George Orwell's essay examines the power of language to shape political ideas. It is about the importance of writing concisely, clearly and precisely and the dangers to our ability to think when language, especially political language, is obscured by vague, cliched phrases and hackneyed metaphors. In it, he argues that when political discourse trades clarity and precision for stock phrases, the debasement of politics follows. First published in Horizon in 1946, Orwell's essay was soon recognised as an important text, circulated by newspaper editors to their journalists and reprinted in magazines and anthologies of contemporary writing. It continues to be relevant to our own age.

A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don't have the words to express, until now-from the creator of the popular online project of the same name. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: "sonder." Or maybe you've watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That's called "lachesism." Or you were looking through old photos and felt a pang of nostalgia for a time you've never actually experienced. That's "anemoia." If you've never heard of these terms before, that's because they didn't exist until John Koenig began his epic quest to fill the gaps in the language of emotion. Born as a website in 2009, The Dictionary of Obscure Sorrows has garnered widespread critical acclaim, inspired TED talks, album titles, cocktails, and even tattoos. The Dictionary of Obscure Sorrows "creates beautiful new words that we need but do not yet have," says John Green, bestselling author of The Fault in Our Stars. By turns poignant, funny, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition-from "astrophe," the longing to explore beyond the planet Earth, to "zenosyne," the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives, which have far more in common than we think. With a gorgeous package and beautifully illustrated throughout, this is the perfect gift for creatives, word nerds, and people everywhere.

The Editors of Irish Pages - Chris Agee, Cathal O Searcaigh, Kathleen Jamie and Meg Bateman - have assembled a new issue of the journal, entitled "The Anthropocene." It aims to evoke the escalating global ecological crisis in the round, through many of its key components, including climate change, deforestation, the treatment of animals, oceanic pollution and over-fishing, the melting of glaciers, extinctions, land-use, plastic pollution and the waste crisis, the eco-vandalism of mining and the fashion industry, the extermination of indigenous peoples and languages, biodiversity and ecocide generally, and so on - and on. * A certain amount of poetry and prose deals with humanity and human consciousness more generally, in their historical, cultural, psychological, artistic and religious dimensions. * There is also a special section devoted to writing on the Pandemic. * As with other issues, however, there is also work included that does not bear explicitly on the theme of the issue.

Die kortverhale in Maansiek verken 'n wye register: die Rooms-Katolieke geloof, charismatiese aanbidding, Afrika-mistiek, erotiek en moederskap, konflik tussen ras en geslag en sosiale status, spanning tussen die hede en die historiese, die sienlike en die onsienlike.

As basis vir sommige verhale dien 'n nugter koerantberig of tydskrifartikel uit vervloe dekades wat binne die verhaalkonteks tegelyk humoristies en ontstellend is.

Ander is gegrond op minder bekende aspekte van bekende figure of vertellings van onbekende vroue met uiteenlopende agtergronde.

To mark the 50th anniversary of the South African Council for English Education, this collection brings together the work of writers who either edited English Alive or were originally published in English Alive. Now they are active writers - poets, playwrights, novelists, print journalists, radio journalists, TV scriptwriters. They have contributed from their work a variety of pieces - truly a celebration of writing - that range from travel writing in verse through eye-witness accounts and poems and diary-entries and movie reviews to biographical and historical investigation and writing for teens and for children. And each writer offers a short reflection 'On Writing'. Some of South Africa's foremost writers are joined here by new voices, and the collection is graced by a gift contribution from South Africa's first winner of the Nobel Prize for Literature, Nadine Gordimer.

'Bracingly original' Kathryn Hughes, Guardian From Romney Marsh to the Danube Delta, North Carolina to the Bay of Bengal, Tom Blass explores swamps, marshes and wetlands - and the people who have made these twilit worlds their homes. Oozing with bad airs, boggarts and other spirits, the world's marshes and swamps are often seen as sinister, permanently twilit - and only partly of this earth. For centuries, they - and their inhabitants - have been the object of our distrust. We have tried to drain away their demons and tame them, destroying their fragile beauty, botany and birdlife, along with the carefully calibrated lives of those who have come to understand and thrive in them. In Swamp Songs, Tom Blass journeys through a series of such watery landscapes, from Romney Marsh to North Carolina, from Lapland to the Danube Delta and on to the Bay of Bengal, encountering those whose very existence has been shaped by wetlands, their myths and hidden histories. Here are tales of shepherds, smugglers and salt-gatherers; of mangroves and machismo, frogs and fishermen. And of carp soup, tiger gods, flamingos and floods. A dazzling exploration of lives lived on the fringes of civilisation, Swamp Songs is a vital reappraisal and vibrant celebration of people and environments closely intertwined.

Jopie: Jurist, Mentor, Supervisor and Friend - Essays on the Law of Banking, Companies and Suretyship is published in honour of Professor Jopie Pretorius, who will be retiring from his chair in banking law at UNISA at the end of 2017. The collection comprises personal tributes by family members, friends and colleagues, and academic essays that deal with banking law, company law and suretyship.

Moments of Being contains Virginia Woolf's only autobiographical writing: "By far the most important book about Virginia Woolf...that has appeared since her death" [Angus Wilson, Observer (London)]. Edited and with an Introduction by Jeanne Schulkind; Index.

'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times 'One of the foremost prose stylists of his age in any register . . . Probably we don't deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian 'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph 'Such a useful and important critic . . . He is very much on the reader's side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, Spectator This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: 'When journalism is like this, journalism and literature become one.' Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word 'iconic', to John Lennon's shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

THE INTERNATIONAL BESTSELLER

'Brilliant for anyone wanting a better understanding of mental health' ZOE BALL

'This amazing book will change your life' ELTON JOHN

'Eye-opening' GUARDIAN

'Brilliant, stimulating, radical' MATT HAIG

'Wonderful' HILLARY CLINTON

'A game-changer' DAVINA MCCALL

'Extraordinary' DR MAX PEMBERTON

'Beautiful' RUSSELL BRAND

Depression and anxiety are now at epidemic levels. Why? Across the world, scientists have uncovered evidence for nine different causes. Some are in our biology, but most are in the way we are living today.

Lost Connections offers a radical new way of thinking about this crisis. It shows that once we understand the real causes, we can begin to turn to pioneering new solutions - ones that offer real hope.

Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November, 2019, he sat with others at Fishmongers' Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja taught fiction writing in prison for three years. Merritt oversaw her program; Khan was one of her students. 'It is the immediate aftermath,' Taneja writes. '"I am living at the centre of a wound still fresh." The I is not only mine. It belongs to many.' In this searching lament by the award-winning author of We That Are Young, Taneja interrogates the language of terror, trauma and grief; the fictions we believe and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and powerful poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is a profound attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.

THE NEW YORK TIMES BESTSELLER PICKED BY THE SUNDAY TIMES, GUARDIAN, INDEPENDENT, IRISH TIMES, SPECTATOR, TLS, NEW STATESMAN, MAIL ON SUNDAY, I PAPER, PROSPECT, REVEW31 AND EVENING STANDARD AS A BOOK OF 2021 'A masterclass from a warm and engagingly enthusiastic companion' Guardian Summer Reading Picks 2021 'This book is a delight, and it's about delight too. How necessary, at our particular moment' Tessa Hadley ________________ From the New York Times-bestselling, Booker Prize-winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves - and our world today. For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it's more relevant than ever in these turbulent times. In his introduction, Saunders writes, "We're going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn't fully endorse but that these writers accepted implicitly as the aim of art-namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?" He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

Briewe van Peter Blum bevat briewe wat die digter tussen 1955 en 1966 aan literere persoonlikhede van sy tyd geskryf het. Die briewe van die digter Peter Blum, wat beskou word as die voorloper van Breyten Breytenbach, is geskryf aan bekende letterkundiges soos D J Opperman, W E G Louw, Van Wyk Louw, Ernst Lindenberg, Jan Rabie, Uys Krige, Barend Toerien.

For years, Laurence Bounds has been pestering some of the most patient customer service departments from coffee companies to television studios and shaving companies to travel agents, with his maddening of letters. From HMV to AEG, the Met Office to the Royal Philharmonic Orchestra - everyone is a target. Discover years of hilarious letters sent from the Etruria Lodge estate by the eccentric but highly-educated, Laurence Bounds (B.A, B.Sc). So who is Laurence Bounds, we hear you ask? A part-time gamekeeper, Bachelor of Fine Arts, Bachelor of Science, inventor of the WaspZapper 838 (TM), producer of the famous Bombardier Potato, founder of The Mobile Judge Programme, dog food pioneer, betting tycoon, playwright supremo, wine magnate, children's life-size Henry VIII doll designer, poet, astrologer, published author and aspiring television producer, to name but a few. Upon buying this educational book, you may learn some of Laurence's tips and become a serial entrepreneur just like him. Discover how to complain the Bounds way, how to communicate effectively with some of the world's biggest companies, and how to deal with organisations when they are not keen on your ideas. Join him on a side-splitting journey, guaranteed to have you in stitches, as you meet his friends, relatives, and his beloved thoroughbred black Labrador, Alexander IX. This is Laurence Bounds, his life in his own words...

Following his 2016 smash hit Anatomy of a Song, acclaimed music journalist Marc Myers collects fifty-five new oral histories of iconic songs from his popular Wall Street Journal column Songs that sell the most copies become hits, but some of those hits become something more--iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them. Part oral history, part musical analysis, Anatomy of 55 More Songs ranges from Creedence Clearwater Revival's "Bad Moon Rising" to Dionne Warwick's "Walk On By," The Beach Boys' "Good Vibrations," and Black Sabbath's "Paranoid." Bernie Taupin recalls how he wrote the lyrics to Elton John's "Rocket Man;" Joan Jett remembers channeling her rage against how she had been unfairly labeled and treated as a female rocker into "Bad Reputation;" and Ozzy Osbourne, Elvis Costello, Bob Weir, Sheryl Crow, Alice Cooper, Roberta Flack, John Mellencamp, Keith Richards, Carly Simon, and many others reveal the emotions and technique behind their major works. Through an absorbing chronological, song-by-song analysis of the most memorable post-war hits, Anatomy of 55 More Songs provides a sweeping look at the evolution of pop music between 1964 and today. This book will change how you listen to music and evaluate the artists who create it.

Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart." Anne Frank The Diary of Anne Frank is the story of a 13=year-old Jewish girl and her family who are forced into hiding by the Nazis during World War II.

A hundred years ago, on the night of 3 October 1922, a thirty-two-year-old clerk named Percy Thompson was stabbed to death as he walked home to his suburban villa in Ilford. With him was his wife, twenty-eight-year-old Edith. His killer was Edith's lover: Frederick Bywaters, a merchant seaman aged twenty. Bywaters was hanged for murder on 9 January 1923. So too was Edith Thompson. There was no evidence, of any kind, that she was involved with the killing. What condemned Edith were the letters that she had written to her lover, which were interpreted by the law as incitement to murder. These letters are remarkable documents. Charged with the vitality of Edith's voice, they are moving, perplexing, maddening, banal, spectacularly sensual, infused with a stream-of-consciousness immediacy. And they have never been collected in print, until now. In Au Revoir Now Darlint, Laura Thompson - author of the CWA Gold Dagger-shortlisted Rex vs Edith Thompson - gathers the letters together alongside illuminating commentary to tell the story of an ordinary life and an extraordinary imagination that ultimately led to appalling tragedy.

Hazel Hendry is a remarkable woman. She worked tirelessly raising money for charities, and particularly for TEARFUND, including walking the form of a cross from John Oa Groats to Lands End and from Ramsgate to Fishguard in Wales. When the Croatian War began, the founder of TEARFUND, George Hoffman, told her, a Hazel, the people of Croatia need your helpa . So she raised money to send over 50 lorries, full of much needed supplies of food, furniture, medical equipment and toiletries, into Croatia. She travelled personally with many of them during and after the war. Hazel delivered aid right to the Front Line risking her life to help people who had lost their homes, livelihoods, and families. This book is about her experiences during those dangerous years, and the people who helped her and those that she helped. It is based on journals which she kept at the time and later recollections of particular people and events. As such, it is a vivid account of how the Croations in the War Zone suffered at the hands of the Chetniks who would attack their villages while leaving neighbouring villages in Croatia where Serbs lived unscathed. Some of the details that she recalls are not for the squeamish, but the way in which her faith supported her throughout this period shines through on every page.

In this inspiring masterpiece, bestselling author Susan Cain shows the power of the "bittersweet" -- the outlook that values the experiences of loss and pain, which can lead to growth and beauty. Understanding bittersweetness can change the way we work, the way we create and the way we love.

Each chapter helps us navigate an issue that define our lives, from love to death and from authenticity to creativity. Using examples ranging from music and cinema to parenting and business, as well as her own life and the latest academic research, she shows how understanding bittersweetness will allow us, in a flawed world, to accept the loss of past identities; to fully embrace the loves we have; and to weather life's transitions.

Bittersweet reveals that vulnerability and even melancholy can be strengths, and that embracing our inevitable losses makes us more human and more whole. This is a book for those who have felt a piercing joy at the beauty of the world; who react intensely to art and nature; and in a culture that celebrates toughness, who yearn for a wiser and more meaningful world. For bittersweetness is the hidden source of our love stories, moonshots and masterpieces.