Bafana Republic And Other Satires is a selection of monologues from a series of one-person satirical revues. Using the 2010 FIFA World Cup as an entry point for satirical commentary, the sketches focus on various issues facing democratic South Africa: state 'vanity' projects, land issues, abuse of women and state capture.

In any deeply polarised society, satire provides an effective means for challenging audiences. Van Graan's potent mix of comedy, poetry and drama compels audiences to reflect on controversial topics in a non-alienating, thought-provoking and thoroughly entertaining way. The collection tackles themes of corruption, colonialism, violence against women, AIDS denialism, violent crime, racism and inequality head on. Readers or audience members cannot remain unaffected by the use of humour, exaggeration, irony and ridicule in the sketches to highlight social and political issues and human foibles. They will laugh and cringe and sometimes cry, but ultimately they will appreciate more deeply the beauty and humanity of their country, and perhaps feel recharged with hope.

The sketches in the collection come from six one-person revues:

• Bafana Republic (2007),
• Bafana Republic: Extra Time (2008),
• Bafana Republic: Penalty Shootout (2009),
• Pay Back the Curry (2016),
• State Fracture (2017)
• Land Acts (2018)

The compilation can be used as monologues for exam purposes or as acting exercises for drama students, or selections can be made from the sketches to make up one-person shows of varying lengths.

This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa.

Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising.

Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.

I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.

Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions.

Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country.

Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.

Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.

Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.

Read Shakespeare’s plays in all their brilliance—and understand what every word means!

Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.

Each No Fear guide contains:

• The complete text of the original play
• A line-by-line translation that puts the words into everyday language
• A complete list of characters, with descriptions
• Plenty of helpful commentary

When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life. "A play that changed American theater forever."--The New York Times.

This manga recreation of Shakespeare's text transfers the action from Ancient Rome to a future Iraq, once again facing dictatorship after its prolonged struggles to establish a democracy. Part of the successful Manga Shakespeare series, a fusion of classic Shakespeare with manga visuals.

The Patient, known as Mrs. Wingfield, has been horribly injured in a fall from her balcony. Unable to communicate, it could have been an accident, attempted suicide or worse still a coldblooded killer bent on murder. While relatives gather around her hospital bed the tension builds as an ingenious device helps Mrs. Wingfield convey a message that could solve the mystery.

Shakespeare everyone can understand--now in new DELUXE editions! Why fear Shakespeare? By placing the words of the original play next to line-by-line translations in plain English, these popular guides make Shakespeare accessible to everyone. They introduce Shakespeare's world, significant plot points, and the key players. And now they feature expanded literature guide sections that help students study smarter, along with links to bonus content on the Sparknotes.com website. A Q&A, guided analysis of significant literary devices, and review of the play give students all the tools necessary for understanding, discussing, and writing about Othello. The expanded content includes: Five Key Questions: Five frequently asked questions about major moments and characters in the play. What Does the Ending Mean?: Is the ending sad, celebratory, ironic . . . or ambivalent? Plot Analysis: What is the play about? How is the story told, and what are the main themes? Why do the characters behave as they do? Study Questions: Questions that guide students as they study for a test or write a paper. Quotes by Theme: Quotes organized by Shakespeare's main themes, such as love, death, tyranny, honor, and fate. Quotes by Character: Quotes organized by the play's main characters, along with interpretations of their meaning.

An unhappy game of romantic follow-the-leader explodes into murder one weekend at The Hollow, home of Sir Henry and Lucy Angkatell. Dr. Cristow is at the center of the trouble when his mistress Henrietta, ex-mistress Veronica, and wife Gerda, simultaneously arrive at The Hollow. Also visiting are Edward (who is in love with Henrietta) and Midge (who loves Edward). Veronica ardently desires to marry Cristow and succeeds in reopening their affair but is unable to get him to divorce his wife. Veronica unwisely states that if she cannot have him, no one shall. Within five minutes Cristow is dead. Nearly everyone has a motive and most had the opportunity. Enter Inspector Colquhoun and Sergeant Penny to solve the crime.

This fun and interactive Reader s Theater book will help students build fluency while learning all about Colorado. The engaging script covers Colorado s continental divide, important landmarks such as Pikes Peak, examples of civic responsibilities in action, and much more. Make learning about Colorado s history, economy, government, and geography exciting with this book.The book includes a glossary, song and poem, and color-coded script. Go on an adventurous camping trip in the Rocky Mountains with this fun Reader s Theater book.

Is God Is is a modern myth about twin sisters who sojourn from the Dirty South to the California desert to exact righteous revenge. Winner of the 2016 Relentless Award, Aleshea Harris collides the ancient, the modern, the tragic, the Spaghetti Western, and Afropunk in this darkly funny and unapologetic world premiere.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Mourning Becomes Electra is a play written by the American playwright Eugene O'Neill. It premiered on Broadway in 1931 and ran for 150 performances. The story is an updated Greek tragedy and features murder, adultery, incestuous love and revenge. O'Neill's characters have motivations that are influenced by the psychological theories of the 1930s. Hence, it can be understood from a Freudian perspective, with characters displaying Oedipus and Electra complexes. Mourning Becomes Electra is divided into three plays entitled Homecoming, The Hunted, and The Haunted, with themes corresponding to The Oresteia trilogy by Aeschylus. These plays are normally shown together and, as they each have four or five acts, it is extraordinarily lengthy, often being cut down when produced.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Romeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths. This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially topical.

Calvin, a ten-month old baby (acted by an adult), can still remember his previous life when he was happily married to Laura, despite the constant attentions of his womanising friend, Bob. Calvin will lose his blissful memories when he reaches his first birthday - or speaks - so he determines nothing will make him talk!3 women, 2 men

South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections, two men from contrasting walks of life are thrust together to reflect on a quarter-century of change. Jack Morris is a celebrated classical actor who has just been given both a career-defining role and a life-changing diagnosis. Besides his age, Jack has seemingly little in common with his at-home nurse Lunga Kunene, but the two men soon discover their shared passion for Shakespeare, which ignites this ‘rich, raw and shattering head-to-head’ (The Times).

Written by South African actor, activist and playwright John Kani, this refreshingly funny and vital new play premiered in the Swan Theatre, Stratford-upon-Avon in 2019, before transferring to the Ambassadors Theatre in London. A co-production with the Fugard Theatre, it was directed by Janice Honeyman with moving performances from Antony Sher and John Kani.

On a still, cool day in the east of a city by the sea, three sounds only: a bulldozer’s engine, a forgotten song, a canon that tells the time. Behind the bulldozer, a sign: Luxury Mall Coming Soon. As the vehicle moves in to the clear ground, it strikes at something unexpected…

What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city – slave descendants, archaeologists, citizens, property developers – is forced to reckon with a history sometimes remembered, sometimes forgotten.

Loosely based on the events at Prestwich Place, What Remains is a path between memory and magic, the uncanny and the known, waking and dreaming. Four figures – The Archaeologist, The Healer, The Dancer and The Student – move between bones and books, archives and madness, paintings and protest, as they struggle to reconcile the past with the now.

Celebrate the incredible journey of Phoebe Waller-Bridge's outrageously funny, blazingly forthright Fleabag, from fringe theatre hit to international cultural phenomenon, in this special edition - featuring the original playscript, never-before-seen colour photos, and exclusive bonus content by Phoebe, director Vicky Jones and key members of the creative team. In 2013, Fleabag made its debut as a one-woman show in sixty-seater venue the Big Belly, at the Edinburgh Festival Fringe's Underbelly. It was an immediate hit, going on to enjoy two runs at London's Soho Theatre, national and international tours, whilst picking up prizes including Critics' Circle, The Stage, Fringe First and two Off West End Theatre Awards, plus an Olivier Award nomination. The 2016 TV adaptation propelled Fleabag and Phoebe to worldwide fame, earning critical acclaim and further accolades including Writers' Guild, Royal Television Society and BAFTA Television Awards. A second series followed in 2019, winning an amazing six Emmy Awards (including Outstanding Comedy Series and Outstanding Writing for a Comedy Series), along with a sold-out run of the original play in New York. This special edition of the play is released alongside Fleabag's first West End run at Wyndham's Theatre, London. It is introduced by Deborah Frances-White, stand-up comedian, writer and host of The Guilty Feminist podcast.