At the end of the Second World War, hundreds of thousands of German children were sent to the front lines in the largest mobilisation of underage combatants by any country before or since. Hans Dunker was just one of these children. Identified as gifted aged 9, he left his home in South America in 1937 in pursuit of a 'proper' education in Nazi Germany. Instead, he and his schoolfriends, lacking adequate training, ammunition and rations, were sent to the Eastern Front when the war was already lost in the spring of 1945. Using her father's diary and other documents, Helene Munson traces Hans' journey from a student at Feldafing School to a soldier fighting in Zawada, a village in present-day Czech Republic. What is revealed is an education system so inhumane that until recently, post-war Germany worked hard to keep it a secret. This is Hans' story, but also the story of a whole generation of German children who silently carried the shame of what they suffered into old age.

'What matters is to live everything. Live the questions for now.' A hugely influential collection for writers and artists of all kinds, Rilke's profound and lyrical letters to a young friend advise on writing, love, sex, suffering and the nature of advice itself. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

The head of a business empire, Harry Oppenheimer played an influential role in twentieth century South Africa, a role that is celebrated by some and condemned by others.

This book investigates Oppenheimer’s political thinking, drawing from his speeches over the years. It looks at his views on liberalism, apartheid, socialism, sanctions, trade unions, education, geopolitics, the press and the legacy of Cecil John Rhodes.

A WATERSTONES NON-FICTION BOOK OF THE MONTH In this love letter to reading, curated by Pandora Sykes in aid of the National Literacy Trust, bestselling and beloved writers share their favourite books: the ones they hold most dearly, that they return to time and again and that helped make them the writers they are. WITH CONTRIBUTIONS FROM : NICK HORNBY * RUTH OZEKI * ANN PATCHETT * BENJAMIN ZEPHANIAH * MARIAN KEYES * ELIZABETH STROUT * DEBORAH LEVY * TESSA HADLEY * ELIF SHAFAK * GEORGE THE POET * LEILA SLIMANI * ALI SMITH * DEREK OWUSU * DOLLY ALDERTON * PARIS LEES * JOJO MOYES * PAUL MENDEZ * SEBASTIAN FAULKS * DIANA EVANS * MEENA KANDASAMY * LISA TADDEO * NIKESH SHUKLA * TAIYE SELASI * MONICA ALI * NINA STIBBE * CALEB AZUMAH NELSON * ELIZABETH DAY * SARA COLLINS * DAMON GALGUT * NAOISE DOLAN * WILLIAM BOYD * EMMA DABIRI * FATIMA BHUTTO * KIT DE WAAL

This extraordinary book tells the story of a remarkable family caught in Japan at the outbreak of the Second World War in the Pacific. With letters, journal extracts and notes from Hamish Brown's parents, as well as his own recollections, it brings the era to life: not only life in the dying days of the British Empire, but also the terrible reality of the invasion of Singapore into which they escaped.

Join Sophie Pavelle on a low-carbon journey around Britain in search of ten animals and habitats threatened by climate change in the 21st century Forget-me-not - a beautiful flower and a plea from our islands' wildlife. When climate change has driven dozens of our most charismatic species to extinction, will they be forgotten? Like many of her generation, Sophie Pavelle is determined to demand action on climate change. In her hilarious and thought-provoking first book, she describes the trips she took to see ten rare native species: species that could disappear by 2050 and be forgotten by the end of the century if their habitats continue to decline. Sophie challenged herself to find them the low-carbon way, travelling the length of Britain on foot, by bicycle, in an electric car, by kayak, on ferries and in a lot of trains. From Bodmin Moor to the Orkney Islands, Sophie encountered species on the frontline of climate change in Britain. Which are going to be seriously affected, and why? Could some bounce back from the brink? Or are we too late to save them? Forget Me Not is a clarion call: we all need to play a part in tackling this most existential of threats. Everyone can see wildlife in the British Isles without contributing to its destruction. With joyful irreverence, Sophie shows us we can dare to hope. Journey with her, and she may even inspire you to take action for nature and head out on your own low-carbon adventure.

An "excellent" (The New York Times) modern tribute to an ageless pastime, and a practical guide to the art, philosophy, and rituals of fly fishing, by an expert, lifelong angler. In The Optimist, David Coggins makes a case for the skills and sensibility of an enduring sport and shares the secrets, frustrations, and triumphs of the great tradition of fly fishing, which has captivated anglers worldwide. Written in wry, wise, and keenly observed prose, each chapter focuses on a specific place, fish, and skill. Few individuals, for example, have the visual acuity required to catch the nearly invisible bonefish of the Bahamas flats. Or the patience to land the elusive Atlantic salmon, "the fish of a thousand casts," in eastern Canada. Pursuing these challenges, Coggins, "a confirmed obsessive," travels to one fishing paradise after another, including the great rivers of Patagonia, private chalk streams in England, remote ponds in Maine, and New York City's Jamaica Bay. In each setting, he chronicles his fortunes and misfortunes with honesty and humor while meditating on how fishing teaches focus, inner stillness, and a connection to the natural world. Perfect for the novice, the enthusiastic amateur, and the devoted angler alike, The Optimist offers a practical path to enlightenment while providing "a rueful, thoughtful, and very funny examination of an elegant obsession" (Jay McInerney).

A searing and fearless anthology of essays exploring the profound impact of money on women's lives, edited by prominent feminist and writer Rebecca Walker. Women Talk Money is a groundbreaking collection that lifts the veil on what women talk about when they talk about money; it unflinchingly recounts the power of money to impact health, define relationships, and shape identity. The collection includes previously unpublished essays by trailblazing writers, activists, and models, such as Alice Walker, Tressie McMillan Cottom, Rachel Cargle, Tracy McMillan, Cameron Russell, Sonya Renee Taylor, Adrienne Maree Brown, and more, with Rebecca Walker as editor. In this provocative anthology, we discover a family that worships money even as it tears them apart; we read about the "financial death sentence" a transgender woman must confront to live as herself. We trace the journey of a Silicon Valley entrepreneur who finally makes enough money to discover her spiritual impoverishment; we follow a stressful email exchange between an unsympathetic university financial officer and a desperate family who can't afford to pay their daughter's tuition, and more. This collection is a clarion call to conduct honest conversations that demystify and transform the role money plays in our lives. Dazzlingly resonant and deeply familiar, Women Talk Money is a revelation.

Franz Kafka's letters to his one-time muse, Milena Jesenska - an intimate window into the desires and hopes of the twentieth-century's most prophetic and important writer Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience. While at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.

This fascinating series of literary views and interviews illuminates the coming of age of Belfast-born poet Gerald Dawe during the fifties and sixties in Northern Ireland, the literary and political worlds he discovered on moving to the Republic of Ireland in the early seventies, and his travels since, in Europe and other parts of the world, shadowed by the violent closing decade of the twentieth century and the beginning of the new century. Gerald Dawe has published seven collections of poetry, including The Morning Train, Lake Geneva, and Points West.

George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. On Reading, the seventh in the Orwell's Essays series, collects together Orwell's short essays on books - 'Bookshop Memories', 'Good Bad Books', 'Nonsense Poetry', 'Books vs. Cigarettes' and 'Confessions of a Book Reviewer' - giving a rounded view of the great writer's opinions on the literature of his day, and the vessels in which it was sold.

FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, and reissued for the first time in Scribner, a brilliant collection of essays, as well as brand new material, that will delight and intrigue readers. In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry, and reflections on his life in writing. Full of insights into his passions and motivations, and wise about the friends, family, and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift's novels will recognize and love. Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly... Swift's small fiction feels like a masterpiece' Guardian 'Alive with sensuousness and sensuality ... wonderfully accomplished, it is an achievement' Sunday Times 'From start to finish Swift's is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game' Evening Standard 'Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives - the parallel stories - we can never know ... It may just be Swift's best novel yet' Observer

'Peppered with humour, empathy and kindness' - Sunday Post Ever since her pet sheep Lulu accompanied her to school at the age of seven, animals and nature have been at the heart of Polly Pullar's world. Growing up in a remote corner of the Scottish West Highlands, she roamed freely through the spectacular countryside and met her first otters, seals, eagles and wildcats. But an otherwise idyllic childhood was marred by family secrets which ultimately turned to tragedy. Following the suicide of her alcoholic father and the deterioration of her relationship with her mother, as well as the break-up of her own marriage, Polly rebuilt her life, earning a reputation as a wildlife expert and rehabilitator, journalist and photographer. This is her extraordinary, inspirational story. Written with compassion, humour and optimism, Polly reflects on how her love of the natural world has helped her find the strength to forgive and understand her parents, and to find an equilibrium.

Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and resentment of their male peers and found new ways to explain the war through the people who lived through it. In You Don't Belong Here, Elizabeth Becker uses these women's work and lives to illuminate the Vietnam War from the 1965 American buildup, through the Tet Offensive, the expansion into Cambodia, the American defeat and its aftermath. Arriving herself in the last years of the war, Elizabeth writes as an historian and a witness to what these women accomplished. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice, and forever altering the craft of war reportage for generations. Deeply reported and filled with personal letters, interviews, and profound insight, You Don't Belong Here fills a void in the history of women and of war.

As I step out of the conservatory facing North, supported by my pusher, the first that catches my eye is the dying Sycamore which escapes death every year by producing a healthy crop of leaves, but it looks so decrepit that surely it can't pull that trick yet again. -1 April, 2020 In his eighty-eighth year, John Boorman uses his time in lockdown to reflect on the splendour of the surrounding nature of County Wicklow. Coccooning with his daughter and son among the hills of Annamoe, Boorman chronicles his daily walks and observations of the trees on his estate, writing with heightened appreciation of the beauties of his eyrie using only one eye and one finger. Poetry flows from his pen as he sits chairbound among his trees and flora: sycamores, limes, beech, oak, redwood, shrubs and flowers, birdsong and shifting skies are luminously recorded as the world falls silent. With illustrations by Susan Morley, this slim but meditative volume is a remarkable narrative by the creator of The Emerald Forest, Excalibur and Deliverance - a swansong like no other.

The Believer, a twelve-time National Magazine Award finalist, is a literature, arts, and culture magazine published by the Beverly Rogers, Carol C. Harter Black Mountain Institute, and based in the College of Liberal Arts at the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, timely and untimely reviews, and on occasion, delightful and unexpected bonus items. The magazine is edited by a group of novelists, poets, artists, critics, regular readers of the Chicago Manual of Style, and aficionados of print and digital literature. Our regular columnists are Nick Hornby and Peter Orner. All editions of The Believer are perfect-bound and printed by friendly Canadians on recycled, acid-free, heavy-stock paper and suitable for archiving, framing, or reading in the tub. We publish five issues a year, including one double issue. Questions? Please give us a call: (866) 930-0264 or reach us by email: [email protected].

These two texts are fundamental for the understanding not only of Neoplatonism but also of the conventions of biography in late antiquity. Neither has received such extensive annotation before in English, and this new commentary makes full use of recent scholarship. The long introduction is intended both as a beginner's guide to Neoplatonism and as a survey of ancient biographical writing.

Moments of clarity are rare and fleeting; how can we become comfortable outside of them, in the more general condition of uncertainty within which we make our lives? Written by critic Emily Ogden while her children were small, On Not Knowing forays into this rich, ambivalent space. Each of her sharply observed essays invites the reader to think with her about questions she can't set aside: not knowing how to give birth, to listen, to hold it together, to love. Unapologetically capacious in her range of reference and idiosyncratic in the canon she draws on, Ogden moves nimbly among the registers of experience, from the operation of a breast pump to the art of herding cattle; from one-night stands to the stories of Edgar Allan Poe. Committed to the accumulation of knowledge, Ogden nonetheless finds that knowingness for her can be a way of getting stuck, a way of not really living. Rather than the defensiveness of wilful ignorance, On Not Knowing celebrates the defencelessness of not knowing yet - which, Ogden suggests, may be a form of love.