar is skrywers, ekonome, musikante, akademici en joernaliste. Die enigste voorwaardes was dat dit persone moet wees wat nie meer kerklik betrokke en/ of ‘n dominee of teoloog is nie. Baie essays is bloot verhale, vertellings, reise of verduidelikings wat met ‘n teks verbind kan word.

Ons almal is medereisigers in hierdie verbygaande wêreldse bestel. Kom ons luister met ‘n oop gemoed na mekaar. Dán staan ons ‘n kans om te verstaan, te begryp, eerder as om te oordeel.

Van die bekende en bekroonde skrywers wat deelneem aan hierdie projek is onder andere Jurie van den Heever, Annelie Botes, Dana Snyman, Pik Botha, Heinz Modler, Lizette Rabe, Dawie Roodt, Rachelle Greeff, Piet Croukamp, Joan Hambidge, Koos Kombuis, Karin Brynard, Jean Oosthuizen, Christine Barkhuizen Le Roux, Lina Spies, Valda Jansen, Valiant Swart, Nathan Trantraal, Churchil Naude, Riku Lätti en Luke Alfred.

A beautiful and thought-provoking collection of quotes on the eternal subject of love, selected from the works of one of the world's most widely read and respected authors.

With beautiful full-colour artwork throughout, Love contains inspirational quotes from such beloved Coelho titles as Eleven Minutes, The Valkyries, The Zahir and, of course, the international bestseller The Alchemist. Known as an alchemist of words, Paulo Coelho has an extraordinary and insightful perspective on life, and his words have inspired and won over millions of readers worldwide.

Visually stunning and enlightening, this is a must-have book for Coelho fans to treasure.

The African Lion, Dr Chika Onyeani, is back and roaring. The author of the phenomenally successful Capitalist N*gger, which has sold more than 100 000 copies in South Africa alone, offers a new collection of his speeches, articles and other writings over the last fifteen years.

In Roar Of The African Lion, Dr Onyeani’s unblinking gaze and plain speaking are directed at many of the burning issues of the day. He outlines his revolutionary Spider Web Doctrine – aimed at financial self-reliance and the upliftment of black communities – and attacks the parasitic leaders whose greed has robbed the people of Africa of opportunities for advancement and development since their liberation. He is equally scornful of the failures of the African elite to influence the direction of their countries, and has trenchant comments to make about racism, xenophobia and hypocrisy in Africa, America and elsewhere.

Dr Onyeani also tackles the persistence of slavery on the continent, the West’s ambivalent attitude to aid and debt relief, rampant corruption and the ‘whiteness’ of Barack Obama. Looking to the future, he cautions Africa to be wary of China’s embrace and to pursue its own solutions to African problems.

Die eiesoortige vriendskap tussen Winston Churchill en Jan Smuts is ’n studie in kontraste. In hul jeug het hulle uiteenlopende wêrelde bewoon: Churchill was die weerbarstige en energieke jong aristokraat; Smuts die asketiese, filosofiese Kaapse plaasseun, wat later aan Cambridge sou gaan studeer. Daar sou hy die eerste student word wat albei dele van die finale regskursus in dieselfde jaar neem en al twee met onderskeiding slaag.

Nadat hulle in die Anglo-Boereoorlog eers as vyande, en later in die Eerste Wêreldoorlog as bondgenote byeengebring is, het die mans ’n vriendskap gesmee wat oor die eerste helfte van die twintigste eeu gestrek het en tot Smuts se dood in 1950 voortgeduur het. Richard Steyn, die skrywer van Jan Smuts: Afrikaner sonder grense, bestudeer dié hegte vriendskap deur twee wêreldoorloë aan die hand van ’n magdom argiefstukke, briewe, telegramme en die omvangryke boeke wat oor albei mans geskryf is.

Dit is ’n fassinerende verhaal oor twee besonderse individue in oorlog en vrede – die een die leier van ’n groot ryk, die ander die leier van ’n klein, weerspannige lid van daardie ryk.

'Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.' Simon Schama Sir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world's foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging - from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama's tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world's most respected publications - the Times, the Guardian, the New Yorker, Harper's Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world's foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.