In the Shade of an African Baobab: Tom Bennett's Legacy is a collection of essays published to honour and thank Tom Bennett for his generous contribution to scholarly work over the years in the field of legal pluralism and African jurisprudence, as well as for his mentorship and friendship. The book brings together a collection of work by esteemed scholars from multidisciplinary fields, though the work is focused on aspects of law, culture and religion. The common thread through all the contributions is Tom. His scholarly influence, visible in each of the contributions, can be compared to the mighty Baobab tree: a large iconic, culturally important and majestic tree indigenous to Africa.

Every day from nine to five I sit at my desk facing the door of the office and type up other people's dreams. An office assistant in a hospital pursues a secret vocation. A girl endures a series of initiation ceremonies to join her high school sorority. A married woman seeks relief from the dull realities of daily life. From her mid-teens Sylvia Plath wrote stories, twenty-four of which are collected here, along with works of journalism and extracts from her journal. 'All the pieces presented here are revealing . . . It ought to round out one's knowledge of the writer, and, perhaps, offer some surprises. Luckily it does both.' Margaret Atwood, New York Times 'A beautiful, delicate, commanding poet.' Lena Dunham 'She embodied a seismic shift in consciousness which enabled us to feel and think as we do today, and of which she was a supremely vulnerable and willing casualty. She changed our world.' Margaret Drabble, Guardian

'Stand. Breathe. Look. Try to empty my mind. Somehow, for some reason, I have been brought to this place to tell this story, now. So tell it. That's all.' When Lin-Manuel Miranda's groundbreaking musical Hamilton opened in London's West End in December 2017, it was as huge a hit as it had been in its original production off- and on Broadway. Lauded by critics and audiences alike, the show would go on to win a record-equalling seven Olivier Awards - including Best Actor in a Musical for Giles Terera, for his portrayal of Aaron Burr. For Terera, though, his journey as Burr had begun more than a year earlier, with his first audition in New York, and continuing through extensive research and preparation, intense rehearsals, previews and finally opening night itself. Throughout this time he kept a journal, recording his experiences of the production and his process of creating his award-winning performance. This book, Hamilton and Me, is that journal. It offers an honest, intimate and thrilling look at everything involved in opening a once-in-a-generation production - the triumphs, breakthroughs and doubts, the camaraderie of the rehearsal room and the moments of quiet backstage contemplation - as well as a fascinating, in-depth exploration of now-iconic songs and moments from the musical, as seen from the inside. It is also deeply personal, as Terera reflects on experiences from his own life that he drew on to help shape his acclaimed portrayal. Illustrated with dozens of colour photographs, many of which are shared here for the first time, and featuring an exclusive Foreword by Lin-Manuel Miranda, this book is an essential read for all fans of Hamilton - offering fresh, first-hand insights into the music and characters they love and know so well - as well as for aspiring and current performers, students, and anyone who wants to discover what it really felt like to be in the room where it happened. Hamilton and Me was featured as Book of Week on BBC Radio 4 in August 2021.

Jopie: Jurist, Mentor, Supervisor and Friend - Essays on the Law of Banking, Companies and Suretyship is published in honour of Professor Jopie Pretorius, who will be retiring from his chair in banking law at UNISA at the end of 2017. The collection comprises personal tributes by family members, friends and colleagues, and academic essays that deal with banking law, company law and suretyship.

The Editors of Irish Pages - Chris Agee, Cathal O Searcaigh, Kathleen Jamie and Meg Bateman - have assembled a new issue of the journal, entitled "The Anthropocene." It aims to evoke the escalating global ecological crisis in the round, through many of its key components, including climate change, deforestation, the treatment of animals, oceanic pollution and over-fishing, the melting of glaciers, extinctions, land-use, plastic pollution and the waste crisis, the eco-vandalism of mining and the fashion industry, the extermination of indigenous peoples and languages, biodiversity and ecocide generally, and so on - and on. * A certain amount of poetry and prose deals with humanity and human consciousness more generally, in their historical, cultural, psychological, artistic and religious dimensions. * There is also a special section devoted to writing on the Pandemic. * As with other issues, however, there is also work included that does not bear explicitly on the theme of the issue.

From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today - written as a letter to a friend. A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie's letter of response. Here are fifteen invaluable suggestions-compelling, direct, wryly funny, and perceptive-for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can "allow" women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today.

Essays and poems exploring the diverse range of the Arab American experience. This collection begins with stories of immigration and exile by following newcomers' attempts to assimilate into American society. Editors Ghassan Zeineddine, Nabeel Abraham, and Sally Howell have assembled emerging and established writers who examine notions of home, belonging, and citizenship from a wide array of communities, including cultural heritages originating from Lebanon, Palestine, Iraq, and Yemen. The strong pattern in Arab Detroit today is to oppose marginalization through avid participation in almost every form of American identity-making. This engaged stance is not a by-product of culture, but a new way of thinking about the US in relation to one's homeland. Hadha Baladuna ("this is our country") is the first work of creative nonfiction in the field of Arab American literature that focuses entirely on the Arab diaspora in Metro Detroit, an area with the highest concentration of Arab Americans in the US. Narratives move from a young Lebanese man in the early 1920s peddling his wares along country roads to an aspiring Iraqi-Lebanese poet who turns to the music of Tupac Shakur for inspiration. The anthology then pivots to experiences growing up Arab American in Detroit and Dearborn, capturing the cultural vibrancy of urban neighborhoods and dramatizing the complexity of what it means to be Arab, particularly from the vantage point of biracial writers. Included in these works is a fearless account of domestic and sexual abuse and a story of a woman who comes to terms with her queer identity in a community that is not entirely accepting. The volume also includes photographs from award-winning artist Rania Matar that present heterogenous images of Arab American women set against the arresting backdrop of Detroit. The anthology concludes with explorations of political activism dating back to the 1960s and Dearborn's shifting demographic landscape. Hadha Baladuna will shed light on the shifting position of Arab Americans in an era of escalating tension between the United States and the Arab region.

For years, Laurence Bounds has been pestering some of the most patient customer service departments from coffee companies to television studios and shaving companies to travel agents, with his maddening of letters. From HMV to AEG, the Met Office to the Royal Philharmonic Orchestra - everyone is a target. Discover years of hilarious letters sent from the Etruria Lodge estate by the eccentric but highly-educated, Laurence Bounds (B.A, B.Sc). So who is Laurence Bounds, we hear you ask? A part-time gamekeeper, Bachelor of Fine Arts, Bachelor of Science, inventor of the WaspZapper 838 (TM), producer of the famous Bombardier Potato, founder of The Mobile Judge Programme, dog food pioneer, betting tycoon, playwright supremo, wine magnate, children's life-size Henry VIII doll designer, poet, astrologer, published author and aspiring television producer, to name but a few. Upon buying this educational book, you may learn some of Laurence's tips and become a serial entrepreneur just like him. Discover how to complain the Bounds way, how to communicate effectively with some of the world's biggest companies, and how to deal with organisations when they are not keen on your ideas. Join him on a side-splitting journey, guaranteed to have you in stitches, as you meet his friends, relatives, and his beloved thoroughbred black Labrador, Alexander IX. This is Laurence Bounds, his life in his own words...

In her spare, stark style, Annie Ernaux documents the desires and indignities of a human heart ensnared in an all-consuming passion. Blurring the line between fact and fiction, she attempts to plot the emotional and physical course of her two-year relationship with a married man where every word, event, and person either provides a connection with her beloved or is subject to her cold indifference. With courage and exactitude, Ernaux seeks the truth behind an existence lived, for a time, entirely for someone else.

Hazel Hendry is a remarkable woman. She worked tirelessly raising money for charities, and particularly for TEARFUND, including walking the form of a cross from John Oa Groats to Lands End and from Ramsgate to Fishguard in Wales. When the Croatian War began, the founder of TEARFUND, George Hoffman, told her, a Hazel, the people of Croatia need your helpa . So she raised money to send over 50 lorries, full of much needed supplies of food, furniture, medical equipment and toiletries, into Croatia. She travelled personally with many of them during and after the war. Hazel delivered aid right to the Front Line risking her life to help people who had lost their homes, livelihoods, and families. This book is about her experiences during those dangerous years, and the people who helped her and those that she helped. It is based on journals which she kept at the time and later recollections of particular people and events. As such, it is a vivid account of how the Croations in the War Zone suffered at the hands of the Chetniks who would attack their villages while leaving neighbouring villages in Croatia where Serbs lived unscathed. Some of the details that she recalls are not for the squeamish, but the way in which her faith supported her throughout this period shines through on every page.

Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. '"I am living at the centre of a wound still fresh." The I is not only mine. It belongs to many.' In this searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.