'If you decide to adapt a classic or much-loved book, your working
maxim should be, 'How will it work best as a film?' However
faithful it is to the original, if it's not interesting onscreen
then you've failed.' - William Boyd in Story and Character:
Interviews with British Screenwriters Hollywood. Netflix. Amazon.
BBC. Producers and audiences are hungrier than ever for stories,
and a lot of those stories begin life as a book - but how exactly
do you transfer a story from the page to the screen? Do adaptations
use the same creative gears as original screenplays? Does a true
story give a project more weight than a fictional one? Is it
helpful to have the original author's input on the script? And how
much pressure is the screenwriter under, knowing they won't be able
to please everyone with the finished product? Alistair Owen puts
all these questions and many more to some of the top names in
screenwriting, including Hossein Amini (Drive), Jeremy Brock (The
Last King of Scotland), Moira Buffini (Jane Eyre), Lucinda Coxon
(The Danish Girl), Andrew Davies (War & Peace), Christopher
Hampton (Atonement), David Hare (The Hours), Olivia Hetreed (Girl
with a Pearl Earring), Nick Hornby (An Education), Deborah Moggach
(Pride & Prejudice), David Nicholls (Patrick Melrose) and Sarah
Phelps (And Then There Were None). Exploring fiction and nonfiction
projects, contemporary and classic books, films and TV series, The
Art of Screen Adaptation reveals the challenges and pleasures of
reimagining stories for cinema and television, and provides a frank
and fascinating masterclass with the writers who have done it - and
have the awards and acclaim to show for it.
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