William Young was the son of gentleman farmer Henry Young who owned Cotchford Farm in the mid-nineteenth century. At the age of just twenty-three William left the farm for what we might now term a 'gap year' working in Canada. This book, based on his own diary from 1854/5, tells the fascinating story of his journey via Liverpool and onwards on a three-masted schooner to New York, Buffalo and eventually Lake Erie. The voyage had its own perils, a long way from transatlantic travel today. Unbeknown to our diarist, the ship he travelled on was part of a criminal enterprise and eventually suffered both mutiny and wreck. In the mill towns on Lake Erie Young proves an indispensable worker both on crops and stonework. Just as he is about to return to England he is beset with difficulties..... His is a young, clear voice on life a hundred and sixty years ago.

"Based on two lectures given at Cambridge colleges and first published by the Hogarth Press in 1929, A Room of One's Own is an extended essay about the predicament of female writers and a stirring call for autonomy and recognition. As well as settling scores with reactionary critics and laying the foundations of a history of women's literature, the text is also a triumph of imagination, with a celebrated passage envisaging the fate of a fictional sister of Shakespeare's. A seminal, widely studied feminist polemic that touches on both literature and politics, A Room of One's Own is essential reading for those wishing to understand the progress that has been made in women's rights and the struggles that still lie ahead. This edition also includes the 1938 essay Three Guineas, which reprises similar ideas in the context of the looming threat of war."

In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, 'Don Manuel Alvarez Espriella'. Letters from England (1807) relates Espriella's travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.

To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa's most populous nation through words or images. And yet here, through personal essays from 24 of its writers, a more accurate picture comes into view: one that details the realities and contradictions of patriotism, examines the role of class and privilege in Nigerian society, juxtaposes inherited tradition with the diasporic experience and explores the power of storytelling and its intrinsic link to Nigeria's history. Within these pages, acclaimed and award-winning writers share memories and experiences of Nigeria that can be found nowhere else, bringing to the fore a country whose influence can be found everywhere. Powerful, lyrical and entirely unforgettable, OF THIS OUR COUNTRY weaves together a living portrait of Nigeria, one that is as beautiful as it is complex. With essays from: Nels Abbey, Ayo bami Adebayo , Yomi Adegoke, Chimamanda Ngozi Adichie, Oyinkan Akande, Ike Anya, Sefi Atta, Bolu Babalola, J K Chukwu, Abi Dare, Inua Ellams Chikodili Emelumadu, Caleb Femi, Helon Habila, Abubakar Adam Ibrahim, Anietie Isong, Okey Ndibe, Chigozie Obioma, Irenosen Okojie, Cheluchi Onyemelukwe, Lola Shoneyin, Umar Turaki, Chika Unigwe and Hafsa Zayyan.

A love letter to Paris written in iPhone notes and in the troubling intimacy of public transport post-Charlie Hebdo attacks, Lauren Elkin's diary of a year on a Parisian bus pays homage to Georges Perec and Annie Ernaux. In this chronicle of the ordinary makings of a city and its people, the author's own body is a threatened vessel; that of the author as a woman as an author as a pregnant woman on the bus.

The pinnacle of Fuster's essay writing, Final Judgements is a book of aphorisms that, used to teach moral and/or philosophical truths, reveal things that are relevant to the universal human experience. As Adam Gopnick of The New Yorker puts it, "the aphorism is, in its algebraic abbreviation, a micro-model of empirical inquiry." And Fuster uses the aphoristic tradition, less to establish truths than to undermine them, to question the conceits contained in the established truism. Despite the seriousness of its subject matter, however, this book is laugh-out-loud funny, Fuster's wit revealing that the best aphorisms are based in stripping language of its artifice and revealing its contradictions, and the cumulative effect is a quintessentially Mediterranean kind of playfulness.

Finalist for the NBCC Award for Criticism 'Nothing about Jenny Diski is conventional. Diski does not do linear, or normal, or boring ... highly intelligent, furiously funny' Sunday Times 'Funny, heartbreaking, insightful and wise' Emilia Clarke 'She expanded notions about what nonfiction, as an art form, could do and could be' New Yorker Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as 'virtuoso performances', and 'small masterpieces'. From Highgate Cemetery to the interior of a psychiatric hospital, from Tottenham Court Road to the icebergs of Antarctica, Why Didn't You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche: original, opinionated - and mordantly funny.

Shortlisted for the 2022 Bollinger Everyman Wodehouse Prize for Comic Fiction 'Utterly, utterly perfect and brilliant - I think it is, simply, a new classic, and the book every woman will be able to trust to make her happy when she picks it up' - Caitlin Moran 'Utterly wonderful ... full of love. Enormously uplifting, funny and witty and wry' - Marian Keyes 'A glorious, outrageously funny retelling of E.M. Delafield's Diary of a Provincial Lady. At once, a celebration of the joy of family life and a cry of anguish at the utter hell of it. Laugh out loud, compulsive reading' - Nina Stibbe Meet Liz: all she wants is some peace and quiet so she can read a book with her cat Henry, love of her life, by her side. But trampling all over this dream is a group of wild things also known as Liz's family. Namely: Richard - a man, a husband, no serious rival to Henry. Thomas - their sensitive seven year old son, for whom life is a bed of pain already. Evie - five year old acrobat, gangster, anarchist, daughter. And as if her family's demands (Where are the door keys? Are we made of plastic? Do 'ghost poos' really count?) weren't enough, Liz must also contend with the madness of parents, friends, bosses, and at least one hovering nemesis. Are We Having Fun Yet? is a year with one woman as she faces all the storms of modern life (babysitters, death, threadworms) on her epic quest for that holy grail: a moment to herself.

A dedicated and innovative teacher, a towering intellect, one of the leading criminal lawyers in South Africa, collegial, supportive and empowering, a veritable polymath, the ultimate free-thinker - these are but a few of the appellations used to describe John Milton. Over a period of nearly forty years John Milton has made an immense contribution to the South African legal terrain as a scholar, a legal practitioner, a teacher, a mentor and a friend. The exemplary scholar - essays in honour of John Milton is a recognition and celebration of this respected academic and his legacy. The high esteem in which he is held by his peers, former students, colleagues and friends, and the broad scope of his influence are reflected in this collection of essays. Though known mainly as a criminal lawyer, Milton's interest and influence have extended to property law, statutory interpretation, the administration of justice, delict, environmental law, human rights, legal education and even outside the law to history.

A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020 Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'. 'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________ 'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .' The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real Estate, is available now. _________________________________ 'I just haven't stopped reading it . . . it talks so beautifully about being a woman' Billie Piper on BBC Radio 4's Desert Island Discs 'It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself. Wonderful' Guardian 'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise . . . a brilliant writer' Daily Telegraph 'A graceful and lyrical rumination on the questions, "What is a woman for? What should a woman be?"' Tatler 'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times

'This is a marvellous, endlessly illuminating book ... It doesn't go on the shelf alongside other critics; it goes on the shelf alongside Dickens' Howard Jacobson ___________________ Discover the tricks of a literary master in this essential guide to the fictional world of Charles Dickens. From Pickwick to Scrooge, Copperfield to Twist, how did Dickens find the perfect names for his characters? What was Dickens's favourite way of killing his characters? When is a Dickens character most likely to see a ghost? Why is Dickens's trickery only fully realised when his novels are read aloud? In thirteen entertaining and wonderfully insightful essays, John Mullan explores the literary machinations of Dickens's eccentric genius, from his delight in cliches to his rendering of smells and his outrageous use of coincidences. A treat for all lovers of Dickens, this essential companion puts his audacity, originality and brilliance on full display. 'Brilliantly sharp ... Mullan makes us see that Charles Dickens was one of the most artful, which is to say skilled, writers the world has ever seen' Mail on Sunday 'Put it on your Christmas list and spend the post-goose collapse reading the good bits aloud' Laura Freeman 'Even if you know a lot about Dickens you will find revelations in this book, and if you know nothing about him it will be the perfect appetiser' The Times, The best paperbacks of 2021

Why did Asquith take Britain to war in 1914? What did educated young men believe their role should be? What was it like to fly over the Somme battlefield? How could a trench on the front line be 'the safest place'? These compelling eye-witness accounts convey what it was really like to experience the first two years of the war up until the fall of Asquith's government, without the benefit of hindsight or the accumulated wisdom of a hundred years of discussion and writing. Using the rich manuscript resources of the Bodleian Libraries, the book features key extracts from letters and diaries of members of the Cabinet, academic and literary figures, student soldiers and a village rector. The letters of politicians reveal the strain of war leadership and throw light on the downfall of Asquith in 1916, while the experiences of the young Harold Macmillan in the trenches, vividly described in letters home, marked the beginning of his road to Downing Street. It was forbidden to record Cabinet discussions, but Lewis Harcourt's unauthorised diary provides a window on Asquith's government, complete with character sketches of some of the leading players, including Winston Churchill. Meanwhile, in one Essex village, the local rector compiled a diary to record the impact of war on his community. These fascinating contemporary papers paint a highly personal and immediate picture of the war as it happened. Fear, anger, death and sorrow are always present, but so too are idealism, excitement, humour, boredom and even beauty.

Pali is one of the Middle Indian idioms and the classical language of Theravada Buddhism. It is therefore important both to linguists and students of Buddhism. This introductory book centres on a collection of original texts, each selected as an especially important and beautiful formulation of a Buddhist idea. By means of a vocabulary, translation and commentary, each text is explained so concretely that it can be read with little preparation. Detailed explanations are provided for the many technical terms, which have frustrated so many western explorers of Buddhism. For reference, a grammar is provided. Sanskrit parallels to many of the words are given, as well as a special chapter comparing the two languages.

The essential gift for lovers of Prince, of Dickens and everyone in between! In Nick Hornby's completely joyous and original new book two great figures share the stage. Charles Dickens and Prince. Two wildly different artists who caught fire and lit up the world in ways no others could. Where did their magic come from? How did they work so hard and produce so much? How did they manage or give in to the restlessness and intensity of their creativity? How did they use it, and did it kill them? With wit, curiosity and deep admiration Nick Hornby traces their extraordinary lives - from their difficult beginnings to the women they fell for to their limitless energy for work, to their money and the movies - and brilliantly illuminates their very particular kind of genius. 'I love this. It's smart and funny and elegantly persuasive' Robert Douglas-Fairhurst, author of Becoming Dickens

One morning in March 2021 with the second wave of infections ripping through Ireland where he was newly resident, Mark Lanegan woke up breathless, fatigued beyond belief, his body burdened with a gigantic dose of Covid-19. Admitted to Kerry Hospital and initially given little hope of survival, Lanegan's illness has him slipping in and out of a coma, unable to walk or function for several months and fearing for his life. As his situation becomes more intolerable over the course of that bleakest of springs he is assaulted by nightmares, visions and regrets about a life lived on the edge of chaos and disorder. He is prompted to consider his predicament and how, in his sixth decade, his lifelong battle with mortality has led to this final banal encounter with a disease that has undone millions, when he has apparently been cheating death for his whole existence. Written in vignettes of prose and poetry, DEVIL IN A COMA is a terrifying account of illness and the remorse that comes with it by an artist and writer with singular vision.

Hell is the haunting first volume in Jeffery Archer's The Prison Diaries, the author's daily record of the time he spent there. 'The sun is shining through the bars of my window on what must be a glorious summer day. I've been incarcerated in a cell five paces by three for twelve and a half hours, and will not be let out again until midday; eighteen and a half hours of solitary confinement. There is a child of seventeen in the cell below me who has been charged with shoplifting - his first offence, not even convicted - and he is being locked up for eighteen and a half hours, unable to speak to anyone. This is Great Britain in the twenty-first century, not Turkey, not Nigeria, not Kosovo, but Britain.' On Thursday 19 July 2001, after a perjury trial lasting seven weeks, Jeffrey Archer was sentenced to four years in jail. He was to spend the first twenty-two days and fourteen hours in HMP Belmarsh, a double A-Category high-security prison in South London, which houses some of Britain's most violent criminals. This volume recounts his experience while there.

Renaissance dialogues from C16th Catalonia, in which three speakers elegantly discuss politics, society and the Church. Dialogue is one of the Classical genres reclaimed by the Renaissance, which turns it into a hallmark of the period. In the Catalan-speaking world nearly forty dialogues were written in the course of the Renaissance. Despuig's Dialogues, written in 1557, stand out from the rest by the extent to which they incorporate the most innovative aspects of the genre: the dramatisation of Renaissance multiple perspectives and the consistency of the fictional plot that provides a structure for the ideas. The Dialogues offer a critical review of a host of issues that were topical at the time. The three speakers in the work - Livio, the knight from Tortosa; Fabio, the gentleman from Tortosa; and Don Pedro, the knight from Valencia - elegantly exchange their subtly contrasting views regarding politics, society and the Church as they stroll through the streets of the city Tortosa and sail along the Ebro.The main features of the dialogue, which typify the revival of the genre in the Renaissance, lie in the way it expresses differing opinions, creates multiple perspectives and constructs a consistent plot that imitates a spontaneous conversation whilst providing a structure for the speakers' reflections. Both the ways in which it articulates the discussion and the specific ideas that it allocates to its speakers make Despuig's Dialogues a text thatexemplifies the Renaissance in Catalonia. Published in association with Editorial Barcino, Barcelona.

A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, 'I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.' This collection of twenty reviews, essays and pieces of memoir from the next three decades, tells the story of what happened next. Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne, the Virgin Mary as well as the pop icon Madonna, a brilliant examination of Helen Duncan, Britain's last witch. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy. Her famous lecture, 'Royal Bodies', which caused a media frenzy, explores the place of royal women in society and our imagination. Here too are some of her LRB diaries, including her first meeting with her stepfather and a confrontation with a circus strongman. Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, Mantel Pieces is an irresistible selection from one of our greatest living writers.

Edith Stein (1891-1942), who was recently canonized, was one of the most intriguing Catholics of the twentieth century. A Jewish convert, an eminent philosopher, educator, and advocate for women, she became a Discalced Carmelite nun, Sister Teresa Benedicta of the Cross. Arrested by the Nazis she died in Auschwitz in 1942. This volume highlights the extraordinary features of her spirituality -- a vision that integrated her philosophical training, her affinity for Carmelite mysticism, and her personal identification with the way of the Cross. Edith Stein provides a wonderful introduction to an extraordinary mind.

A STORY OF UNSUNG BRAVERY AT A DEFINING MOMENT IN BRITAIN'S HISTORY 'Superb' Stephen Fry 'Thrillingly told' Dan Jones 'Fascinating' Neil MacGregor 'Astonishing' Peter Frankopan We like to think we know the story of how Britain went to war with Germany in 1939, but there is one chapter that has never been told. In the early 1930s, a group of young, queer British MPs visited Berlin on a series of trips that would change the course of the Second World War. Having witnessed the Nazis' brutality first-hand, these men were some of the first to warn Britain about Hitler, repeatedly speaking out against their government's policy of appeasing him. Prime Minister Neville Chamberlain hated them. Branding them 'the glamour boys' to insinuate something untoward about them, he had their phones tapped and threatened them with deselection and exposure. At a time when even the suggestion of homosexuality could land you in prison, the bravery these men were forced to show in their personal lives gave them extraordinary courage in public. Undaunted, they refused to be silenced and when war came, they enlisted. Four of them died in action. And without them, Britain would never have faced down the Nazis. A Guardian Book of Autumn 2020

This book, first published in 1962, is a collection of twenty-four essays written by Frank Kermode between 1958 and early 1961, and are all concerned with criticism and fiction. Puzzles and Epiphanies: Essays and Reviews 1958-1961 includes essays on the works of James Joyce, William Golding, E. M. Forster, and J. D. Salinger, amongst many others. This book is ideal for students of literature.